I watched this because I like songwriting,road pictures, and the lead guy as an actor. But I couldn't stick with it. I left at the 3/4 mark. It was like watching a documentary of a no-talent loser strumming a guitar in bars. How long can you do that? OK Indie film world. There are a lot of Godless waste-oids floating around the states and the world. We get it already.Was this supposed to be summer time? No one was cold, there was no snow in the Heartland, and the kid was not in school. No one ever mentions school. They could have at least acknowledged what season it is. Where is she from? Elisabeth Shue would have been 46 when this was filmed. Thirteen years prio, she would have been 33. Isn't that a bit old for a groupie? Especially since she is eight years older than the lead guy in real life.I guess it was good that the music sucked, because then you can see why the guys is struggling and not famous anymore.I give credit for not dubbing in some soundtrack. The lead guy looks so much like Chris Martin of Coldplay by the way. We are to assume that years ago, with a full band, he sounded good and had a knack for writing poignant lyrics.Nivola (the lead) played his role with soul, as he always does. The little girl did well by not pushing any stereotypes of the jaded kid or the precocious one.I just didn't know where this was going,or maybe I knew all too well, and that's why I abandoned it.I don't recommend it to anyone. It's slower than molasses, and it's hard to root for anyone, other than the kid. Having said all that, it never stooped to sleaziness or preaching, and didn't slam you over the head with an Indie soundtrack to the non-musical scenes.

I loved this movie.If you talk to people who have seen this movie, or read reviews, you will likely hear two things: 1: The story is an old one (cliche even) and 2: The ending is predictable. To be honest, this is absolutely true. And yet, you should watch this movie. It really is completely wonderful. The technical aspects of the movie are excellent; the acting, script, cinematography, etc... There are EXCELLENT actors and actresses in this movie.My one complaint, if you can really call it that, is the profanity. The language at times was such that I couldn't watch this with my 11 year old daughter. However, to be fair, the profanity wasn't 'gratuitous' in any way. The male lead character is a rock and roll star on tour. As such, things like drinking, drugs, sex, and profanity are expected. To portray a rock and roll band touring small clubs across the country without the use of profanity would make it unreal like a Disney film.The bottom line is this, This is a great movie. It will disturb you a little, break your heart a little, and then warm your heart GOBS.I recommend this movie, big time.

The plot line of JANIE JONES has been used many times before - estranged child forced to live with runaway parent provides growth for both - but this story is apparently based on a true incident and perhaps that is one of the reasons it becomes rather endearing. Written and directed by David Rosenthal this somewhat overly long film works well and that is in no small art due to the sensitive casting.Tattooed, alcoholic, almost has been rock and roll performer Ethan (Alessandro Nivola) tours with a mediocre band headed by manager Sloan (Peter Stormare) who somehow manages to keep things together for the band - Dave (Joel David Moore), singer and Ethan's girl friend Iris (Britanny Snow), Chuck (Frank Whaley), and Ulysses (Michael Panes). The band has been together for years and now is forced to play the sleazy nightclubs who will book second rate acts. Into this worn down group comes a surprise - Ethan's old squeeze Mary Ann Jones (Elisabeth Shue) whom Ethan hasn't seen for 13 years arrives on the scene with Ethan's 13- year-old daughter Janie Jones (Abigail Breslin). Ethan doesn't even remember Mary And nor does he buy the fact that he fathered a child, but Mary Ann has the birth certificate to prove it: Mary Ann is drug addict and can no longer care for Janie while she attempts to dry out so she literally dumps Janie with the reluctant Ethan and disappears. The remainder of the film is a struggle Ethan has at being unable to cope with life in general, the disbanding of the band because of Ethan's sociopathic behavior, Ethan's arrest and Janie's method of bailing him out when no one else will, falling downhill as a musician, and coping with the fact that Janie is around. The gradual interaction between Ethan and Janie demonstrates the difficulties of father-daughter bonding, but it also awakens in each of them the concept of being noticed, needed, and loved.Both Alessandro Nivola (one of our finest actors today) and Abigail Breslin bring a depth of acting skills to these rolls. They are wholly credible and have our hearts all the way through. The smaller roles (including Frances Farmer as Ethan's wealthy mother form whom he is able to get funding because of Janie's presence as her granddaughter) are well written and beautifully acted. The film relies a lot on music and Nivola and Breslin sing and pay their own musical contributions. Yes the story may be tattered from over use, but the strength of the film is well worth the viewer's interest and time. Grady Harp, November 11

This movie is about a down and out rock star who learns that he has a 13 year old daughter by a drug-addicted ex-groupie, whom, sadly, he doesn't remember. (The story has actually been done before in a terrible 1984 movie (the story line of which was suggested by 'Mick Jagger' (qv) entitled _Blame It on the Night (1984)_ (qv).) Fortunately, that's where the similarity ends as this is a much better film, with respect to both writing and acting. All performances are solid and credible and the viewer doesn't feel (at least as measured by the reaction of the audience at the Tribeca Film Festival) he wasted the price of admission. Ironically, the weakest part of the film is the music: the songs performed are so poor one wonders how the lead character could have become a rock sensation in the first place.