First let me clarify that I love European movies; simple because they are free of the political correctness in USA. Second because they do not care about sex but they REALLY care about violence; which is healthy (no sex = end of humanity so do not be moralist ).Well loft is exactly the opposite. A very moral tale about friends sharing an apartment for sexual adventures; that one day find out a dead woman body in the bed and try to find out who did it.Obviously was one of them and in a things has an unexpected twist in the third act (and another one in the fourth ); but the first one is absurd and the second even worse. By the epilogue; everybody but the killer has done the right and morally correct thing. To be sincere; the first half of the movie; is intriguing; but as things start to clarify, events seems forced and without any reasonable logic.In brief; do not lose your time with this. It could happens the American remake is better; but with this original it should not going to be any better.

Full of twists & turns from start to finish, Loft concerns a group of 5 friends, all of them married, who share the ownership of a secret loft together where they meet their mistresses. One day, they find a woman's dead body lying in the room but there are only 5 keys to the apartment, meaning that one of them is probably involved in what appears to be a cold-blooded murder. And thus begins the blame game where each person begins suspecting the other one of committing the crime & collectively try to solve the mystery before police come knocking at the door.Directed by Erik Van Looy, the film smartly intertwines present with flashbacks to give viewers the backstory of each of its characters & create fresh doubts in their minds about who could be the real suspect among these. The writing is equally good too as each character is presented in a grey shade, thus making it difficult for the viewers to converge on a single suspect until the film reveals all on its own. The acting is quite convincing by its ensemble cast, cinematography makes great use of lighting, editing is brilliantly carried out & the music is a big plus here.There is no denying that viewers will try to solve this mysterious puzzle as soon as the film begins since no time is wasted in taking a linear approach and yet, the film will be able to surprise most of them not once but multiple times. On an overall scale, Loft is an amazing mystery thriller that is cleverly plotted, has an atmosphere of tension & suspicion from the very beginning, is perplexing but never confusing to the extent that makes the viewers reject it outright & didn't put a foot wrong until the film's third act, which is the only part that disappointed me though not majorly & will even work for most.Out of the very few Belgian films that I've seen so far, this one is arguably my new favorite as of now. And I've no problem in recommending this film to anyone for it has the charged tension of a Hitchcock thriller & really deserves a wider audience. So, give it a try before Hollywood comes up with a remake, which actually is coming out later this year, probably in August, helmed by director Van Looy only.

