A mysterious knife-throwing viking warrior protects a young peasant woman and her young son from the clutches of a evil regent bent on claiming the title of king and the woman for himself.Although a certified fan of Mario Bava's work (particularly his horror films), what actually got me interested in watching this was Giacomo Rossi-Stuart. For American audiences, non-American (or at least non-English speaking) actors rarely get noticed. The number of Italians famous in America can be counted on one hand. And this is a shame -- Italy has its share of stars, and Rossi-Stuart is one of them.He is not top billed here (Cameron Mitchell is), but still attracts notice. His look is so distinctive, I just really appreciate him for the presence he brings to the screen.I have nothing to say about the actual movie... it is pretty good, but not a genre I feel confident making strong judgments about.

"I Coltelli Del Vendicatore" aka. "Knives of the Avenger" (1966) is a somewhat cheesy, but doubtlessly fun 'Sword and Sandal' flick by the arguably greatest Horror director of all-time, the brilliant Mario Bava. I may be slightly biased. If I was to select one all-time favorite director of mine it would quite possibly be Mario Bava, as no other director has ever been capable of combining beauty and terror and creating a haunting and overwhelming atmosphere as it was the case with the supreme master of Gothic Horror and inventor of the Giallo. The man's repertoire includes more masterpiece than that of any other Horror director. His ultimate masterpiece, "La Maschera Del Demonio" (aka. "Black Sunday", 1960) is doubtlessly one of the greatest Horror films of all-time, and his filmography includes so many brilliant that it is hard to pick favorites: Gothic tales like "La Frusta E Il Corpo"(The Whip and the Body", 1963), "I Tre Volti Della Paura" ("Black Sabbath", 1963) and "Operazione Paura" ("Kill Baby Kill", 1966), the Giallo-milestone "Sei Donne Per L'Assassino" ("Blood And Black Lace", 1964) or the ingenious Crime-Thriller "Cani Arrabiati" ("Rabid Dogs", 1974) are only some of the many brilliant films this man has made, and I could probably go on praising Bava forever. This being said, "Knives of the Avenger" certainly isn't a masterpiece or must-see, and definitely ranges among the lesser films in Bava's impressive filmography. While anybody unfamiliar with this great director's work should definitely start their journey into the fascinating world of Mario Bava with another film, this one is yet a fun little film that is recommendable to my fellow fans of the man."Knives of the Avenger" is a vengeance-themed Sword and Sandal film that was made in 1966, several years after the genre's heyday in the 50s and early 60s. Cameron Mitchell stars as Rurik, a Barbarian (Viking?) warrior, who saves the young beauty Karin (Elissa Pichelli) and her son from the clutches of an evil warlord (Fausto Tozzi)... I do not want to give any parts of the story away, but I can say that it is pretty random classic stuff. Bava, as always, succeeds in giving his film a great look and nice atmosphere. For its time and genre the film also has quite a bunch of violent and somewhat gory moments, and the hero is quite dark and vengeful. This one's cast includes the leading men from two of Bava's greatest achievements, Cameron Mitchell (who starred in "Blood and Black Lace"), and Giacomo Rossi-Stuart (who starred in "Kill Baby... Kill!" and who is credited as "Jack Stuart" here). Mitchell, who is the leading man here, is a very good actor; while this role doesn't need great acting skills, he has what it takes - a grim look. The revenge-story isn't exactly unique, but it's entertaining enough and well-executed by Bava's skillful direction. The film is nicely shot and supported by a cool, genre-typically heroic score. This is a cheesy film, of course, and by no means a masterpiece. It certainly ranges among the least important films Bava has ever made and doesn't nearly play in the same league as any of his Horror films (including the director's personal least favorite of his films, the somewhat weird "Five Dolls For An August Moon"). Yet it is fun enough and warmly recommended to my fellow Bava fans who have seen most of the man's many masterpieces.

The last of Mario Bava's various peplums for the silver screen – although he would still have a couple more stabs at the genre for Italian TV – is also the last of four films (one of them in an uncredited capacity) he made with second-tier Hollywood star Cameron Mitchell. It seems rather incredible to me now that Italian producers were still trying, at this late stage, to emulate the commercially successful formula of THE VIKINGS (1958) – even down to dyeing their leading man's hair blonde like Kirk Douglas'.The film starts atmospherically enough with a witch on a sandy beach waxing metaphysically about the doom-laden future lying in wait for a vanquished Queen (the rather wooden Lisa Wagner) and her treacherous pursuer (Fausto Tozzi, a forceful if decidedly one-note portrayal). Despite the expected bouts of lively action, the film is surprisingly intimate for this director and genre; in fact, an even stronger influence is that of SHANE (1953), complete with adulating kid – an aspect which is further reinforced by the various scenes of horsemanship and showdowns in dark taverns. Besides, even the action sequences rarely involve more than a couple of characters (including the climax set inside a cave), and the fact that it employs flashbacks (which help render the two male leads – the stoic and, decidedly, ambivalent Mitchell and the rugged Giacomo Rossi Stuart – more rounded than is par for the course) is largely a departure for this kind of film.On the debit side, one must certainly note the sluggish pace. All in all, even if still perhaps his best peplum, this is a lesser Bava film – which I rather enjoyed more the first time around (ironically, watched via a pan-and-scan print on Italian TV!).

Rating: ** (max. ****)Poorly paced Viking epic about Mitchell, who comes to protect the wife of a dead king from an usurper, unaware that she has reason to exact vengeance on him. Storyline is unusually complex but going-ons seem stretched out unnecessarily. Some consider this a western - well, if it wasn't for that setting they may be right. Score, photography, acting is quite nice, but, to reiterate, sluggish story-telling diminishes the effect. For Bava completists. Stick with OPERAZIONE PAURA, LISA E IL DIAVOLO, CANI ARRABBIATI or CINQUE BAMBOLE...Afterword:In the liner notes, Bava historian Tim Lucas considers this film "the genre's last hurrah" and sees it as a "distinct forerunner of the sword and sorcery genre". A "hurrah" it ain't, and Schwarzenegger's CONAN was inspired by HERCULES (Bava was involved!). For more Bava reviews, please visit my homepage.