Eric Roberts hits rock bottom in a small Mexican town. With no money and nothing to lose, he becomes involved in a murder for hire plot. The movie moves in stalls and sprints. When it stalls it is overly talky. When it moves forward it does so with twists and surprises. Eric Roberts delivers a great performance, and this holds everything together. The Mexican locations are another plus. Although the DVD packaging looks like a "spaghetti western", this is character driven with only sparse violence. I suppose the greatest recommendation for "La Cucaracha" is that it is different, a movie you are likely to remember. - MERK

Hoping to flee a life of all-American banality, Walter Pool (Eric Roberts)begins anew in Mexico with the aim of writing a novel. He only succeeds in becoming an alcoholic loner, as he lacks the drive and verbal polish to become a writer. His routinized escape from routine does take on a new twist when he becomes involved with shady characters who do have drive (a willingness to deceive and kill to meet their ends), and verbal polish (speaking in over-the-top purple prose to justify their crimes.)*La Cucaracha* unveils the hollowness of cultivated words and calculated appearances (e.g. the crime king in Armani suits speaks of the ennobling power of suffering, sheds copious tears and makes spectacular shows of philanthropy); however, actions ultimately reveal character. As Pool, Eric Roberts succeeds in playing a man whose verbal inarticulateness painfully reflects his moral inarticulateness. Even though he can't find his writer's voice, does he still have a voice of conscience? Does he have the will to transform his life through action, whether corrupt or heroic? Not since *Bring Me the Head of Alfredo Garcia* have I seen the "loser in search of redemption in a tragic, corrupt world" theme played so well.Although Eric Roberts' acting is superb (especially the scene in which he finally meets and breaks down before the woman he had so idolized), *La Cucaracha* is definitely not for everyone. There is no morally unambiguous hero, and the violence is somewhat heavy, though not mindless--the consequences of violence are frequently the subject of deliberation and remorse. Some might find the dialogue a bit stilted, although it might be more fairly compared to older noir films rather than the quick, punchy dialogue in a lot of recent crime films. If you like noir, character studies of ex-pat drifters, *and* Eric Roberts (his *Coca-Cola Kid*/*Star 80* caliber performances, as opposed to the *Best of the Best Series*), then this could well be for you.

LA CUCARACHA (1998) is an original, intelligent dark-comedy that sneaks up on you and gets under your skin. It was the winner in many of the film festivals of 1998. Eric Roberts gives the performance of his life as a snivelling, weak, drunken coward that finds redemption; a part that should have broken him out of his B-movie status, if not for the industry fumbling in the movie's distribution.It is a moral play, delineating the human ability to rise above our animal instincts. It begins, as most Great Films do, with a tone and pace that could take the story in any direction, and once its tone of "dark comedy" is set, it remains consistent throughout. Instead of leaping into an easily recognizable formula, it takes its time to set up the character of our protagonist (all of the characters in this film are written, portrayed and presented so well, one wonders if it weren't written fifty years ago, when dialogue in a film actually mattered).There is horror and tragedy within the story, but it is never gratuitous nor glorified.If you love great dialogue; if you love great character development and motivation; if you love great direction and timing; if you long for the days when there were actually good, solid, meaningful stories; do yourself a favor and FIND THIS MOVIE.

A haunting and exceptionally tight film...a great ensemble cast, from top to bottom; skillfully and thoughtfully directed...keep an eye out for this guy!