Late one evening in a quiet corner of a Brussels suburb, a body suddenly plummets from the top of a residential tower block onto the roof of a parked car below. Earlier that same day, five friends sharing a loft apartment for their extramarital conquests discover the bloodstained body of a woman sprawled across the bed where the affairs take place. Is one of them responsible or are they being framed by a jealous lover? So begins 'Loft', an exploration into the uglier side of sex and the psyche. It is as much a commentary on male attitudes to infidelity as it is a murder mystery, where the joys of conquest reign over reason and consideration for anything other than animal lust. While the championed phrase 'It didn't mean anything' is employed as the clichéd band aid over the wound of trust, the five protagonists who cling to it are not equal in their desires for inconstancy. When architect Vincent Stevens hands his four friends the keys to the sky parlor through which they may indulge themselves in secret, it is here that the unraveling truly begins and we discover whose declarations end at posturing bravado and who truly believes that adultery is an honest acceptance of male desires.All of which give 'Loft' its light and shade. With the story told out of sequence, we flit back and forth across the lives of the five men, the choices they made leading to their current predicament, and the way in which they deluded themselves so as to justify their actions. The placing of the murder inquiry in the pre-credits teaser makes it clear that the slaves of lustful extracurricular activity cannot escape their fate, but the real intrigue lies in precisely how the drama plays out and whether or not the man sitting in the interrogation room really deserves to be there. The out-of-sequence intersections spanning several months add layers of deceit – both within the group, not so tightly-knit as they try to believe, and to all who come within their orbit. The grotesque parody of civilization held together by expensive suits and champagne cannot disguise the descent into carnal imprisonment.Indeed, if grotesquerie is ultimately the point of the film, then 'Loft' succeeds with flying colours, for I found myself struggling to sympathise, let alone care about any of the poor fools and the fact that their clandestine infidelity had at last come to haunt them. I certainly can't fault a single character on the grounds that he is depicted unrealistically, for the overconfident Lotharios before the camera will easily remind any viewer of the expert seducers we've all met at some point whose undisputed skill at drawing women to them like moths to a flame is matched only by their deep vainglorious neglect of empathy. If redemption is on the cards, 'Loft' is not concerned with winning the audience over to their side and in the end, this is my biggest problem with it – not a desire for some tired, shoehorned play for morality before the end credits as Hollywood typically insists so as to keep the audience's fantasy of human virtue intact, but simply the fact that in human drama, a cast of unlikable characters is the true act of murder for the audience, their empathy dead and buried for the duration of a film that demands two hours of attention.Doubtless, there are many fans of the modern crime thriller who revel in the self-destructive anti-hero, seeing him or her as the truly honest figure driven to be nothing more than earnestly human in an uncompromising world. The fun lies in watching their raw emotion explode onto the screen in a celebration of chaos and drama. Perhaps 'Loft' has simply failed to bring out the best of this premise. I admit to not being a devotee of crime fiction and my Tarantino is rusty.There is still the mystery element, however, and in that arena, 'Loft' is compelling. As we peel the layers from our five anti-heroes, so the plot shifts and twists as expertly as the men themselves wriggle through their double-lives. Revelation follows revelation, and the final sequence is almost amusingly that last desperate attempt to redeem those still battling their consciences. Remorse sails in like a charging cavalry whose alarm clocks failed to sound on time. It feels tacked on as a last desperate twist, yet given what carnal descent into hell writer Bart de Pauw has presented beforehand, better to let the film remain in that melancholy storm of Dante's second circle where it can at least stand with its own self-prescribed dignity.Of director Erik Van Looy, I would praise his creation of a suitably dark and forebodingly-lit story. The cold light of day has no place here and Looy confines his characters to the shadowy realms in which they belong, and yet one of the stand-out scenes takes place at a daytime wedding where the men's egos are in full flight. He also chooses a fine cast, from the confident presence of Filip Peeters as suave seducer Vincent Stevens to Bruno Vanden Broucke as the nervous Luc Seynaeve – Broucke creating within him a man whose face tells far more than his lips will. Wolfram de Marco's tense soundtrack reminded me in places of Hans Zimmer's score for 'The Ring', punctuated by earnest strings and softened by echoing piano, never overused but doing much to set the tone.This then is 'Loft', a shadowy discourse on what happens when one succumbs to their desires and the way in which one lie compounds another. Within, all bright lights are diffuse, leaving only shades of grey, misery clawing desperately at excuses and no real victors. In amidst this gallery of the fallen stands the film itself, aiming high in terms of plot twist and drama, but sinking slowly through the ground for failing to engage the viewer on the most fundamental level: empathy.

My friend from Belgium recommended this movie back in November 2008. And now one year later, I have finally seen this Belgian movie entitled "Loft." I do not know any of the cast, but she mentioned that these are some of Belgium's greatest actors, and that was enough for me."Loft" tells the story of five male friends who each have a key to plush penthouse loft in a snazzy apartment complex. They use this loft to consummate illicit romantic affairs away from the prying eyes of their wives. But one day, their neat little arrangement gets a wrench thrown into it. A dead girl was found handcuffed to the bed one night. So the movie delves into the cover-ups, lurid secrets and double-crossing that are revealed as the friends try to extricate themselves from their tight situation.The look of the movie is very stylish, very Hollywood-like. This is the same loft we see in American movies like "Sliver" or "Basic Instinct". Same is true with the editing, music and cinematography. However, I felt that the scriptwriter tended to over-reach towards the ending. The plot could have already ended neatly, but still he decided to push for another one, making matters too convoluted.Overall, this movie is good to watch, exciting and tense as it went along. But do not try to analyze too much watching it, as this would cause you to discover a lot of questions about the plot and its various holes, especially when it comes to the sequence of events.