An amazing film, totally out of the ordinary, almost unknown today, deserves refreshing, very much reminding of the classic silent "Greed" by Erich von Stroheim - it's the same atmosphere, the same desperate passion, the same hopelessness, the same drama intensity in a totally outcast state as far from reality and civilization as possible, only, this is in colour, this is exotic, this is flesh and meat, and here is Sophia Loren.She actually makes the film. From her first scene you catch yourself watching only her, and her character is the most complex and fascinating. John Wayne is as he always has been, he could only play himself, while Rossano Brazzi more credibly matches Sophia. His tragedy touches on the absurd, but on closer scrutiny his development into psychosis is perfectly logical. The script (Ben Hecht screwing it up as always) is perfectly watertight in its complex turnings and sudden surprises in the winding labyrinths of the relationships, constantly taking the audience aback, and to this comes the fascinating story of the quest for a lost city in the middle of the Sahara - this also brings "The English Patient" into mind.But above all it's a passion play, three is never good company if one of them is a woman and she is beautiful and irresistible at that for both the men, and the passion is played out efficiently in the ruins of the failed archaeological enterprise with the ecstasy and agony of Rossano Brazzi as the heart of the matter at the mercy of hopeless love and delusion. No matter how much he falls out you tend to like him better than John Wayne, who is so hopelessly crude in his simplicity.There are even some hints at "Mackenna's Gold" in this in part even rather mystical drama, as the omens of the skeletons add an extra touch of marvel.

Timbuktu is the background of this mostly entertaining tale about three characters , an adventurer scout named Joe January (John Wayne) , an archaeologist (Rossano Brazzi) and a gorgeous girl (Sophia Loren ) in search for a lost city in the desert called Ophir and a fabulous treasure hidden.John Wayne leaves his Stetson and horse for a camel in this exotic adventure set in Sahara desert plenty of Tuaregs , sandstorms , mirages and amazing dangers . This exciting picture is packed with adventures, action , thrills , a loving triangle and is quite amusing . Interesting screenplay by Ben Hetch , Billy Wilder's usual writer. Breathtaking cinematography with luminous and bright colors by Jack Cardiff . Atmospheric and evocative musical score by the Italian Angelo Francesco Lavagnino . The motion picture is professionally directed by Henry Hathaway. He had a reputation as being difficult on stars, but some actors such as Cary Cooper , Marilyn Monroe -Niagara- and especially John Wayne , The Duke , benefited under his direction . Big John played for Hathaway various films as ¨The sons of Katie Elder (65), ¨Circus World (64) ¨ certainly not one of his memorable movies , ¨How the west was won (62) ¨, ¨ North to Alaska (60)¨ , but his greatest hit smash was ¨True grit (69)¨ in which Wayne won his only Academy Award . Although Hathaway was a highly successful and reliable director film-making within the Hollywood studio system , his work has received little consideration from reviewers . Rating : Acceptable and passable , well worth watching . The film will appeal to adventure buffs and John Wayne and Sophia Loren fans .

It is a good combination to have strong John Wayne together with attractive Sophia Loren in a film, which was complemented with the acting of the Italian Rossano Brazzi. The film in fact is just an invention, everything starts in Timbuctu, an area populated by Touaregs and today part of Mali in West Africa, which at the time of the film plot was under the French domination. Here you have an American (Wayne)trying to celebrate 4th July there, then a white prostitute (Loren) and a French "Lord" (Brazzi). Wonder how a white prostitute and an American were able to reach that far area as Timbuctu. At present a plane flies daily from Bamako to Timbuctu, and to go by road is not advisable. Another fiction is to find a river in the Sahara. In any case, the best is to forget the origin of the subjects and its fictions in the film and to follow the plot, which is of value. Love may be developed after continuous talks between people, poor and non educated ones may like to be rich, but in several cases their sense of solidarity prevails over the ambitions, and this is what we find in the film, a good example of cruel egoism and also human solidarity. The best is that the egoist does not win finally.

Legend of the Lost paired John Wayne and Sophia Loren for their one and only teaming on the silver screen. Too bad it wasn't in a much better film than this barely disguised rip off of Rain.The setting for this film is French West Africa as it was then known in 1957 before it became several new African countries in a few years. The Duke is Joe January, a freebooting American expatriate who hires out as a guide on the desert.Rossano Brazzi wants to hire Wayne as a guide to take him to a fabled lost city that he swears his father found out in the middle of the Sahara. The father disappeared on a return trip and Brazzi is also looking to find out what happened to him.In Timbucktu both of them encounter Sophia Loren who's a working girl. She's got the both men going, but it's Brazzi she really loves. Brazzi's a spiritual sort of fellow, talking about doing some good for the native population. When they go out in the desert, she trails after them.They find the ruins of what was an old Roman city, bet you didn't know the Romans got that far south. Brazzi also learns what happened to his father with a letter found on his remains and two other human remains and some forensic conclusions. For the rest of the story if you've seen any adaption of Somerset Maugham's Rain you know what's going to happen.I have to say that on the plus side Jack Cardiff's color cinematography of the Libyan desert because that's where the film was shot is breathtakingly beautiful. The rest of it is kind of silly. Forgetting the fact that Sophia with two men on the desert is going to lead to obvious complications, I cannot believe that Wayne was taking booze on the trip. In his role here and in real life Wayne was a prodigious drinker. But alcohol except some small amount for medicinal emergencies is an outright hazard on the desert. The sun will dehydrate you that much quicker if you keep drinking alcohol as well as water. Not to mention traveling by day instead of by night. My conclusion is that since this was a Batjac production, John Wayne wanted to do something that could be classified as arty. Since he had already done well in The Long Voyage Home, I'm not sure what he felt he had to prove. I do wonder what Somerset Maugham must have thought when he saw this film though.