I viewed this on Netflix yesterday.The production values are quite a bit better than almost any "Republic" picture I have ever seen. It is still not Warner Brothers, but it comes reasonably close.The film has two genuine stars Lew Ayres and Helen Mack and a reasonably good supporting cast. The cinematography and editing are quite good.This could have been a great and classic movie, but there are some big problems. The biggest is that the movie is a serious social drama in the "Dead End" tradition for the first 45 minutes, then switches to broad, almost slapstick, comedy for 15 minutes, before turning into melodrama for the last 10 minutes. My best guess about this odd mix is that someone got scared at "Republic" that they were producing an art film that audiences wouldn't like and decided to throw in some "hilarious" material. The comedy isn't bad, it is just that it does not belong in this movie.Lew Ayres is a terrific actor, as anyone who has seen "Johnny Belinda" or "All Quiet on the Western Front" can testify. However, he seems tentative in his performance here. In a couple of scenes, he seems almost to be doing a James Cagney impression. Possibly, the director told him to do it like Cagney and Ayres did it exactly like Cagney. In most scenes he is fine. Helen Mack does not look as good as she does in "She" or "Milk Way," but that may be the part. She is a tough gal trying to climb out of the mean streets of 11th Avenue in New York. It makes sense that she looks rough rather than glamorous. At one point, she does a "going mad" scene that comes out of nowhere and seems more bizarre than powerful. I guess the build up to the scene got left on the cutting room floor.In any case the movie is interesting and worth watching. At least for a few minutes it foreshadows Citizen Kane (1941) in the wonderful montage sequences of Jerry Flynn building his newspaper empire. There's a very sweet scene with Alison Skipworth who plays Flynn's Foster mother Nora. She intervenes with a judge just when the judge is about to give Flynn three years in jail for hitting a cop. Skipworth hits some nice notes in the scene. Sheila Bromley does a good job with her small role as a high society women who has a fling with Flynn.The movie should have been a classic gangster film with good gangster Flynn battling bad gangster Wire Arno (Victor Varconi). The problem was perhaps the new enforced Hayes Code (1936) which cracked down on violence in movies. Instead of people being shot, we just have some scuffles and fights. Also, it is about good gangster Flynn muscling in on bad gangster Wire's territory -- horse racing. It is a rather odd plot development that takes away some sympathy from the hero. It is a little confusing why they decided to switch from the standard formula of having the bad bad guy trying to take over the good bad guy's action. See "the Roaring Twenties" for example, where Humphrey Bogart takes over James Cagney's taxi enterprise.Anyways, the movie is reasonably fast paced and entertaining at one hour and nine minutes, but it is not the classic it should/could have been.

Although this film stars Lew Ayres and has some decent acting, you can't look past the fact that the script practically screams 'B-movie'. It's cheap, full of clichés and isn't all that interesting. Thankfully for Ayres, he soon got a job at MGM as well as better scripts.The film begins with Ayres playing a guy with very little ambition. He takes his poor girlfriend for granted and she doesn't see much future for herself with him. So, she soon sets her sights on a rich guy--a guy who turns out to be a mobster. As for Ayres, to try to keep her, he suddenly shows a lot of ambition--but it's too late. Now in one of the most ridiculous scenes in film history, Ayers goes from selling newspapers to running the paper in only five minutes. How? He storms into the owner's office and announces that he can increase circulation. And, despite a spotty work record, he's given this job!! How all this works out is a bit predictable and silly.Not a terrible film...but you could do A LOT better--and without trying very hard to find it!

Republic Pictures which normally was in the B western business did this urban drama that more properly belonged over at Warner Brothers. King Of The Newsboys stars Lew Ayres as a rough young man from 11th Avenue looking to move up in the world to impress the girl next door Helen Mack. The problem is that Ayres ain't moving fast enough to suit her and she's starting to step out with gangster Victor Varconi. Ayres starts a circulation business from one newstand and that has him branching out into publishing a racetrack sheet something like the old Morning Telegraph. That also has him bumping up against Varconi and Ayres has now taken up with society girl Sheila Bromley.If this had been done at Warner Brothers, Jack Warner would have offered it on the spot to James Cagney and Cagney would have turned it down. In the economical tradition of Herbert J. Yates and Republic Studios, King Of The Newsboys looks like it was shot on a weekend commuting between the track and the studio for interiors. Still the stars and a host of good character actors like Horace McMahon, Jack Pennick, and Billy Benedict pull it through.

Young man has his girlfriend run off with a gangster because he can give her anything she wants. He starts up a newspaper distribution company and rises as well only things don't go quite as either planned. Soon they are both wondering if they made mistakes and if they are in over their heads.Good entertaining but largely forgettable romance drama is decidedly better than I'm making it out to be. The characters are well drawn and the dialog is sharp. The trouble is that even accounting for the lateness of the hour that I watched it I really didn't retain all that much about the film.I really liked it, I just don't remember a damn thing about it.