I am not so much like Love Sick as I image. Finally the film express sexual relationship of Alex, kik, Sandu their triangle love were full of intenseness, frustration and jealous, at last, Alex waked up and realized that they would not have result and future.Ending up was sad.The director Tudor Giurgiu was in AMC theatre on Sunday 12:00PM on 08/10/06, with us watched the movie together. After the movie he told the audiences that the purposed to create this film which was to express the sexual relationships of Romanian were kind of complicate.On my point of view sexual life is always complicated in everywhere, I don't feel any particular impression and effect from the movie. The love proceeding of Alex and Kiki, and Kiki and her brother Sandu were kind of next door neighborhood story.The two main reasons I don't like this movie are, firstly, the film didn't told us how they started to fall in love? Sounds like after Alex moved into the building which Kiki was living, then two girls are fall in love. It doesn't make sense at all. How a girl would fall in love with another girl instead of a man. Too much fragments, you need to image and connect those stories by your mind. Secondly, The whole film didn't have a scene of Alex and Kik's sexual intercourse, that 's what I was waiting for……. However, it still had some parts were deserved to recommend. The "ear piercing " part was kind of interesting. Alex was willing to suffer the pain of ear piercing to appreciate kik's love. That was a touching scene which gave you a little idea of their love. Also, the scene of they were lying in the soccer field, the conversation express their loves were truthful and passionate.

Love Sick is a tale of pure unfettered romance that skates over dangerous waters. The lightness and rapidity of its dialogue hides a literary depth that is easy to miss. The two lead characters give significantly assured and fine performances as the carefree youngsters in a heady romance within a world of teenage absolutes.Alex and Kiki meet at university in Bucharest. What first begins as a natural friendship, soon becomes an intense love affair. "I wonder if this building is earthquake proof," says one early in the script, clearly joking, and with the same childish belief in invulnerability that soon characterises their relationship.One of the opening images is of the two of them running through the rain - a scene Kiki later dreams of the first night she stays over at Alex's place. The film quite deliberately runs in this ambiance of fairy-tale romance for a while - "I could smell the scent of sleep on her, and that's when I desired to see her always, every morning." It is an idealistic celebration of emotional warmth and closeness, of which sexuality (and the fact that they are both girls) plays only a small part. The dialogue rushes forth like a spring or waterfall that cannot be stopped, characteristic of many people of their age group. Such alacrity of communication, fired by physical attraction and excitement, and with a trust that has not been scrutinized too closely, perhaps accurately conveys the way many teenagers 'fall in love'. Whatever our prejudices, it does have a poetic beauty and easily overcomes any objection to the unmistakable lesbianism (which, however, would be shocking to the community where the story is set).Having toyed with our emotional tolerance thus far, the film then presents a more dangerous challenge. Kiki and Alex discuss the purity of an important novella by François-René de Chateaubriand (which sadly many audiences will not be familiar with). The eponymous René of the novella in point is a romantic figure whose sister joins a convent to overcome her incestuous love for him. The story is discussed when Alex presses Kiki about the feelings of her brother Sandu, who has become increasingly disruptive to their relationship. It asks us how far we can use the purity of lyrical attachment to justify that which we feel is wrong. "I like their recklessness, the irresponsible way in which they justify their sexual impulses by finding a correspondent for them in the changes of nature," may sound like waffle, but accurately depicts the romantic self-deception in which the girls are perhaps engaging.Both girls have been hiding their more serious side, Alex subduing her desire to study and Kiki skilfully disguising her emotional instability. The imagery makes an almost imperceptible shift, showing the disparity that is appearing between their heady ideals and the intrusion of darker elements. "You have a sleepy smell, like when you wake up in the morning and you've been dreaming too long." Love Sick has much more depth than is immediately apparent. Its flaws are that it is too deceptively flippant, and the speed at which it progresses leaves little time to digest the ideas that are so cleverly balanced. The ending comes so swiftly that we may very easily feel cheated at first, as if some greater resolution was in order. " . . . we had no idea what had happened, but that it was something rather beautiful." This is a film that deserves greater examination than it seems to ask us for, but such examination may be well worth the effort.

Love is overwhelming... In all it's manifestations... Gorgeous, absolutely gorgeous... Tudor Chirila, Maria Popistasu and Ioana Barbu, one truly dramatic story about love in all it's shapes, a story about the undecipherable ways of young hearts, about life and lost innocence all directed by the skillful eye of Tudor Giurgiu. With a magnificent soundtrack featuring Faultline & Chris Martin and Vama Veche it surprises in every way leaving behind the sour taste of misunderstanding love... Truly remarkable... Is it me or is Romanian cinematography slowly but surely advancing and gaining respect? This is a brilliant film... Two thumbs up to everybody involved.

This is a movie that relies solely on the somewhat controversial image of incest and lesbianism to get noticed.That is it.The dialogs are pathetic and the sensuality of the "sex scenes" is absolutely absent.The acting and the dialog are more suited for high-school children,yet the subject is intended for adult audiences. It is a gutless and shallow movie.It could have been way better if it had a story and more drama. Ah and on top of that, one more thing: why are inner monologues so excessively used? Makes it seem so cheap.All in all an embarrassing movie for Romanian cinema as well as for mature audiences attempting to view it.I know the means are scarce but, that is not always an excuse for a movie flopping as this one does.And please start using some good actors in your movies and stop recycling them from musicians (Tudor Chirila) - they can't act!