Ten year old Casey Brodsky (Drew Barrymore) seeks emancipation from her parents Albert (Ryan O'Neal) and Lucy (Shelley Long). Her divorced parents do not get along. The testimonies lead to recollections of earlier times. She reluctantly picks up hitchhiking Albert on a rainy night. She's marrying Bink but marries Albert instead. He's a UCLA film professor. Hollywood producer David Kessler (Sam Wanamaker) hires him and she becomes his writing partner. He directs a smash hit. He hires ingénue newcomer Blake Chandler (Sharon Stone) for his next movie leading to their divorce. Albert loses everything making a flop with Blake while Lucy gains success as a children book writer.Written by married couple Nancy Meyers and Charles Shyer, this is Hollywood married life with all the ups and downs. Drew Barrymore is actually the supporting actress. This is more about the pairing between O'Neal and Long. They have to sell their chemistry and their relationship. It's passable but it could be better. It needs more humor especially in the first half. The second half has the needed heartbreak. The climatic moment when the couple is literally pulling Casey apart is very effective.

The movie starts with a lawyer telling his client what it means to divorce. Then we find out his client is a precocious little girl.In the courtroom, the girl's parents begin telling their story, which we see though flashbacks. Albert is hitchhiking across the country, and Lucy is taking her boyfriend's car to him, and refuses to stop but instead splashes mud all over Albert. Later Albert is freezing and wet and Lucy feels sorry for him ...The movie is mostly a comedy as Albert and Lucy get to know each other and have a number of misadventures. But Albert, who has a new job as a film professor at UCLA, really wants to direct, and as he makes the contacts that will allow this to happen, he and Lucy see Hollywood life and hope that won't happen to them. Unfortunately ...I liked the movie best when it was a lighthearted comedy. But something had to happen to make Casey want to 'divorce' her parents. Some of it was funny, and some hard to watch. Eventually, whenever the movie would take a dramatic turn, it would recover. And the ending was happy, in a way. Shelley Long and Ryan O'Neal did a great job, and Long went through a number of character changes. Lucy started out adorable and perky but later became disillusioned and bitter. Then she became a confident ... witch (or something that rhymes, anyway). Drew Barrymore was wonderful for a child. I saw a lot of good acting performances, and it would be hard to list them all. Sharon Stone was good as Blake Chandler, a bubblehead who for some odd reason became a star with Albert's help. Blake later showed more dimension to her character, displaying a warm side at one point and later a spoiled side as she expected star treatment. Another good performance came from the actress playing the housekeeper/nanny who apparently spent the most time with Casey. Not a lot of lines, but the character's professionalism and warmth came through.It was a worthwhile movie.

I didn't know anything about this movie before watching it, except that Drew Barrymore divorces her parents. I think that could be why I found the movie so surprising. But the movie has so many elements that make it one of the strongest films of its type. It's completely engrossing, showing realistically how a marriage can go from highs to lows and that each party can be responsible. It also shows how selfish parents can be and how without realising it they can screw with a child (drew). After watching this film I came to IMDB to see if shelley long or ryan o'neal had won oscars for their performances and if the film won best picture, but apparently it was shunned and not many people have seen it....at least there's cable. It looked like a lot of effort went into making the movie, so it's a shame it's been overlooked.

Say what you will about the Shyer-Meyers team ("Private Benjamin", "Father Of The Bride", "Baby Boom"), they know how to craft a movie, often exploiting every ounce of sentiment from their scripts. "Irreconcilable Differences" is somewhat of a departure for them however, a depiction of neurotic movie people, denizens of Hollywood, who have hardly any good points. As soon as the young couple finds success, it's a rich road downhill. The plot set-up has youngster Drew Barrymore trying to emancipate herself away from her famous mom and dad, and the H-Wood high-life is shown as both cause and effect. A terrific sequence involving Sharon Stone in a quasi-musical version of "Gone With The Wind" is satiric comic genius, yet the movie is so hard on its players, so brittle and tough, it's difficult to shake off the bad vibes even as the third act winds down to a sunny conclusion. Perceptively, the screenplay includes many awful (and awfully funny) truths about marriage, money and careers, but the cynical undermining of the picture may put fluff-oriented viewers off. ***1/2 from ****