I'm not particularly strong on this film, even though I have always admired Tyrone Power. And, this was Power's first significant film role...and although he is clearly the centerpiece of the film, he gets 4th billing beneath Freddie Bartholomew (child actor), Madeleine Carroll, and Guy Standing. Power is so young here (just 22) that you really might not recognize him. He does a fine job acting here.The most interesting part of the movie (to my surprise) may well be the opening section, where Freddie Bartholomew is the friend of the boy who will become Lord Nelson. Bartholomew will grow to become Tyrone Power's character -- influential in Lloyds Of London.Once Tyrone Power takes center stage, however, the film seems to struggle to decide what it's really about. There's a really dumb segment where Power is in France disguised as a priest (we're not told why), and saves fellow Brit Madeleine Carroll from being arrested by Napoleon's military as a spy by hiding with her in a huge barrel...and somehow that ends them up in a small boat, manned (no pun intended...she changes clothes behind the barrel into men's clothing...and together they pilot the boat across the English Channel through a storm...only for her to disappear. At least we learn why she disappears...she is married to, of all people, a very young and unpleasant George Sanders. That whole segment was rather unbelievable and could have been handled with other logic to make it realistic.We then move on to Powers' stand against Lloyds, who is attempting to use a large part of Lord Nelson's fleet to protect ships, rather than fight the French. Powers prevents that from happening, but Nelson dies...while victorious.I don't know...it's just a bit much to believe.The acting is reasonably good, particularly Guy Standing as Power's mentor. An excellent role.I found this film disappointing, but watchable. It won't find a spot on my DVD shelf!

OK, so here's the deal, this movie ruined my life. How can such a thing be? Well, listen up: At the age of five (or thereabouts) I watched this movie on television. I fell in love with Ms. Carroll. Her golden-ringletted cloying prettiness was perfectly suited to a five-year-old's notion of female beauty. She was married to Mr. Saunders, who dressed REALLY well, spoke beautifully, was rich and was exceptionally urbane. Naturally, she didn't care for him. She was in love with Mr. Powers, who was, frankly, breathtakingly beautiful -- much more beautiful than Ms. Carroll at her best.But I digress. Anyway, my five year old brain decides, "In order to win M.C., you have to look like T.P." Well, it's been over 50 years and I'm STILL WAITING to be as handsome as Mr. Power (probably NOT going to happen -- what's your guess?). So, here I am in (advanced) middle age, still functioning under the delusion that you have to look like Mr. Power in order to secure the attentions of the lady of your dreams. How messed up is THAT? Silliness aside, the movie is thin on (rational) plot but long on star-magic. Enjoy Mr. Power and Ms. Carroll at their loveliest and Mr. Saunders at his most vile. The rest of the flic is just and excuse to watch them dress up in period costumes.

This is one of a sort of sub-genre that appeared on screens in the late 1930s. Let's see, there were biographies of all these tycoons, inventors, and successful businessmen -- Alexander Graham Bell, Reuters, Dr. Ehrlich, Robert Koch, and even Diamond Jim Brady. It's hard to imagine why these stories were so popular in the depths of the Great Depression. Maybe hope sells.Handsome Tyrone Power is the fictional Jonathan Blake who rises to a position of importance within the insurance company, Lloyd's of London, in the late 1790s, earnest here, rather than dashing. His girl is Madeleine Carrol. His friend from boyhood is Horatio Nelson. You know, Nelson? Trafalgar Square? His enemy is the dandyish, rich George Sanders who plays a snobbish cad for a change. He's marvelous with all that frothy lace at his neck. He's adopted a tendency to speak with a patina of elegance, pronouncing the word "me" as "meh." As in, "She died and left meh her entire faw-tyune." I have no idea how much of this tale is fabricated, though I doubt that a man pulled up in front of the tavern that housed the original Lloyd's and asked to see Doctor Johnson. (That would be Samuel Johnson, who said: "Of all noises, I think music is the least disagreeable.") Who is asking? the doorman replies. "Benjamin Franklin." It's a nice little touch anyway.There is no poetry here, so don't look for it. The movie is to art as a Boston rocker is to furniture. It is hard and functional. It's designed to get the job done and it accomplishes its goal. It represents old-fashioned Hollywood craftsmanship. It's mostly studio bound but atmospheric as all get out. And it not only entertains, it "educates", as the Moguls would have phrased it.

Lloyds of London concerns two boyhood chums, Jonathan Blake and Horatio Nelson who come upon a plot to scuttle a ship, steal a cargo, and collect the insurance. Jonathan goes off to London to Lloyd's coffee house where the insurance underwriters gather to warn them of the scheme. But Horatio can't make it. His uncle on his mother's side is going to take him on as a midshipman in the Navy. Well we all know what happened to him.As for the fictional Jonathan Blake, he goes to work for Lloyd's of London and grows with the company. He also falls in love with a married woman, but she's married to a Regency cad.And when the Napoleonic wars resume, British shipping is in peril of the French Fleet. It's a crisis that Lloyd's of London and particularly Jonathan Blake have a hand in seeing the nation through. For how that's done, you have to watch this very enjoyable period piece.No actor, before or since, has ever done costume pieces better than Tyrone Power. This film was his big break as an actor and he shines in the part of Jonathan Blake. George Sanders is of course the Regency cad and no one was ever a better cad on the screen. Madeleine Carroll was Sanders's lost suffering wife.This also marked the debut of the combination of Director Henry King and player Tyrone Power in the first of nine films they collaborated on. Some of the best work done by both men.In one of his last films Sir Guy Standing is the wise and honest Mr. Angerstein who serves as Power's mentor/father figure. It is probably the best thing he ever did on screen. And big kudos in the supporting cast go to Virginia Field who was waitress Polly who's carrying a Statue of Liberty size torch for Ty.I can't also forget the boys, Freddie Bartholomew and Douglas Scott, who play Blake and Nelson in the first thirty minutes of the film. They both shine in these roles and their friendship is deep, sincere, and affecting. They have to be good because their performances explain the motivation behind Ty Power's character and what he does.Lloyd's of London is a wonderful costume drama with real heroes and villains, the kind they unfortunately don't make any more in this day and age.