Jacknife is directed by David Jones and adapted to screenplay by Stephen Metcalfe from his own play Strange Snow. It stars Robert De Niro, Ed Harris and Kathy Baker. Music is by Bruce Broughton and cinematography by Brian West.De Niro and Harris play two Vietnam War veterans trying to come to terms with their lives post the war. Things are further complicated when De Niro gets romantically involved with Harris sister played by Baker.Wonderfully sedate and intimate, Jacknife, whilst not creating anything new in the "coming home from Nam" genre of film, is somewhat refreshing in how it relies on dialogue and believable character interactions. Some clichés do find their way into the play later in the day as Harris' character starts to come out of is troubled shell, but this is mostly a thoughtful treatment of loneliness and the on going effects of the war. The three up top performances are well delivered, with De Niro unsurprisingly carrying the film with ease.A box office flop on release, there's a good chance that Jones' film came too late in the Vietnam War movie cycle. It's also safe to say that the slow pace and the dialogue heavy nature of it made it only appealing to a certain demographic of film lovers. It's worth seeking out now as an anti-dote to blunderbuss blockbusters, because it's good film making that has a story that is touching and often humorous, and for many of a certain era, it's all too real. 7/10

Jacknife (1989) *** 1/2 (out of 4) Powerful drama centers on a Vietnam vet (Robert DeNiro) who looks up an old war buddy (Ed Harris) but soon falls for his sister (Kathy Baker). There were a whole slew of war movies during this period but this here is the most overlooked and that's a real shame because it's one of the best. I've heard some refer to it as a continuation of THE DEER HUNTER and there might be a lot of truth to that because this film takes place fifteen years after the war and it's clear with our characters that the horror of Vietnam are still haunting them. The movie is very quiet as it doesn't preach nor does it try to scream some sort of message. Instead we just peek in on these three people's lives and how the Harris character is pretty much dead even though he survived the war. I think what works best here are the performances, which are all rather amazing. I called the film underrated but that's also true of DeNiro's performance, which to me is one of the better ones in his career. Once again DeNiro dives head first into a role and really comes away with a very memorable character thanks to his performance. For the most part his character is out going and energetic even though he has some demons inside him and DeNiro perfectly pulls this off. I especially loved him during his out going scenes where he's constantly moving and dancing around to let off all the positive energy he's trying to give off. Those are the scenes that worked best with me and the ones that the legendary actor pulled off the best. Harris is also wonderful in the film and manages to steal every scene he's in. He doesn't have too much dialogue so the majority of his acting is with his eyes and he really does a remarkable job. Just take a look at the scene where he goes to visit the parents of his friend who was killed in the war. Baker doesn't get enough credit as an actress but she too delivers the goods here. This film has a slow pace, which allows us to get to know the characters, feel their pain and understand how all three of them are trying to grow. The moving hits on some rather dark subjects and has an overall depressing tone. This might keep some people away but that would be a shame because they'd be missing out on a very impressive film with three excellent performances.

I loved this movie. It is rare to get a glimpse of post-partum Vietnam, and this movie-sans combat scenes and exciting bombs and gunfire- did it. I had no idea I'd be so affected by it. What an amazing look at how alien Vets feel. It was tough to watch, quite frankly. We all understand the fighting and the Apocalypse Now type of drama, but this is so so different. What happens when they come back and try to live a life? They can't. It made me very aware of a large group of men that are rattling around lost in America. Not able to relate, can't sleep, can't have love affairs, can't deal with "normal society". They feel totally apart. This is a huge tragedy, and one that isn't addressed enough. Yeah, we've changed our attitude about Vietnam Vets, we like them now, but so what? It doesn't seem to have made any difference to them. It's too late? So it was a great film, but I cried a lot. I have no other criticisms.

Jacknife is a war movie that is just about as far removed from the war as war movies get. It can hardly be classified as a war film, because the only way that any war has an effect on the story or the characters is in their memories of it, and even these we are hardly ever shown. It poses very interesting questions about life, especially in the way that the movie's tagline says that only one of them is really alive (and by the way, even though the tagline refers only to Dave (Ed Harris) and Megs (Robert DeNiro), it is talking about all three of the characters in the film). Dave and Megs were friends in the Vietnam war, and Megs has returned to take Dave out on a fishing trip that they have been planning for a lot longer than you might have guessed. DeNiro provides a perfect performance of the character of Megs, who we are not really sure if we should like or if he really is as nuts as Martha thinks he is. Dave reminds Martha several times that Megs is not his friend, just someone he knows. There is a great scene early in the film where Megs has gone out to grab a six pack of beer from his car for breakfast, and he is just around the corner of the room when Dave says this. Megs pauses for a moment and then proceeds into the room with a smile and a huge greeting. It isn't until later that you realize how Megs must have felt when he heard that, having been the one to remember what they had planned to do on this day. It reminds me of the fakeness of the old, `Sure, let's do that,' thing that people so often say to each other, never having any plans to do any such thing.Ed Harris delivers a wonderful performance as Dave, who never got over the effects that the war had on him. Even so many years later he has not managed to get over the death of a friend during the war, blaming himself to this day for it and thus drowning his life in alcohol, cigarettes, and loneliness. All he wants, he says, is for people to leave him alone. This is not a man who is living his life the way he wants, whether people actually leave him alone or not, he is a man trying to forget that he's alive, to detach himself from the world of the living as much as possible. His sister Martha reminds me of myself, at least in terms of my roommates. I have two roommates who are 21 and 24 years old, and both act like they still live with their mothers, expecting their messes to just go away when they leave the room for a while. One on particular (the older one, sadly enough), has absolutely no clue how to care for himself, I'm surprised I don't have to wipe his chin while he eats. Martha has to do much the same for her brother, who she waits on hand and foot while he staggers through life from one hangover to the next. Martha and Dave are stuck in a stagnant life and neither of them can get out of it until something major changes, and Dave is the one that needs to do the changing. I tend to complain about romance in movies where it just doesn't belong about as much as Roger Ebert complains about those pathetic little tension devices, the red digital readout. But in this case, I don't think that the romance that develops between Megs and Martha had any adverse affect on the rest of the movie. On the contrary, it made it that much more interesting, because it was not predictable. The problem with the romantic subplots in Bruckheimer movies and whatnot is that they are so predictable that you just wait for the obvious end to come and hope that something interesting happens along the way. In this case, however, it's not as obvious that something is going to happen between Megs and Martha because we don't know enough about Megs. Martha could be right about him, that he's one of Dave's crazy war buddies and that he's not the kind of man that she should be dating. Dave certainly encourages this idea.(spoilers) A couple years after this movie, DeNiro did Cape Fear, where he plays a deranged criminal out for revenge against the lawyer that landed him in prison, a character that, in retrospect, makes it pretty easy to think that maybe at the end of Jacknife Martha realizes her mistake, gets rid of Megs, and she and Dave make up because he saved her from a horrible relationship and then he decides to clean up his act because he has done something good for her. I was half expecting this to happen, so I was pleasantly surprised when Martha and Megs wound up together and even more pleasantly surprised when Megs asks Dave all the questions about what they had planned to do after the war was over. At times this is a slow moving drama, but Jacknife is entertaining along the way and has a huge payoff at the end, which amazingly manages to be sappy without being cheesy. There is an almost excess of emotion at the end of the film that scarcely fits with the rest of the movie, but it is so good that it doesn't dumb down anything that the movie has accomplished up to that point. Everyone involved gives a wonderful performance, and it is one of those rare films that just about makes you want to stand up and shake your fists victoriously in the air.