Cornel Wilde started his career as a matinée idol specializing in romantic and swashbuckling roles,later going on to direct his own films.Some are best forgotten but films like "The Naked Prey" and "Beach Red" are cult classics.Lancelot and Guinevere,his take on the Camelot legend,while not an unqualified success is by no means a bad film,what does however stretch ones credibility is the ages of some of the leading players. Cornel Wilde who played Lancelot, although still fit and muscular looking, was pushing fifty.Likewise his real life wife Jean Wallace who played Guinevere was in her forties.Although still an attractive woman no amount of soft focus photography could disguise the fact.For reasons best known to himself Wilde decided to portray Lancelot as a french man so he dusted off the accent he perfected in "Centennial Summer" and "The Greatest Show On Earth",one wonders if that was the inspiration for Peter Sellers role as Inspector Clouseau in the Pink Panther films.Yes its that bad.The love scenes were considered quite explicit for the time but they come across today as more tasteful than erotic.The whole film is down to earth with no magic or mysticism and certainly no Excalibur.Merlin spends his time inventing a wondrous new substance called soap.Indeed is it a product placement opportunity for Proctor and Gamble? After this there is precious little humour to be found.Wilde uses a good second eleven team of British actors such as Brian Aherne,George Baker,Archie Duncan,Adrienne Corri,Reginald Beckworth,Richard Thorpe,Graham Stark and John Barrie.They all do sterling work but not enough to interest "Oscar".Also the editing is a little abrupt at times perhaps due to budget restraints.Wilde really comes into his own in the battle scenes which are quite spectacular courtesy of the Yugoslavian Army who enter into the spirit with gusto.For those who like looking for goofs watch out for the two extras who thought they were off camera having a crafty smoke with arrows sticking out all over them.The eagle eyed may also notice the odd wristwatch.At the beginning and end of the film there are two particularly bloody hand to hand combat scenes which leave one in no doubt as to the effectiveness of medieval weaponry.For all that by far the best sequence in the film is when Wilde and his men rescue a Saxon village which has been captured by Vikings,it certainly doesn't pull its punches especially in the scene where the village women, who have been violated, watch with grim satisfaction as their attackers are slaughtered to a man.In this reviewers opinion a far superior scene than anything you will find in "The Vikings".Everybody knows the plot,the doomed love affair,the destruction of Camelot and Guinevere finishing up in a nunnery,all very sad.One wishes they could make a version where they all live happy ever after.Come on it is only a fairy tale.Finally I would like to doff my hat to the young lady who plays the french serving maid,her heroic cleavage would not be out of place in a Russ Meyer film,it made for a pleasant interlude among all the doom and gloom.It certainly made a big impression on me as a spotty teenager when I first saw the film.

In and around the castle Camelot, brave Cornel Wilde (as Lancelot) and virtuous Brian Aherne (as King Arthur) vie for the affections of lovely Jean Wallace (as Guinevere). The emphasis is more on swords than sorcery; and, the fighting is more violent than the production year suggests. Clearly, "Lancelot and Guinevere" was meant as a more realistic, for the times, "Knights of the Round Table" film. And, Mr. Wilde can be seem dismembering opponents. The sexual situations are not as advanced, however...Ironically, the three stars are around 20 years too "advanced", in physiological years, for the parts; it's not too bad, though, as they only look around 10 years too old. They are still very attractive. And, so are two young cast members "introduced" to film goers, Iain Gregory (as Tors) and Michael Meacham (as Modred); they more than hold their own among the veterans. The producer/director/star credits should confirm any vanity production suspicions. It was re-titled "Sword of Lancelot" in the USA. **** Lancelot and Guinevere (6/2/63) Cornel Wilde ~ Cornel Wilde, Jean Wallace, Brian Aherne, Iain Gregory

I've never been a fan of the medieval knight genre, and this one manages to reinforce my feelings. I just couldn't tell what they were going for in the story, and abrupt scene changes often occurred on a dime with no time at all allotted for the transition. Like early in the picture with news of King Leodogran's challenge to Arthur for each of their champions to meet in duel to decide Arthur's status as King. No sooner said than done, Sir Lancelot (Cornel Wilde) is atop a horse and going hell bent for leather against Sir Dorjak.Others on this board have mentioned the ages of the principals, something I wondered about myself. It was a little hard to fathom Lady Guinevere (Jean Wallace) looking her true age representing a King's daughter about to be betrothed. Kind of makes you glad they had that magic soap around.The one thing the film had going for it was the realistic battle scenes, with body blows taking on a gruesome countenance. The scene where Lancelot separates a warrior's shoulder was particularly graphic. At the same time though, my earlier comment applies as well to the final epic battle. At one point we see Lancelot right in the thick of things swinging away with his sword, and a minute later he's perusing the battle field from a distant vantage point as different sets of warriors enter the fray; it almost looked like there were more than two fronts to the battle.And say, what accent was Cornel Wilde going for? His character was French, but he sounded more like Russian to me. That is, when he wasn't sounding like something else altogether. I don't know, the picture just didn't do it for me, and with all that went before to test the mettle of the besieged lovers, Guinevere becomes a nun? Her speech might have been noble but not very convincing. Alas poor Lancelot, as capable as he was on the battlefield, this was one blow he never saw coming.

{{Contains Spoilers }}'Lancelot and Guinevere' -aka 'The Sword of Lancelot' is a movie that seems to be well out of its time even in 1963. Its acting style, dialogue and costumes (everything used looks at least second or third hand) is more akin to the early 1950s epics (Ivanhoe, King Richard and the Crusades etc) than to say 'El Cid' made only a few years earlier in 1960.Not only is the film set in the Middle Ages - the cast are all pretty middle aged as well - and look it . King Arthur (Brian Aherne) was over 60 when this movie was made , yet even with a fake beard, he still looks at least 50. Perhaps he had too much fun in Camelot with the knights to think about marrying but the arrival of Sir Lancelot and his magic soap may make a difference ! A rather mature looking Lancelot (another ageing bachelor it seems ) scares the other 'dirtier' Knights with his soapy ways and also has a French accent which unfortunately reminds you a bit of Inspector Clouseau. (Shame Peter Sellers wasn't up for the film role). Instead you have the barrel chested Cornell Wilde as the Gallic Knight errand whose new task it to claim Guinevere for King Arthur at a rival's court in a death or glory tournament . Lancelot wins that encounter and escorts Guinevere back to Camelot. However, before they arrive, he suggests that Guinevere has a bath in the local pond where he joins her with her = a tout alors ! - magic soap as apparently supplied by Merlin. One quick scrub down - and it is love at first lathering..It is a shame the film wasn't turned into a comedy - as I was quite taken with the idea of a clean Frenchman showing how the English..(or are they Britons) to bathe ! Unfortunately - and with the cast showing a deadly earnestness in the ridiculous story - the movie ploughs on to more unintentional humour along the way. The Vikings also turn up - those horny helmeted heathens ! - and nephew Mordred gets busy plotting for a more or less familiar ending known to Arthurian myth lovers. Besides the absurd sub Shakespearean style dialogue - bouts of weird laughter and back slapping in Camelot every time someone tells a feeble joke, one the glaring daftest ideas for the film was to cast Wilde's wife Jean Wallace as Guinevere. They look like a married couple to start off with ! - and there is no way even the camera can disguise it but this Guinevere looks pretty old to be the most desirable virgin in the land. Perhaps everyone in this film had a wash down with the magic soap , to believe this casting as feasible or acceptable.The film does get a partial redemption in that more time is spent out on the battlefield fighting against various enemies of King Arthur but overall 'Lancelot and Guinevere' should only be seen by fans of bad films.