I bought K-20 without knowing it was a Japanese movie but it didn't keep me from watching it since I already own a few Japanese movies. However this film turned out to be very fun and enjoyable with well done special effects, awesome stunt work and a plot that manages to hold your interest from start to finish.Although the film does feel a tad long sometimes it's still a fun watch. The characters are all likable and do eventually grow on you thus encouraging you to watch on.Overall, it's a fun and enjoyable superhero movie from Japan highly recommended if your are a fan of Japanese films.

I was surprised by how much fun I had with this film. I was skeptical, but this turned out to be a really enjoyable Japanese film. It reminded me of 90's action adventure period pieces like The Shadow and The Rocketeer, which were some of my favorite films to watch as a kid. If you also enjoyed films like those, and to a lesser extent, films like Indiana Jones and other period action adventures, you will no doubt enjoy the film too.The film takes place in Japan, 1949. World War II never took place and Japan remained with the feudal system, while the poor and the wealthy remained separate with no middle class. The wealthy rule, while the poor are left to starve and die on the street. None help the poor, with the exception of K-20, a master thief who steal priceless artifacts from the rich. The film's main focus is Endo Eikichi, a circus performer who is tricked by K-20 into committing a crime and taking the blame for being K-20 himself. From there one, Eikichi is set on a quest to catch K-20 and clear his name.The best thing about the film is its lead, Takeshi Kaneshiro as Eikichi. He's highly entertaining, as usual, and does a good job as he goes from agile circus performer to competent thief. He's funny, exciting, and plays up all the right things for this kind of film. The supporting cast is great as well, made up of several veterans of Japanese film and TV. They deliver in their performances with the right mix of adventurous spirit, drama, camp, and humor. The film is also big, with some big sets, and few decent cg sets, and some big action moments. The best action sequences utilize parkour-style stunts, but less in the way B13 does it and more in common with something like Assassin's Creed, which came to mind during the big training sequences. These sorts of action scenes are a lot of fun and create for some excellent foot chases. While the film does get a bit preachy about its rich versus poor plot line, it remains fun and, even when it slows down, the acting keeps you engaged. There is also a great deal of humor mixed in, which keeps things light. Suffice to say, the film never feels too heavy handed. Although it could have played up it's issues much more seriously, it thankfully never does. Overall, I have to say that this is one of the more enjoyable Japanese films I have seen in a while. Much like America, I can't say I have seen too much I have thoroughly enjoyed as I enjoyed this film. If there were more films that aimed for the scope and Hollywood scale of this film, with as much talent as went into this film, we might see more enjoyable pictures from Japan.

Quite frankly I dislike most of the Hollywood comic to screen adaptations that have been made possible with high budget CGI and motion control. The most positive thing about a cheaply made film is that either the makers deliver shoddy goods (nearly every SciFi Channel movie) or they focus on story, drama and comedy which can result in the most satisfying movie.K-20 inhabits a world that's very familiar to comic book readers, alternate history what-if. Here the Japanese have avoided WW2 and have evolved into a strange combination of the Taisho era with the totalitarian leanings of the Showa with technology seemingly mired in the 1920's even though the film is set in the late 1940's. German is used instead of English when a universal language is needed. The film revolves around a Japanese invention that finally brings Tesla's dream of wireless energy to fruition. Unfortunately it can also be used as an extremely powerful weapon. The look of the film is excellent and the effects are, as others have pointed out, very good and well conceived. But that is true of many other big budget films like this. What makes this film different is the drama that fleshes out the fantasy. It's not perfect, some of the acting is old-school over-acting, the main characters are very familiar to anyone with familiarity with Japanese entertainment especially the Duke's daughter. And there are some moments that strain the viewer's credibility but The Dark Knight had moments like that as well. Overall the film ended and I had enjoyed myself.There are way worse ways to spend your time, (The Spirit anyone?) hopefully this film will see a wide release.

There's no stopping Takeshi Kaneshiro in charming the socks off everyone, especially since new fans were won over by his heartfelt performance as the Grim Reaper in Accuracy of Death last year, and following that with his Zhuge Liang in Red Cliff. This year in Singapore, he marquees a big budgeted action-mystery masked vigilante movie, and while his powers and abilities to hark back to the Batmans and Spidermans, K-20 turned out to be rather entertaining for its liberal use of special effects, comedy and some fantastic action sequences, set against at alternate Japanese universe.Which is interesting because other than the unmistakable Tower, Tokyo now known as Teito, is quite unrecognizable, and plaguing the country is a huge class and income divide between the aristocrats, and everyone else, which reads the Poor and have nots. It's set after WWII which never happened since Japan signed a peace treaty with the US and the UK, and hence what we have is some strangely futuristic backdrop, and some peculiar background on everyone being conditioned for pre-determined jobs and not having the ability to switch careers. Doesn't make a difference actually to the story, but gives you the feeling that everything is centrally planned.While the title points to K-20, the fiend with 20 faces, the story's actually focused on Heikichi Endo (Kaneshiro) as a poor circus acrobat. And if Bat-fans would see some similarities here, I'd say his character's more like Dick Grayson and with putting his abilities to fighting crime, it's almost exactly how a Nightwing would behave. But back to Japan, Heikichi gets set up by K-20 himself, and gets framed into allowing everyone to believe he's actually the masked villain himself. Breaking out of prison thanks to a merry bunch of thieves whom he soon allies himself with, Heikichi makes it his quest to flush out K-20 and to clear his name, with the help of a nifty grappling hook and rope device.Not being sexist here, but I was pleasantly surprised to learn that K-20 is directed by a female - Shimako Sato, who also adapted the screenplay from a novel by So Kitamura. It's a fresh perspective having to watch an action movie directed by a female at the helm, and the focus here was of course on the characters. We have Takako Matsu as the Duchess Yoko Hashiba, who isn't your standard fare damsel-in-distress, and Toru Nakamura as the police inspector Akechi Kogoro, the arch-enemy of and resident expert on K-20.It's a classic action mystery which like The Prestige has Russian scientist Teslar providing the object of tussle, a device capable of harnessing and transmitting vast electrical power across locations without the use of cables. K-20 wants it to rule the world, and it's up to our heroes to crack the mystery as to where the device is, and to stop the villain from achieving his goal. The plot's fairly simple, which includes an origin story for Heikichi including the antics of a hero in training, but what made it palatable was the excellent delivery by the cast, together with gorgeous sets and edge-of-your-seat action. A key element here too is the identity of K-20, having nobody actually seen the villain in the flesh except for Heikichi himself.The story however does sag a little when it lingers on the more dramatic moments, and you'd know for sure when Kaneshiro gets replaced by stuntmen for most of the action shots not on closeup. But as far as big-budgeted movies like these go, K-20: Legend of the Mask still came across as pretty entertaining and all primed for sequels and a franchise should the box office prove to be successful.