Karin (Eva Bartok) is a brilliant student whose good looks give her an added advantage in assuming the role of a prostitute and exploring Berlin's thriving sex industry. Hired posthaste by nefarious Madame Clavius, the pretty blonde sets about gathering information for her thesis when she discovers that her old friend Madeline has been financing her luxurious lifestyle by working as a call girl in the very same brothel. The situation turns sinister when Madeline reveals to Karin that she has fallen in love and longs to start a new life, but any girl who tries to leave Madame Clavius soon turns up dead. When Madeline admits to considering suicide, Karin hatches a plan for both of them to make a clean break from the brothel and avoid Madame Clavius' deadly wrath. Fifties sexploitation dramas weren't the exclusive property of American studios, as this German melodrama of loose women and the men to whom their wicked, wicked ways lead them amply demonstrates.

The story was interesting, but the time line was hopelessly disjointed. Day or night? Didn't matter. It was very hard to understand where you were and why things were happening that shouldn't (and couldn't) be happening yet. Somebody needs to re-cut this thing...as a matter of fact, that would be a GREAT exercise for a film editing class. I think all the parts are there - they are just in the wrong order. The cinematography and lighting was good, and the acting seemed quite acceptable, although, since it was dubbed into English, it's kind of hard to tell. The music was amusing - I kept waiting for the bongos to kick in...I enjoyed the lavish sets and all the Volkswagens.

German crime film about call girls and women who take up with men for what the men can give them in exchange for companionship.The film also deals with the destruction that this sort of life leaves on the people involved.The version I saw was a badly dubbed English one that made it hard for her to understand what exactly the tone of the film was. Was this serious? Was it not? I wasn't sure. Certainly the dubbing made the film sound much more moralistic then I think it was intended to be, then again I can't be sure. For me the film kind of is. It's a disposable little film that's neither bad nor good, it just sort of is there hanging about with out much of a point.

Released in the USA as NAKED IN THE NIGHT, this film was advertised (and the VHS release still pushes this) as an "adults only" film, but except for three brief dance sequences (with pasties), it's mostly a crime film dealing with prostitution. As a crime film, it's quite good and well-acted by Eva Bartok and Sabine Sesselmann, the former as a lady trying to bust the racket, the latter as a sad victim of it. Heinz Drache, later in many German "krimi" films of the early 60's, does a fine job as a regular customer of the madam who isn't exactly what he seems. While the dubbing does not match the lips that well, the dubbed voices do a decent acting job and the dialogue is literate, so I had no problems with the post-synchronization. There is a fine Teutonic jazz score by Willy Mattes and moody, atmospheric photography. The credit sequence, with a speeding car careening down the street with the credits flying toward the screen, culminating in a car crash, started the film off with a bang, and the pace is kept up well throughout. In the late 1950's and the early 1960's, many foreign melodramas with a sexual element were marketed as "adults only" films in the USA. This brought a number of excellent films here that might not have gotten a US release otherwise, but gave the films the stigma of being tedious nudist or sex films, which many were not (thankfully, there are no American nude inserts here!). Despite the VHS cover NAKED IN THE NIGHT as a nudist or sex film, this is really a German crime film, and as such it's recommended to those who would want to see a Teutonic white slavery melodrama.