Elvis Presley was a hugely influential performer with one of the most distinctive singing voices of anybody. He embarked on a film career consisting of 33 films from 1956 to 1969, films that did well at the box-office but mostly panned critically (especially his later films) and while he was a highly charismatic performer he was never considered a great actor.While not one of the top three Elvis films, those being 'King Creole', 'Flaming Star' and 'Jailhouse Rock', 'Kid Galahad' is one of his better overall films, certainly one of the best of those he made in the 60s. It's proof that his early films were actually pretty good, but unfortunately it was one of his last good ones when the formula started here wore increasingly thin and further suffered from looking less appealing and even the quality of the soundtracks and Elvis' acting wavering significantly.'Kid Galahad' doesn't completely work. Apart from two very good songs, "I Got Lucky" and "Home Is Where The Heart Is", the songs are not particularly memorable and don't fit particularly well, sometimes feeling awkwardly shoe-horned. The boxing sequences do lack excitement and come over as somewhat clumsy, and some of the dialogue (very rarely a strong suit in Elvis' films) is pure toe-curling corn.The locations however are colourful, and 'Kid Galahad' has a suitably gritty but never cheap visual style. The story is far from fluffy and actually has a good deal of meat, while there are a few good lines, two great songs and an energetic music score.Phil Karlson's direction is solid, but it's the acting that elevates 'Kid Galahad'. Elvis is very relaxed and cool, while Charles Bronson and Gig Young stand out very strongly in supporting roles. It was interesting to see Ed Asner in his debut, and while Lola Albright and Joan Blackman don't have much to do they are charming and have good chemistry with Elvis.Overall, pretty good and compares very favourably against Elvis' other 60s vehicles. 7/10 Bethany Cox

Pretty ordinary Elvis vehicle patterned after the 1937 film of the same name. Presley is a drifter just out of the army who takes on a job as a sparring partner working for a gambling louse (Gig Young) who's in hock over his head. Naturally, Elvis becomes a boxing sensation when he knocks out his partner and Young spots a chance to settle some outstanding debts by highlighting him as the new champ. Charles Bronson (did this man ever look young?) is on hand as the trainer who's loyal to Elvis. Of course, the King sings too - but there were no outstanding songs for me this time around. ** out of ****

At the start, Walter is fresh from the army and hitchhiking on the back of a moving van (not something anyone should attempt in real life, but it looks good here). And he's singing! Walter arrives in the small scenic New York community of Cream Valley, where he was born. After his parents died he was raised by an aunt in Kentucky (which explains the accent). In the army he worked in the motor pool, and he loves restoring cars, so he hopes to get a job as a mechanic.Unfortunately, the only job available is sparring partner for one of several boxers training in the community. At least Walter boxed in the army. He isn't that good, until ...Willy runs Grogan's Gaelic Gardens, which is trying to compete with Lieberman's Shangri-La as a tourist attraction. But Willy has a gambling problem, and Otto and his goons constantly remind him he needs to pay up. Dolly, who used to sing at Lieberman's, is Willy's impatient fiancée, and she helps take care of the place. And Rose is Willy's younger sister and business partner. The minute Walter sees Rose, we all know what's going to happen with them. Of course, Willy turns out to be quite overprotective.Walter's boxing talent just may turn out to be the solution for Willy's problems. The usual formula for movies like this applies, though, and it won't be that easy.I haven't seen but a few Elvis Presley movies. But I didn't know what I was missing. Even Elvis admitted (as portrayed on TV by Jonathan Rhys Meyers) that his movies were fluff, but this one was just a little more.Elvis gives us his usual impeccably polite all-American boy, and shows his singing talent in a few scenes (though this is not what I would call a musical). He is also good at looking tough in the boxing ring, and he really seems to be able to take a punch or two or three. But in the scenes where he loses his temper (because women shouldn't be treated that way), it becomes clear Elvis was hired for his popularity, not his acting ability.What makes this film more than ordinary is the talent surrounding the King. Lola Albright as Dolly, Robert Emhardt as Maynard, and David Lewis as Otto in particular. I wasn't that impressed with Gig Young as Willy, but he was easy to like.And I have to single out Charles Bronson as boxing trainer Lew. When he was in pain in one scene, it was truly disturbing. And that's what put this movie over the top and made it more than just the usual.Ed Asner (from the Manhattan district attorney's office) had a bald spot even way back then! I've liked him for years. I didn't see much from him here to be impressed with, though.I did like the music, and the classic cars, which of course were brand new or only a few years old. Walter himself liked the vintage car he restored better than I did.I would call this good, clean family fun, but of course Elvis does get beat up a lot and he does bleed. And there is some violence even outside the boxing ring. But in the early 60s, violence wasn't as big a concern as it is today.If you like Elvis, this is certainly one to watch.

This was an Elvis movie with some drama, some comedy, some music. It was a little more than the formula movies and had some good fights. Mushy Callahan a boxing coach who coached all the big stars into the 60s for fight movies said of all the actors he coached " Elvis was best, quick hands, knew karate and judo...."Great so-stars and scenery. If its not Rocky or even Rocky 5 its an enjoyable escape. The few songs are pleasant including "I Got Lucky" and "A Whistling Tune" Reportedly Charles Bronson was not very friendly to Elvis. Joan Blackman also made "Blue Hawaii" with Elvis. If you want a diversion on a rainy Sunday this is a possibility.