One of the ways I personally classify whether a documentary based on famous real-life events is good or not is whether I learn something new about it. For example, I didn't think the Robert McNamara movie, "The Fog of War" was good, because it just regurgitated things I already knew about Vietnam. Last Days in Vietnam, however, showed me new things that I didn't know about and found interesting. I won't list them all here, but the most fascinating thing for me (and they even had footage of it!), was all the South Vietnamese helicopters that landed on the aircraft carrier to leave the country, and because they couldn't store the helicopters anywhere, the military had to push them into the ocean so the next one could land.As an American who grew up during this time, Vietnam is still a raw experience for many of us. It was refreshing to see how many Americans felt responsible for the South Vietnamese, and tried to get as many of them out of there. You never really hear very much about those kinds of stories.Because of her family name, Rory Kennedy carries lots of baggage, mostly good, but some bad. However, along with the very personal documentary about her mother Ethel, she is proving to be very, very capable in this genre. I look forward to seeing more of her work in the future.

After building enough history to emphasize about the exodus event itself the movie nicely serves the incredible sub stories that happen during the incident. I really like the movie's approach of previously serving the interviews without giving out the speaker's names, building up the start of their opinions and then weave together all those sub stories into link to the greater story of the event. What makes this movie very good is that the movie makers were able to obtain many authentic footage and photographs that give visuals to the stories told by the interviews.This makes the movie deeply visual, without having to resort to other ways to invoke the drama and emotions.

From 1971 to 1975 I lived on the island of Puerto Rico. As my father was an employee of the Federal Government, my siblings and I attended school on a military base. I went to Antilles Middle School on Fort Buchanan from third to seventh grade. I remember two things most clearly from this time. First, our classrooms were WWII era barracks and secondly, every couple of months the entire school was sent down the hill to cheer on various military leaders who were coming in by chopper. On a couple of occasions, we were told that we were cheering for Army Chief of Staff William Westmoreland, the former Commander of US Military Operations in Vietnam. Viet Nam was something that I was aware of as a young boy, as I was a voracious reader of newspapers (because they were in English) and magazines. The only time I heard my father, a WWII and Korean conflict veteran, mention it was in the context of him moving his family to Canada if they drafted his sons. Not that any of us were anywhere near draft age, but it gives you a sense of the feeling that the war would never end. Certain images from the front pages of newspapers of that time are burned in my memory, including the image of the rooftop helicopter evacuation of Americans from Saigon. That evacuation is the focus of "Last Days in Vietnam", a new documentary by Rory Kennedy. With archival footage, newly released recordings and interviews with pilots, evacuees, and those left behind, Kennedy tells the gripping tale of the men who did their damnedest to uphold American honor and personal responsibility. This is the story of how they dealt with the "terrible, terrible moral dilemma" (as said by one of the interviewees) of deciding who to evacuate. Devoid of most of the politics of the day, Kennedy focuses on the men who, while not specifically given the responsibility for getting as many people out as they could, took it upon themselves to rescue those who faced certain death at the hands of the approaching North Vietnamese forces. The marines on the ground, the chopper pilots in the air, and the naval commanders at sea are all given their due for the incredible work that they did in evacuating approximately 170,000+ people in an amazingly short period of time. There are no villains in this film. Ambassador Graham Martin, the person responsible for ordering an evacuation, is treated fairly, as questions are raised and answered as to why an "official" evacuation had not begun earlier, and why thousands were left behind. Heroes are plentiful, from the American pilots who flew for 24 hours straight, to the South Vietnamese pilots who did whatever it took to rescue their families and friends. Most telling as to the emotional toll this event took on those involved is the overwhelming sense of regret and sorrow you get from interviews with US Marines responsible for Embassy security, and the images they witnessed as the last chopper departed Saigon – thousands of people left on the Embassy grounds that had been assured they would be rescued. The evacuation of Saigon is probably the least known component of the Vietnam War as it occurred two years after the Paris Peace Accords had been signed and the US had withdrawn all combat troops. It deserves to be better known and understood and the people involved appreciated, and this film goes a long way in recognizing the honor and bravery of those tasked with an impossible mission. It's a tribute to Kennedy's skill as a filmmaker that she manages to take a story to which we all know the end and writes a seemingly new, riveting chapter. While the Vietnam experience is often looked at as the nadir in American foreign policy and military engagement, "Last Days in Vietnam" shows us that, even at its lowest point, there were those who stood tall and went above and beyond the call of duty to uphold American honor and simple human dignity.

Rory Kennedy is a masterful story teller, and has combined that talent with historical accuracy in this engaging and truthful documentary. Having been a former AP reporter in Vietnam, I can verify that the US evacuation in 1975 is a little told story---a critical element of the war story, but often disregarded in the annuls of this war. But the evacuation is a catalyst for Ms. Kennedy to recreate the dynamics of how easy it is to get into war, but how difficult to get out. For Vietnam veterans, often not wanting to talk about their war experiences, Ms. Kennedy deftly interweaves the soldiers stories who were there, with an out of touch US ambassador who refused to believe that Saigon would ever be defeated, to a Congress that blocked any more funding to support a falling regime. But the soul of this story is how they all were morally and personally torn by leaving behind many of their Vietnamese counterparts who could not be evacuated in a very hasty and uncoordinated US departure. To add another original dimension, one of the US Kirk navy men had hours of 8mm footage of the evacuation that was uncovered in his attic and remastered by Ms. Kennedy for use on the documentary. One of our soldiers spoke for many of our troops when he said "that he sometimes even dreamed in Vietnamese." In one of the same, this may have been a small part of the war's history, but at the same time epitomized the entire war in 98 minutes of drama, skilled cinematography, stunning resolution and sound, and the riveting pain of war. As an educator and child advocate, I would urge that this be used as a resource in every social studies, history, and political science class rooms in the country.