McDowell has certainly come a long way since A CLOCKWORK ORANGE and CALIGULA. Here, he owns an island chocked with the graves of nameless souls who bit it in the Big Apple and have now turned into swarms of digital dots. The cast beats their heads frantically, but there's no getting away from the nits. Malcolm can't escape this, either. Playing a billionaire businessman, the old Brit seems rather like a loopy immigrant among a cast of Anglo blahs. The worms crawl in, the worms crawl out - bring your swatters, it's an inexpensive special effects treat for anyone who keeps lizards or birds as pets. The flies are wide open on this low budget buzzer.

If you're expecting a zombie movie based on the title, forget it. This baby is about a swarm of highly intelligent killer flies (yes, flies) that attack a group of folks who disturb their island, which contains a Potter's field plus a crumbling old school that a developer (Malcolm MacDowell) hopes to turn into a juvenile detention farm, Think of the flies as locusts or bees, and the picture isn't nearly as bad. When one of these flies bites someone, that person quickly dies, decomposes, and produces maggots that quickly turn into more killer flies. Unfortunately, all that really happens is one character after another is knocked off, and precious little else occurs. New Yorican hottie Talisa Soto plays a cop, and while she is much of an actress, she is one heck of a looker. MacDowell really steals the show as the bombastic, demented developer. For those who saw and enjoyed 16 BLOCKS, the star of that picture, Mos Def, is along for the ride here. The ending simply peters out. At best, this is a time killer.

How can movies like these exist? Why did this script get a chance to become a movie? What were the producers thinking when they sat down and watched the final editing?: "This was a really good movie! It's so cool the way we cut off the sound at times, like when two old guys are talking in slow motion, and put in some gangsta hip hop over it instead! And people will love this idea of flies killing people for no reason at some times, and sometimes not! But hey, don't write on the back of the box that it's flies killing them, make it seem like it's zombies killing em so that we don't spoil it for the viewers! They're in for a pleasant surprise after watching about an hour without any horror and just are waiting for something horrible to come alive, that's when we release the flies!"

Donald Trump-like developer Rupert King (Malcolm McDowell), missing persons detective Melissa O'Keefe (Talisa Soto), the New York City Mayor, and a number of inmates and an assortment of other characters converge as they are all headed towards Hart Island. Hart Island, just off of the Bronx in Long Island Sound, is home of the infamous "Potter's Field"--a massive graveyard of the poor and unknown. King has plans to turn the island into government assistance housing. When the graves are disturbed however, supernatural forces come into play to put an end to any tampering.Island Of The Dead begins with a lot of promise. The initial voice-over by O'Keefe is interesting, as it explains that she was an abandoned infant and is now searching for a missing girl from a famous year-old case. The introduction of two prisoners, handcuffed to a "meat-locker" drawer in a morgue as they wait to go on burial duty at Hart Island is intriguing. And King is at least passable when we first meet him (McDowell vacillates between passable and good throughout the film).Our trip over to Hart Island, following our cast of characters as they ride the ferry across Long Island Sound, is good, too, and Mos Def, whom we meet on the boat, is funny—deservedly, Mos Def has already been in a large number of films since Island Of The Dead. Even Hart Island is captivating at first. I'm not sure if it was actually filmed on Hart Island, which is still under the supervision of the New York State Department of Corrections and has very limited access, but whatever the location, it is beautifully stark--an appropriate setting for a horror film. With one exception, there is a lot of good cinematography throughout the early part of the film, including the landscape of (or standing for) Hart Island and especially shots of some marvelous dilapidated buildings, where some scenes are set and more should have been. The exception to good cinematography in the early part of the film is a digital video pan across some old buildings, shot from a vehicle or on a dolly, which becomes pixelated halfway through. Apparently, this was the only footage extant of this, and they really wanted to use it, because despite the flaw, it is inserted a couple times.The story up to this point, although perhaps a bit slow and a bit odd at times, such as the dialogue scene between King and the Mayor where we cannot hear what they're saying but instead hear a rap song, is more than satisfactory. Most of the facts and history of Hart Island given in the script are actually true, even though some of it might seem implausible to someone unfamiliar with this New York City oddity (another film which is partially about Hart Island, and worth watching if the island intrigues you, is Don't Say A Word (2001)).However, somewhere around the middle, unfortunately just about the time that the horror material really begins to kick in, writer/director Tim Southam loses his pacing. Not too long after that, he also loses the plot. Some of the horror material is okay--the effects are decent for a low-budget, direct-to-video release, but the pacing kills most of the tension that would have been available. Worse, once we become more familiar with the menace, the "rules of the game" get progressively more ambiguous. We don't know why the menace attacks the way it does or who it does, and late in the proceedings, a few characters take inexplicable actions. By the end, it seems like Southam is drawing thriller plot clichés out of a hat and rushing through them because he's about to run out of film. It's even more of a shame because the beginning was so promising.My final verdict, while positive, is just slightly so--a 6 out of 10.