Make Me a Star
Make Me a Star
NR | 01 July 1932 (USA)
Make Me a Star Trailers

A grocery clerk, longing to become a cowboy actor, goes to Hollywood in search of fame and fortune. Unfortunately, his acting ability is non-existent.

Reviews
John Seal

The siren song of Hollywood gets skewered in this rarely seen Paramount comedy from director William Beaudine. The forgotten Stuart Erwin stars as Merton Gill, a small town grocery clerk who dreams of becoming a cowboy star on a par with his screen idol, Buck Benson. Discouraged and ridiculed by everyone in town except erstwhile screenwriter Tessie (Helen Eddy), Merton ups sticks for Tinsel Town and sets his sights on Majestic Studios, where Benson rides the celluloid range. Rejected by the casting office but with his confidence unshaken, he finally lands a role as a comic straight man thanks to the machinations of actress Flips Montague (gorgeous Joan Blondell). Trouble is, Merton thinks he's been cast in a serious role, but when the film's premiere reveals otherwise, tears and recriminations are the order of the day. Make Me A Star also features ZaSu Pitts, silent comic Ben Turpin, and a host of bigger Paramount stars in "on set" cameos, including Gary Cooper, Maurice Chevalier, Claudette Colbert, and Fredric March. It's tremendous fun.

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bkoganbing

For a film that was based on a George S. Kaufman collaboration with Marc Connelly, Make Me A Star strangely lacks the acid wit that Kaufman was known for. Instead what we have is a whimsical tale of a dreamy young man who wants to be a film star more than anything else in the world.Stu Erwin in probably his best known role plays Merton Gill the young man who was taken from an orphanage and raised by a grocer's family to be a grocery clerk and maybe later a part owner of the store. But Erwin loves the movies, he's even taken a correspondence acting course. That by the way is something I can't compute. Can you Lee Strasberg making records for a correspondence school on the Method?Erwin leaves his Hooterville like hometown to pursue his dream and won't be discouraged. His childlike innocence even wins over bit movie player Joan Blondell on loan from Warner Brothers to Paramount. Erwin in his performance touches on Stan Laurel in portraying innocence in a tough world.Besides Erwin and Blondell, Make Me A Star is best known for a whole flock of Paramount stars doing walk-ons as themselves in and around the studio and at the premiere of Erwin's movie. As I said, Erwin is almost Laurel like in his innocence and a sharp director decides to take advantage of that. Of course the gag is he doesn't tell Erwin. Gary Cooper and Tallulah Bankhead are seen in costume from The Devil And The Deep which was also shooting at the same time. Such others as Fredric March, Sylvia Sidney, Charlie Ruggles, Jack Oakie, etc. show up at the premiere. Make Me A Star, originally Merton Of The Movies ran for 392 performances on Broadway during the 1922-23 season and starred Glenn Hunter who also did a silent screen version of it. Later on MGM secured the rights and Red Skelton did a version of this in the Forties.Although the big studio system era is gone, people still dream of getting into the motion picture business. For that reason I doubt we've seen the last version of Merton Of The Movies. Can you see someone like Jim Carrey doing it for today's audience? This one will certainly do until that ever happens.

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MJBRLD

Once again TCM comes to the rescue of a forgotten gem. I agree with the posters here who comment on the interesting mix of pathos and comedy in this film. The film is truly touching in a way that could not come across today. Why is that? I think that nowadays it is an either-or : either you are a comedy or you are going for pathos. The trick of balancing both seems to be lost.There is additional pleasure in seeing Paramount stars of the times in walk-ons in the scenes on the lot or at the disastrous/successful preview. Look quickly and you can see Gary Cooper, Claudette Colbert, Tallulah Bankhead among others. Joan Blondell is excellent in her specialty, playing the tough cookie with a huge sentimental streak. I found the sweetness of the comedy in the scenes back home in Simsbury absolutely refreshing. Not a touch of cynicism even though these characters are so clearly the objects of humor.Catch this when you can. I just checked the Turner schedule for the next three months and it doesn't seem to be on.

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judith-38

"Make me a Star" is a heartrending film, one that superbly demonstrates the sincerity, honesty, and versatility of Stuart Erwin. Although many of the early scenes are farcical and satirize slapstick comedy, specifically the kind directed by Mack Sennett, the movie turns serious when it delves into the boorish behavior of the Hollywood studio system moguls, who prey upon starstruck acting hopefuls. And Stuart Erwin, as one of these unworldly hopefuls, handles both the farce and the drama equally adroitly. The final scene between Erwin and Joan Blondell is heartbreaking. In fact, I was so impressed with the movie that I decided to devote much of one chapter to this remarkable film in my book on Stuart Erwin.

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