In his very first line in the movie, Sartana paraphrases the Bible verse "I have come to call not those who think they are righteous, but those who know they are sinners and need to repent" before killing a corrupt sheriff and two of his deputies. If I wasn't already excited about the fourth Sartana film, I'm now fully ready.Sartana turns himself in for their murders in order to get one of his old friends, Grandville Full, out of the corrupt jail, one so horrible that the wardens urinate onto men desperate for water. That friend I mentioned earlier - Grand Full for short - knows where a half million in gold and two million in counterfeit money is. But there are plenty of people after it too, like an evil widow (Nieves Navarro!), a one-eyed killer, another corrupt lawman and even a general gone deaf and mad.Like every Sartana movie, the only person you can trust is Sartana himself. The entire town of Mansfield is looking for the gold and ready to kill one another and anyone else that comes to visit. Like Mara Krupp, who pretty much plays the same horny hotel owner that she played in For a Few Dollars More.Well, maybe Pon Pon, an old friend and inventor, can be trusted. After all, he's invented a robot for Sartana named Alfie. Yep, in the middle of a spaghetti western, there's a robot. Welcome to the Sartana films! He's also building a giant organ for his dance hall, which he claims to be the reason why he needs the money.The scene where Alfie the robot blows up the sheriff, spraying out burning counterfeit money that Sartana lights a cigarette with while laughing? That's exactly why I love the Sartana series. They've moved from him as an angel of death to a detective with James Bond gadgets over the four Gianni Garko films.The finale, where the pipe organ is taken into the street, only for it to contain machine guns that mow down hundreds - if not more - soldiers and assorted killers, thieves and liars has to be seen to be believed.The music, by Bruno Nicolai, is great. He also scored plenty of Jess Franco films, as well as The Red Queen Kills Seven Times, All the Colors of the Dark, The Case of the Bloody Iris and so many more. Here, he continually brings back the haunting theme of Sartana and ups the intensity at the close of the film.Of the four Sartana films I've watched, this one is my favorite. Now, it's not the dark and realistic film that a Leone Western can be, but it has a charm and verve all its own. Also, I want a robot that lights my cigars like Alfie!

I didn't come in to this flick in the beginning. I came in somewhere's near the middle, the main character walking into a bar with a plinky plink piano playing...at various tempos...and a cut scene to him playing A PIPE ORGAN, in a horse barn. (yes, you read that right) A sub character, comes in from the back and eventually shows his little mech project (with a goofy name of course)- a badly stylized "tiki" head that rolls, stops, flips its lid and lights a lighter inside...My suspended disbelief was also suspended.Thanks, Sony for broadcasting barrel scrapers like this.I would call this more of a peyote western.

Wily roving gunslinger Sartana (a typically fine performance by Gianni Garko) kills three corrupt lawmen and has himself put in prison. Sartana escapes from jail with his equally shrewd partner Grand Full (well played by Piero Lulli), who knows where a fortune in both gold and counterfeit money is hidden. Naturally, several other treacherous folks also want to get their greedy hands on said fortune. Director Giuliano Carnimeo, working from a clever script by Tito Carpi, Ernesto Gastaldi, and Eduardo Manzanos Brochero, relates the tricky and absorbing story at a steady pace, maintains a suitably harsh and gritty tone through (the moments of sadistic violence and torture are pretty rough stuff), stages the exciting shoot-outs with considerable skill and brio, and further spices things up with a nice line in wickedly amusing sarcastic humor. The charismatic Garko truly shines in the lead; he receives able support from Lulli, the fetching Nieves Navarro as sly scheming widow Senora Manassas, Jose Jaspe as the vicious and unhinged General Monk, and Franco Pesce as a rascally, quick-witted old goat gambler. Moreover, this movie has a few nifty gimmicks which include a deadly organ and an equally lethal wind-up walking cigarette lighter. Both Julio Ortas' expansive widescreen cinematography and Bruno Nicolai's robust sweeping score are up to par. A very enjoyable film.

Giuliano Carnimeo's "Una Nuvola Di Polvere... Un Grido Di Morte... Arriva Sartana" aka. "Light The Fuse... Sartana Is Coming" is an excellent Spaghetti Western and arguably the best of the Sartana movies with Gianni Garko.Sartana, the Italian Western's best dressed antihero, is often described as a kind of Spaghetti Western James Bond, which is very reasonable, since does not only have great style, but he uses lots gadgets and tricks . Much alike the fact that many films had 'Django' in their title after Sergio Corbucci's masterpiece "Django" of 1966, Sartana's name was used in quite a bunch of Spaghetti Westerns (not quite as often as Django was used), but none of these films ever came close to the original series with Gianni Garko.In "Light The Fuse... Sartana Is Coming", Sartana (Garko) is on the hunt for half a million dollars in gold and 2 million dollars of counterfeit money. Sartana is not the only one who is keen on the gold, of course, a gunslinger named Grand Full (Piero Lulli), a beautiful but sneaky widow (Nieves Navarro) and the slightly insane General Monk (José Jaspe) are just three out of many folks who are after the gold.The acting ins "Light In The Fuse... Sartana Is Coming" is great, especially Gianni Garko delivers a (once again) excellent performance as Sartana. Lovely Nieves Navarro is very convincing as Senora Manassas, a widow who is as crafty as she is beautiful, Spaghetti Western regular Piero Lulli is great as gunslinger Grand Full. The crazy General Monk played by José Jaspe is another great, typical Spaghetti Western character. The supporting cast furthermore contains actors like Bruno Corazzari, whom genre-fans should know for his performances in Sergio Leone's "Once Upon A Time In The West" and Sergio Corbucci's "The Great Silence". Bruno Nicolai's score is excellent and makes the movie even better."Light The Fuse... Sartana Is Coming" is what a good Spaghetti Western should be like: A stylish movie with a very good plot, great actors, good gunplay, black humor and an excellent score, superbly photographed in great locations. All of the Sartana movies with Gianni Garko are very cool, fun Spaghetti Westerns, this one is arguably the best of the series. All said, "Light The Fuse... Sartana is Coming" is a great Spaghetti Western, and a must-see for every fan of the genre.