Left On Purpose is a heart-wrenching study of a man and the choices he makes. Over the progression of the sometimes surprisingly amusing subject the film also becomes a study of the choices a documentary filmmaker must at times make in order to see a project through and what happens when the filmmaker becomes personally intertwined with the subject. Highly recommended as a study of the complexities inherent in the human condition.

This is a beautiful and sensitive film that explores the existential struggles and frustrations of a man who devoted his life to radical politics, as well as probing the loneliness of depression, and the ethics of documentary filmmaking itself. Mayer Vishner, its central character, is captivating— passionate, principled, witty, and suicidal. The filmmaker is transparently introspective about his own role in Vishner's life and fate, and raises questions that will generate important and difficult conversation that most of us are afraid to have. A must see for anyone interested in leftist social movements and the toll such commitments take on the human soul.

Anyone who has had a grandparent or who has aging parents must watch this film. It's beautifully shot and despite the outcome, has many humorous moments along the way. It does a wonderful job of brining to light something that we as a society are only just starting to talk about: mental illness. But this film takes it a step further and discusses depression within the aging community. Mayer is a wonderful soul and it's a joy and an privilege to learn all the things he has done to try and better the world in the way of the Yippie movement and the counterculture. The relationship between filmmaker and his subject is also a fascinating part of the film that isn't seen much in documentary. The filmmaker is just as much of a character as Mayer in this film. It's about their relationship with one another and their friendship. I also just read online that the film just was released for educational distribution. I believe that's a wonderful outlet for this film in both the psychological sense as well as from a filmmakers perspective.

This is a deeply moving and original movie on so many levels. At its most fundamental, it's about the relationship between a filmmaker and his subject. I wish this was something more filmmakers addressed as probingly and with as much self-honesty as Justin Schein does here. Where is the ethical borderline between bearing witness and intervention to avert a wrong? But that's just one axis on which this film turns. What if what seems wrong -- in this case, we are talking about the desire of a charismatic, funny, biting and incredibly, overwhelmingly lonely veteran political activist to take is own life -- what if what seems wrong isn't wrong? What if it's both wrong and right? How do you even know? Another review calls the movie "depressing.'' Yet the audience I saw it with burst into laughter at many points. That's because Mayer Vishner, the Yippie leader Schein profiles, is genuinely funny -- we can see why Schein is drawn to him -- and because Schein, often at his wits end, also manages to keep his sense of humor. Parts of the film are hard to watch, yes. It is unflinching. So are its two protagonists. But that is precisely what makes you want to keep seeing more. Final note: The archival footage of Yippie activism and the context in which it rose and fell is amazing in its own right. Highly recommended.