Absolutely marvellous Shaw brothers classic. Definitely strong influence on Kill Bill. I watched the dubbed version which seemed OK. Art direction terrific. The ending is an over the top bloodbath Fantastic

This film is really hard to classify in one genre,many people would say is an erotic film, some would say is a martial films but this film is unique...Lily Ho is amazing as the deadly Nv, a girl who accept her destiny just for change it but for me the real star of the film, the queen of this magnificent film is Betty Pei Ti as the evil mistress, she is able to give to the character all the evilness that she needs but at the same time she gives her some kind of tenderness that makes impossible to hate her..The end of the movie is amazing,but I will not spoil it here...I'm a big fan of the Shaw brothers films and this is one of my favorites, maybe I'm the biggest fan of this movie in the world..If you really want to have a great time, do not hesitate on watch it

18 year old Ainu (Lily Ho) is kidnapped and sold to a brothel. Her good looks and wild personality make her very popular with the lustful clients, but also draws the lesbian attentions of brothel madam Betty Tei Pei. Betty teaches Ainu the ways of lust and the ways of kung fu, and Ainu becomes more and more similar to her captor. But rage at her treatment is still burning inside her.INTIMATE CONFESSIONS... ("Ainu" is the Chinese title) is another wu xia film from ace director Chor Yuen, but this time the exploitation angle often present in his films is brought right into centre stage. Chor Yuen seems to have been fascinated by lesbians, but this is the only film of his that I've seen where he gives them the starring roles. Both Lily Ho and Betty Tei Pei give sterling performances as the beautiful but vicious martial arts hookers, and they're joined by a cast of Shaws starlets in the nude to create a pre-Cat III film that balances action, intrigue and eroticism surprisingly well. The film is the acknowledged inspiration for Clarence Fok's NAKED KILLER, the ultimate Cat III classic.As with all Chor Yuen's films, AINU is filmed entirely on Shaw Brothers sound stages, and features his trademark opulent art direction and cinematography. The plot is less labyrinthine than in many of his wu xia works, probably because Gu Long was in no way involved. In fact, the plot is probably too straight forward - the film runs less than 90 minutes, and doesn't develop its characters or situations as much as I would have liked. It still has a certain amount of depth and sophistication that is exceptionally unusual in a film centred around sex.Yueh Hua has a small role as a hapless police officer, but it's undoubtedly the women that are the stars of the film. Even in the action scenes, which are not the main focus but are a pleasant bonus, it's Lily Ho and especially Betty Tei Pei that dominate. Given that neither of the ladies are martial artists they do a good job in the fights, with stunt doubles being noticable but not distracting. Ultimately its the characters and the situations that make the film interesting, and the art direction, cinematography and naked flesh that make it compelling. I enjoyed the film on a number of levels, and even my girlfriend was positively disposed towards it. I just wish it had been about 30 minutes longer, and spent a bit more time developing its story.Definitely recommended.

I saw this movie in an English Cinema, in Birmingham, in the mid- 1970's, and was quite bowled over by its startling originality, at least to my eyes as a western viewer. It is far better constructed than most of the Kung Fu type movies that have world popularity, and will appeal to a discerning audience. The intricate plot deals with the fate and adventures of two women, masters of their marshal arts, and sworn to vengeance. The significance of the relationship between the two women grows until it becomes central to the film. That alone was original enough in the 1970's - but amazingly it is still original now.The film has a legendary, classical feel to it, and is absolutely not self-conscious about the role of its female leads. The plot twists and turns down to its tragic denouement, breathtaking in its melodrama and beauty. I don't know enough about this but it felt very rooted in chinese culture , and had the classical structure of a greek or shakespearian tragedy.It is also beautifully filmed, and has many of those chinese fencing scenes the mass public has only really just become familiar with in Crouching Tiger Hidden Dragon. But the latter is really not a patch on the earlier film.There may be many more like this - I don't know - and although it didn't feel formulaic to me, perhaps it might to the chinese audience. So I only gave it eight, rather than the nine that was tempting me.So why is this film so unknown, alone and unrated? That, I think, is the result of the unfortunate terms of its original release. Subtitled chinese movies at the time would appeal only to a specialist audience - (and Enter the Dragon had not yet appeared to change all that ) . But the specialist audience would instantly have been put off by the unfortunate "Confessions" marketing title, which immediately put it into the category of the contemporary naff British comedy series "Confessions of a window cleaner" and the like. Many a time I have tried to recommend this film title to friends only to be looked at incredulously as if - oh dear - how pathetic. Not that they would have found it easy to see it - it can't have enjoyed wide release.Now is the time for re-release.