Liberal Arts
Liberal Arts
PG-13 | 14 September 2012 (USA)
Liberal Arts Trailers

Newly single, 35, and uninspired by his job, Jesse Fisher worries that his best days are behind him. But no matter how much he buries his head in a book, life keeps pulling Jesse back. When his favorite college professor invites him to campus to speak at his retirement dinner, Jesse jumps at the chance. He is prepared for the nostalgia of the dining halls and dorm rooms, the parties and poetry seminars; what he doesn’t see coming is Zibby – a beautiful, precocious, classical-music-loving sophomore. Zibby awakens scary, exciting, long-dormant feelings of possibility and connection that Jesse thought he had buried forever.

Reviews
Kartik Pillai

There are only a few movies out there which have a good moral to it, well this is a movie which comes under that. The movie is about a adult who thinks that only his college days had something meant to it, not his adulthood life. This movie has everything from romance to comedy to drama. I really liked this movie from all aspects, from the moral to the decisions Jesse makes in this movie. In all, it was a great movie to watch.

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johanschutten

OK, this one is awful. Which is strange, because the acting is very good, the characters well played (although sometimes a bit over the top) and the struggle of a 35 year old falling in love with a cute 19 year old is very real. But something happened in the movie which totally broke it in my opinion. Hence, the spoiler: when 19 y/o Elizabeth invites Jesse to have sex although she's still a virgin, he refuses because of some moral dilemma's. A very real problem if you take the age difference into account. She was still in diapers when he went to high school. And, well, she's still a virgin. Jesse tells her that sex is a big deal and that he cannot do it because he learned in the years after college how special it is. Zibby (Elizabeth) is hurt, cries because of his refusal. I think it was the very best scene in the movie, because it showed an incredible precious en vulnerable moment. I loved it!But then the whole film got totally ruined by the next scene: Jesse meets his old English teacher, forms for some reason suddenly a very good connection with her and finds himself in bed with her after wards. For some reason I cannot begin to fathom he doesn't give a thing about the age difference anymore. Apparently, everything he just told Zibby was a complete and utter lie. His moral dilemma non-existent. His feelings for Zibby totally gone. I just couldn't watch it any further. I don't believe I've ever been any more turned off by a movie than this one. It's horrible. Don't watch it. It's total crap. Don't waste your time. Please.

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inspiredview

I liked watching Josh in HIMYM and I was hoping I would like his film.Unfortunately, I correctly guessed the ending within five minutes. The foreshadowing was too obvious. Yes, we know Jesse is probably not going to end up with the girl who is feasibly young enough to be his daughter from a teenage pregnancy, and we can accept knowing the likelihood of that, but that is all we want to know. When that part is so obvious, we want the end to be more of a surprise. At least I do. I enjoyed the acting in the film. However, the humour from Josh's character sometimes seemed too similar to the humour I'd expect from Ted Mosby in How I Met Your Mother. During the conversation with the depressed student in the hospital, the student asked Jesse why he flew back to talk to him. When Jesse responded "I have a soft spot for good readers...", I felt like it was really trivializing a serious moment; it was serious to the boy. In that moment I really wanted Jesse to say something that was actually authentic.

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PrestF4

There were a lot of things to like about "Liberal Arts". The problem with this film is the same problem that Radnor's more famous series "HIMYM" suffered from. Radnor is the main character. Radnor is not a compelling character. He's just a whiny malcontent. In "HIMYM" he is constantly whining about not being married. Here he is whining about not being young. As in the series, he is surrounded by a capable cast of interesting and compelling characters. Elizabeth Olsen makes the most of a limited part. She leaves you wanting to know more. Richard Jenkins creates a compelling storyline that goes unfinished. I'm not sure I wanted to see more of Zac Efron or Allison Janney, but they both were excellent and entertaining making the most of their supporting roles. At the end of it all I wanted the story to revert back to their stories. Instead we are stuck with Radnor, and I just couldn't care less.

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