Kevin Spacey. Do you like him? If so, you should probably like this film because, like so many of his films of late, he basically carries the whole affair. That's not saying the other actors are bad (they're all quite good, actually), but it's just that Spacey has the best part, therefore all the best lines to go with it.It's about a young man who's basically having a bit of a breakdown - his job and marriage are both in turmoil, but things start looking up when he meets his neighbour, Spacey, who gives him some radical advice on taking charge of his life. Before long, the pair are donning costumes and looking for trouble.It's also a bit of a mind-bender. Don't expect it to be an easy ride when it comes to near the end and the frequent use of subtitles will mean you have to pay attention at all times.It's not the most original of films (in fact there's a very famous film starring Brad Pitt that it - loosely - reminded me of, but I won't say which as it might give away important plot points). However, Spacey is as good as ever and it's a watchable way of spending an hour and a half. It's not a classic, but you shouldn't feel too disappointed.http://thewrongtreemoviereviews.blogspot.co.uk/

Daniel Wu plays a mild mannered, affluent, urban professional in Guangzhou who is faced with a few personal problems which the film generalizes as the consequence of modern China's capitalist system. He works at a seemingly unscrupulous corporation which is rushing to market with an unsafe prosthetic product despite his objections. He is 'asked' by a supervisor to lie about the product's safety at an upcoming public securities exchange hearing. Daniel is also bypassed for a promotion which is given to the son of the company's owner. At home, he struggles to maintain his marriage after his wife who had recently suffered the miscarriage of a deformed fetus. It is revealed later that the wife was taking folic supplements from a company that had been using fillers in their products. This part is based on a true story. Unable to cope with these pressures, Daniel's character attempts suicide but is foiled by a mysterious, nosy expat neighbor, Kevin Spacey who has some unconventional ideas for Daniel's catharsis. They include vandalism and costumed vigilantism. Daniel's bilingual character is unconvincing as is the washed up looking Spacey who appeared awkward and out of place. Perhaps that was intentional when we learn towards the end that Spacey's character and the version of the 'wife' who accompanied them on their escapades are not who they seem. This was an unoriginal, choppy genre blend of 'KickAss','Breaking Bad' and some sophomoric social commentary about China's post-marxist economic boom.

The writer and director of this film was Dayyan Eng. His story relates the unusual experiences of Li (Daniel Wu) a design engineer at an up and coming industrial firm which makes human prosthetic limbs. He is good at his job, but now comes under tremendous pressure to hurry up and finish his latest design, which seems to have a flaw in it. At the same time, his marriage is falling apart and he seeks desperately to save it. However, he finds life difficult and far too demanding to deal with and decides to commit suicide. However, like everything else in his crumbling situation he is interrupted by Chuck (Kevin Spacey) a very noisy neighbor, who offers to help. Having tried medicinal drugs, Li discovers they create more problems for him and Chuck's advice only turns him into a Superhero. The movie is briefly comical, but it is not sustained. Indeed, with the likes of Kevin Spacey and with character actor (Armagoddon) Peter Stormare this audience member expected much, much more. As it is, Spacey's exceptional talents are wasted and the movie submerges into deep waters where it is relegated to sink on it's own. ***

I'm afraid I can't agree with some of the other reviewers on here. I really liked this film - for a number of reasons.It was fast-paced, funny, while highlighting some of the issues facing an increasingly commercialising China. Mental illness, cultural erosion, love, loss, crime - this story has it all.Living in Asia, I watch a lot of movies of various ethnicities - it's nice to see some 'serious' film- making that doesn't have a cast of tens of thousands, a music score with 200 dancers, or based on a folk story from a thousand years ago, etc.The reviewers that derided this film as being derivative are missing the point - as well as being factually incorrect, IMHO - this is a modern, urban tale of an emerging China and as such is almost impossible to compare with something from the West. While the sub-plot of the buddy movie that allows Spacey his role, the more pervasive story line is the modernisation of China.I think a lot of Western audiences, given the opportunity to see this film, will be surprised at the way life is heading in Asia - the old stereotypes are falling daily.The impact this film has had around Asia is indicative of the scarcity of quality home-grown drama. While on a storytelling level this film was a little uneven, what it does is breaks ground for other directors and sets the stage for audiences to expect a level and content of Chinese film-making previously unseen.For years now China has been making technically superior films - beautiful scenery and cinematography, massive sets and casts of thousands along with stunning design and costuming, but nearly always the subject was historical stories or epic fiction.Seeing a new wave of Chinese directors making films for an increasingly cosmopolitan middle-class is heartening as this pushes further the maturation of China as a modern, democratic country. Once you start to see films such as this exposing some of the foibles in society, you know that acceptance is not far behind, and acceptance breeds an egalitarian society.I love visiting the new China and I look forward with relish to Mr Eng's next work.