Malaya
Malaya
NR | 27 December 1949 (USA)
Malaya Trailers

After living abroad for several years, journalist John Royer returns to the United States just after the U.S. enters World War II. His boast that he could easily smuggle rubber, a key wartime natural resource, out of Malaya has him tasked with doing just that. He manages to get someone from his past, Carnaghan, sprung from Alactraz and together they head off to South East Asia posing as Irishmen. Once there, Carnaghan lines up some of his old cronies and with Royer and a few plantation owners plans to smuggle the rubber out from under the Japanese army's watchful eye.

Reviews
utgard14

WW2-set story about a plot to smuggle rubber out of Japanese-occupied Malaya. Reporter Jimmy Stewart, whose brother was killed by the Japanese, enlists in the war and is tasked with the smuggling operation, a nearly impossible mission he boasts he can do easily with the help of an old friend. That friend being Spencer Tracy, currently serving time at Alcatraz.Watchable time-killer that's a bit of a disappointment given the cast. Notable for being the final film of Sydney Greenstreet. Despite his failing health at this time, Greenstreet is still the most lively actor in the bunch. Tracy and Stewart are just going through the motions, not that the dull script or pedestrian direction do much to help them. Also the last film Stewart made with Lionel Barrymore, whose part is unfortunately small.

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Michael_Elliott

Malaya (1949) *** (out of 4) Washed-up reporter John Royer (James Stewart) is picked up by a government man who forces him into telling them how to sneak rubber out of Malaya. Royer agrees to help the government and he enlists the help of an old friend (Spencer Tracy) and soon the two are questioning their motives as they try and help the war cause. I've read quite a few reviews for this title and it seems that the majority of people were disappointed and I can certainly understand where they're coming from. After all, with such a terrific cast you really could argue that MGM should have spent more time coming up with a better story as there's no question it's quite standard WWII fair. With that said, it's the terrific cast that makes this worth viewing and I think seeing all the big names together makes the film worth sitting through. Not only do you have Tracy and Stewart but we've also got Lionel Barrymore and Sydney Greenstreet in his final film appearance. I thought watching the four of these men together was a lot of fun and especially the banter between Stewart and Tracy. I was a little surprised to see Stewart taking a supporting role but he's certainly very good in it and manages to bring that charm of his across without a problem. His character is also a patriotic one and I thought the actor did a great job at getting this across. Tracy is also exceptionally good here even though the character certainly wasn't going to stretch the legend any. Greenstreet is terrific as always and it's really amazing to see how good he could be with what appeared to be very little effort. It's a real shame that this turned out to be his final film. Barrymore plays the type of character he was typically doing during this point of his career but it was fun seeing him and Stewart together a couple years after IT'S A WONDERFUL LIFE. The film also offers up some exciting action scenes and especially at the end, which I won't ruin but the effects of the battle were extremely realistic and they put you right there in the middle of the action. Again, I can see why some might be disappointed that the film is so light in areas but seeing the four stars together makes it very much worth seeing.

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Andrei

In 1942, shortly after the bombing of Pearl Harbor, John Royer, an ex-newspaper correspondent, is summoned home by his publisher, John Manchester, after serving four years in the Far East. When Manchester asks Royer to help in a nation-wide drive to salvage rubber, the reporter scoffs and proposes a daring scheme to smuggle large quantities of rubber out of Japanese-occupied Malaya. After returning to his hotel room, Royer is contacted by a federal agent named Kellar, who reveals that he has thoroughly investigated Royer's past and has learned that Royer's story about smuggling resulted in the imprisonment of his friend Carnahan. Later, Kellar escorts Royer to a railroad car where Manchester is waiting with a panel of men, who intend to question him about his plans. Royer explains that he requires gold to buy the rubber, men needed to steal it and a camouflaged Navy ship to transport it from Malaya. Royer also insists that Carnahan be freed from Alcatraz to work on the mission. Carnahan is still angry at Royer for writing the expose that led to his imprisonment, but agrees to cooperate in return for his freedom. As Royer and Carnahan set sail for Malaya, Royer explains that he is risking his own life because his brother was killed by the Japanese. The cynical adventurer Carnahan responds that his only interest is in the gold. Upon reaching the Malay city of Penang, Carnahan and Royer pose as Irish seamen and visit the saloon owned by the Dutchman, an old friend of Carnahan's. There, Carnahan is warmly embraced by his former lover, the opportunistic singer Luana. The Dutchman also introduces them to Col. Genichi Tomura, the corrupt Japanese commandant with a penchant for gambling. After hearing their plans, the Dutchman agrees to recruit twelve men for the operation. While alone with Carnahan later that night, Luana recalls their past relationship and begs him to get her out of Malaya. The next morning, the Dutchman puts Carnahan and Royer in touch with three of the biggest planters in the district. Although all three agree to cooperate, Carnahan and Royer are wary of the third, Bruno Gruber, a German planter. That evening, while Carnahan distracts the Japanese by getting himself arrested, Royer, aided by Romano and the other guerillas, delivers the rubber from the first two plantations to a U.S. ship camouflaged as a small island. Afterward, the Dutchman convinces Tomura to release Carnahan into his custody. Afraid to trust the German, Carnahan refuses to participate in the last shipment but Royer, out of revenge for his brother's death, insists on completing the mission. Carnahan relents and joins Royer, then beats Gruber into revealing that the Japanese are waiting downstream to ambush them. Determined to secure the last of the rubber, Royer continues on alone and is brutally killed by Tomura's men. Hearing the sound of gunfire that signals the death of his friend, Carnahan shoots Gruber, prompting the Dutchman to observe that at least Royer died for his beliefs. The following day, Tomura visits the Dutchman and offers to allow the remaining rubber to be shipped out for a price. Although he suspects a trap, Carnahan resolves to complete Royer's mission. While Romano and his men deliver the rubber, Carnahan decoys Tomura with his boat. When Luana insists upon joining him, he pushes her overboard to safety. As Carnahan nears the U.S. ship, Tomura stops his boat, takes him captive, then signals the Japanese flotilla to attack the ship. Just then, two American PT boats suddenly appear and sink the flotilla with torpedoes. In the fracas, Carnahan is wounded but manages to kill Tomura. Some time after the end of the war, Kellar comes to Malaya to award a medal to Carnahan, who is now living on an island with Luana. Refusing the medal, the cynical Carnahan tells Kellar to pin it on the Dutchman instead.

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TAYLOR BOWIE

Just by chance I was home to catch this terrific movie when it was shown a few days ago on cable TV...what a happy surprise! Both Stewart and Tracy play "good-bad guys" whose inner morality and patriotism rises to the top when the going gets tough. The supporting cast is full of top talent, including super performances from John Hodiak, Sidney Greenstreet, and Lionel Barrymore. Richard Loo and Gilbert Roland both play brilliantly to their "type" and are fine as well, and Roland Winters (usually in pompous comic roles) is very effective as a German rubber plantation owner who should not be trusted! Look for the always-welcome Russel Hicks in the scene on the train, and savor the sound of his elegant voice.In addition, the script by Frank Fenton is way above average, with very droll and off-hand wit in evidence throughout.All in all, a first-rate movie which deserves to be much better known!

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