Lage Raho Munna Bhai
Lage Raho Munna Bhai
PG-13 | 01 September 2006 (USA)
Lage Raho Munna Bhai Trailers

Lovable goon Munna falls for a morning radio host by the name of Jahnvi, who also runs an elders' home which an unscrupulous builder seeks to attain. In order to gain Jahnvi’s attention, he cheats his way to winning a Mahatma Gandhi radio quiz. When Jahnvi consequently expresses interest in Munna, he and his best friend Circuit attempt to keep up the facade.

Reviews
streefighter

This is bollywood.. Perfect blend of rib tickling comedy, sweet emotional moments, strong social message and a charming love story.There are few things (which cant be mentioned as flaw, but..) Songs are good but nt what i expected from it except d unique whistle tune of munnabhai. All the old peoples are introduced in initial scenes are not given to establish in remaining movie.. Whatever but these are just minute thingsTons of Positive things Superb screenplay, Good script, Perfect blend of mass and critic appealer. Superb chemistry between lead characters (of course i am talking abt Munna-Gandhi n Circuit) I can nt give it less than 9i keep mesmerizing Circuits ubique funny dialogue.

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jSk

OK, whether you agree with me or not, I know that i agree with myself - this is one of the most enlightening, entertaining, and touching movie I have seen till date. A touch of "Dadagiri" in Gandhian philosophy will have you rolling with laughter, and moving your heart every next second or so. The cry of "Good morrrrrrrning Mumbai" shall lift your heart, and the evolution of "Dadagiri" with a "locha" forming "Gandhigiri" will at times have you crying (atleast inside your heart!!!").One thing is clear with me - just as soon as you see the last frame of the film, your mind will be begging for a "chemical locha"...One great riveting ride! Lage Raho...

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rai_maximus

The Movie starts off with that (in)famous song - "Subah ho gayi Mamu!" and a gag that will leave you laughing your arses off. As usual, Arshad Warsi as Circuit steals the show with his wisecracks that range from the silly to the absurd, but never fails to tickle the funny bone. It then proceeds to slowly unravel both the characters and the plot and switches from one gag to another, from one subplot to another with great ease.The casting is just spot-on. Boman Irani as the evil-Builder/doting father delivers another great performance. Dia Mirza and Jimmy Shergill have their bits and essay it with conviction. The oldies group also does its bit with some fine ensemble acting. Sanjay Dutt as Munnabhai is just sublime - his interactions with "Gandhi" are very nicely done. The actor who essays the role of "Gandhi" has delivered a rock-solid performance. But, the one man who steals the show completely is Warsi as Circuit. I hope Mr. Hirani writes many more scripts centering around this great caricature of a gangster's goofy chamcha!Vidya Balan is of course just a whiff of fresh air, amidst the tanned/exposed and hyped up set of actresses - she blends perfectly into the role and besides, its a great visual treat to see her on screen. However, the one thing that she does wrong is the "Good Mooooorrrrrning Mumbai!" - The phrase is repeated so often and with such an annoying intonation, that you wish to personally quieten her down!While the 1st half delivers most of the rib-ticklers, the 2nd half has its share of funny moments, although they are far and few. There are many high-points in the movie, so many so that its difficult to pin-point any one. The 2nd half of the movie admittedly becomes too saccharine and sentimental - at times, the situation is dramatized to such an extent, that it becomes a superficial and forced attempt to elicit teary responses from the audience. In that sense, the movie could have done away with less melodrama and a more mature view of the situation.Another small point that must be made with regards to the melodrama is the annoying practice of showing flashes of either smiling/weeping faces, which accompanies each of Munna's accomplishments. In the 1st movie, they had wide-eyed, smiling nurses and weeping sweepers/ward-boys in the background - thats okay (by okay I mean tolerable). But here, Mr. Hirani employs the services of Barbers and customers at the Barber's, Police Inspectors and regular people - and strangely all the faces were masculine. Mr. Hirani, a feminine face is far more astute at portraying emotions - its not Rocket Science to get that. At least the nurses were decent and visually pleasing. Whats with the Masculine attraction, Mr. Hirani?Where the movie delivers, however, is the perfect blend of Gandhian values, Patriotism and a modern-day India which thrives on individualism. It doesn't overload viewers with a barrage of statistical information or documentary style detached narration or "preachy" dialogues. What it uses is : kick-ass street-smartness + wisecracks by Circuit and Munna + Gandhi's Teachings + PatriotismAnd this results in both 'paisa-vasool' entertainment and also ensures that you leave the theatre with a renewed sense of hope and vigour to your bit for your country. True, that this brand of pop-partiotism and wisecracking-Gandhism is hardly a concrete solution to India's problems, but what the heck! You certainly wanna believe badly that the solution could be a gun-toting Munnabhai and his knife-toting sidekick Circuit.Bottom-Line: This is NOT as humorous as the 1st movie - it doesn't pretend to be either. What it is though is pure family entertainment at its best. After a long long long time, Bollywood has produced a movie without Raakhi Saawant and item numbers, without crunching explosions and 3rd rate special effects, without borrowed Hollywood/Japanese/Korean scripts. This movie is sweet, innocent and pure, yet street-smart and total dhamaal. Go and watch it with your friends and/or family - this is one movie that everyone can enjoy! Kudos to Mr. Hirani and his team! They have stopped making movies like these!

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Vishal Agrawal

This has got to be one of the most inspiring films made in the Indian Film Industry in the last decade. The other films I can think of are 'MunnaBhai MBBS', 'Hydrabad Blues' and 'Nayak'. Though HB was an independent effort. The script of LRMB is too good. When Boman Irani says "Get Well Soon Munna" it struck me so hard. The whole plot is in loops. Taxi driver and running bride already have a connection from the previous scenes. The script may not be air-tight but its definitely very well edited and has imaginative loops. Although the backdrop of the film is love story it actually is a social drama. Beautiful!!! The concept that Gandhiji only answers questions Munna already knew was just too much. That shows how tight and well thought out the plot actually is which looks like a regular comedy.Boman Irani is very good. Sanjay Dutt is convincing. Vidya Balan is just cute smiles. She was much better in 'Hum Panch'. Kulbhushan Kharbanda is great as usual. Arshad Warsi walked away with the glory this time. No doubt. He got the best lines and every time he got the home run. Dilip Prabhavalkar was also very convincing considering the kind of job he had to do. Theatre and films are two different medium. I will definitely see him on stage now. Diya Mirza has improved. Jimmy Shergil was also very impressive. It was nice to see Parikshat Sahni after so long. Although casting says three names in the writing department but we know for a fact that the brain behind this fantastic film is Rajkumar Hirani. Great Job. Must have been a journey for a sound editor in 'Hero Hiralal' to direct a film after 15 years and that too 'Munnabhai MBBS'. There are so many fantastic scenes in this film but my favorite is when lawyers beat up Gujju lawyer Dhansukh Bhai Patel. It's a very positive effort with many social messages. The most important things about the film are that it is very modern, talks about real issues with humor and is not preachy. 9/10

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