This film tells the story of a woman who fights hard against the city government taking her home for development by a private corporation.This is a poignant story, and it drives me to tears. I admire the fighters' dedication to fight for their homes. It is engaging and captivating.

A small-town nurse named Susette Kelo emerges as the reluctant leader of her working-class neighbors in their struggle to save their homes from political and corporate interests bent on seizing the land and handing it over to Pfizer Corporation. Catherine Keener is usually pretty good in most things she does unfortunately the same can not be said about her newest film called 'Little Pink House' a film that will literally put you to sleep by how slow and boring it turned out to be but also how older than usual Keener was for some reason too. (0/10)

How many movies can you name that have the potential to change the world for the better - while being hugely entertaining, to boot? And how often does one find in cinemas a riveting true story about heroism, determination, and persistence? Few films these days present a principled fight for human liberty and individual rights - in this case an ordinary citizen's crusade to save her home from a powerful government's attempts to take it from her. Little Pink House is an outstanding film in all respects: top-notch performances, direction, production values. It's not a documentary but a dramatized, narrative retelling of Susette Kelo's story - a landmark case that went all the way to The Supreme Court and is still resonating today, as important as ever. I've seen this great film three times and it just gets better with every viewing. See it now, while it's in a theater.

This film gets to you. As a retired constitutional lawyer, I'm usually hard on Hollywood's typical cutting-corners presentations of legal procedures and issues. And as a life-long performer of various kinds, I usually view acting with a critical eye. This film did a great job of both: the actors playing Susan Kelo and her boyfriend were so believable & created so much empathy for the characters, that it was actually a wrench to see photos of the story's real-life principals at the end, to be reminded by those that it *was* acting. The writer and director did an excellent job of making the substance of complex & very serious legal issues accessible, and the procedural steps clear and comprehensible. Even the scene of a Supreme Court argument, usually something very, very difficult to distill simply, was tight, succinct and clear. Throughout, the human elements of the story predominated: what eminent domain did to the people of one neighborhood -- and the human elements were very engrossing. The villains may seem to outside eyes just a slight touch caricatured, but I am sure that, through the eyes of Susan Kelo and her neighbors, the bureaucrats, politicians & functionaries who knowingly stole their homes, deserved every bit of those portrayals. An excellent job overall!