This film has a bad rep, mostly because it was included in a well-known book documenting the supposed '50 Worst Films Ever'. But this movie ain't half bad.John Agar still cannot act, Greg Walcott always could, and Audrey Totter.... well, chicks can do no wrong, so her presence is fine. There is an actually intriguing plot concerning espionage. Agar certainly doesn't help to bring any credibility to the story, but Audrey does, and if you go into this with an open mind, the results will entertain you.Recommended for two reasons: to see what all the critical hub-bub is about, and to see a tame, but solid war film.

I had wanted to see this movie for years, after reading about it in the notorious book "The Fifty Worst Films Of All Time" - it sounded like it was hilariously inept. It recently played on AMC, so I finally got to see it. Is it as hilariously inept as I imagined it to be? It certainly has its share of unintended laughs. There's a LOT of obvious stock footage, the funniest being when we see the neon nightlife of Tokyo - when the scene is taking place in Seoul, Korea! There's also a plane that crashes into flames at high speed, and there's a survivor. The wilderness doesn't look anything like Korea. There's comic relief that fails so badly it becomes funny, and there are other script-written ineptness like jet pilots recruited for a commando performance and scientific talk that makes no sense.Clearly, the movie has its share of unintended laughs. But is it one of the worst movies of all time? Of course not. It's not inept enough. Much of the movie is mediocre tedium, not inspired enough for laughs or to be considered a movie that's so bad it's BAD. While I guess I'm glad I finally saw it (I'm trying to watch all 50 movies from that book), I don't think other viewers will find enough to entertain them, either intentionally or unintentionally.

The other reviews pretty much sum up this disaster of a Korean War epic. In spite of that, I found it entertaining enough to keep watching, if only for John Agar, who has what has to be one of the most interesting resumes in Hollywood, ranging from Grade "A" to Grade "Z", and everything in between. But there is one element that some may have missed. Take a close look at the faces of the "North Korean" fighter pilots who give chase to John Agar and his pals in their stolen F-86's -- I mean MIG 15's. They were lifted right out of the film "Rodan", the 1956 Japanese Sci-Fi epic, including the climactic scene where the two planes collide -- the "North Korean" pilot in that scene is actually the Japanese pilot who collided with Rodan. De-colorized to protect the innocent, of course. Wonder how Edward L. Cahn managed to pull that one off.

Poor acting from the supporting cast throughout the entire picture and footage of Tokyo at night meant to be Seoul (two quick cuts at the beginning) make it quickly apparent how this one was made on the cheap. Taped this off of AMC and thought about keeping it just for Cold War culture kitsch value, but it's so bad that I think I'm not going to even keep it for that.