"Lady with a Past" is Constance Bennett as an unlikely bookish wallflower who sails from New York City to Paris where she engineers a fake sex scandal hoping it will make her the talk of the town by the time she returns and thereby attract the attention of young men who find her literary chatter a big bore. She also talks to herself and pretends to be singing out loud when caught in the act.Her co-conspirator in Paris is the golden voiced Ben Lyons whom she picks up at a sidewalk café after he tricks her into paying his food and drink tab. But her heart really belongs to David Manners, a handsome member of her social set who is looking for someone more exciting.If this all seems terribly unexciting, it is. Then why watch? Miss Bennett, of course. They don't make 'em like that any more. In the pre-production publicity it was said that Miss Bennett was being fitted for 17 gowns to wear in the film. I didn't count, but she probably did.

Audiences of 1932 must have been surprised to see la Bennett play an unassertive society girl who wants to be married, but who, despite her stunning looks and pots of money, is shunned by the bachelors. Although sister Joan would have been more believable in the role of Miss Unpopularity, the story gets interesting when our tongue-tied caterpillar goes to Paris and is transformed by fun loving Ben Lyon into a social butterfly with a half dozen suitors fluttering around her, including the shallow boy from back home. And now that she can pick and choose, who do you think she ends up with at the finale? No matter. This is a pleasant little film and it's fun to watch Bennett sip champagne cocktails and flirt with fortune hunters in one stunning costume after another. No wonder her fans loved her.

What a surprising delight this film is. Constance Bennett plays a rich wallflower who just can't get the guys in her set interested. She's also has a crush on boozy and shallow David Manners. One night when he is drunk he asks her to marry him and meet him on a boat to Europe the next morning. Of course he sobers up, and she ends up going alone. In Paris Bennett meets a charming and broke guy (Ben Lyon)whom she hires as her "gigolo" so that he can show her around and meet people. Lyon hits on the idea of making up stories about her "past" so that men will be interested. They get along great and their plan is wildly successful until a surprising event occurs.Bennett is quite good underplaying her sympathetic role. Lyon is terrific as the cynical but honest guy. Manners is also good as the callous boozer. Cast also includes Nella Walker, Albert Conti, Astrid Allwyn, Don Alvarado, Blanche Frederici, Bruce Cabot, and Merna Kennedy.The ending is quite a surprise.

Okay, the plot is sort of silly -- you have to accept that gorgeous society girl Constance Bennett, in a succession of clinging gowns, has difficulty attracting men. So much so that on a whirlwind trip to Paris, she hires penniless American Ben Lyon as a gigolo, if only to prove that she isn't a complete dud.Bennett exudes her trademark seductive charm. But it's Lyon, as her romantic mentor, who bring the "Lady with a Past" to life. He gives a brash, breezy, effortless performance reminiscent of Melvyn Douglas at his best in the days of "Ninotchka" and "Theodora Goes Wild." Not many of Lyon's films, with the exception of "Hells Angels," have been seen in recent years. And I always had the idea that he was a stick-figure straight man.It was entertaining to be proved wrong.