Innocents with Dirty Hands
Innocents with Dirty Hands
R | 02 November 1976 (USA)
Innocents with Dirty Hands Trailers

Saint Tropez. Julie Wormser and her lover, writer and neighbour Jeff Marle, plan the murder of her wealthy husband Louis, an alcoholic impotent. She hits him, and leaves the rest of the task to Jeff. Julie finds herself alone the following day, and becomes therefore the prime suspect. Where is Louis' body? Where is Jeff? Is there any secret beyond a door?

Reviews
gridoon2018

"Innocents With Dirty Hands" could perhaps be described as Claude Chabrol's variation on the classic French thriller "Diabolique". It's not a perfect movie: it's long and talky; the plot has some extreme "conveniences"; the final shot is a bit of a WTH. But it's a refreshingly adult, constantly twisty, sometimes creepy, morally complex thriller that challenges its viewers by giving them characters (the central love triangle, the two cops, the financial adviser) who are not easy to like, and who through the process of the movie reveal that they are not who they first appear to be. The one likely audience-pleasing character is the quick-thinking lawyer Albert Legal; Jean Rochefort gives a flamboyant performance and nearly steals the show in about 10 minutes of screen time. At first you may fear that Rod Steiger will feel out of place in a French film, but somehow he fits right in. And between Romy Schneider, the St.Tropez locations, and the big beautiful house with a view where most of the action takes place, your eyes will usually have something to get fixed on. Beware of a harrowing physical attack scene near the end, though. **1/2 out of 4.

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Alexander Otth

Much has been said about the plot and the actors of the film, I won't go into it in more details, just give a few personal impressions.First of all, the film has excellent actors in the main roles, Romy Schneider, Rod Steiger and Jean Rochefort being absolutely brilliant, every single one in very memorable roles. However, there are also, inexplicably, weak actors such as Paolo Giusti (one of my previous commentators has already stated this correctly) which lead me to believe that Claude Chabrol really was not up to his great level in this film. Whatever it was, something is definitely wrong, the camera angles and shots, the story, how the plot is linked - you watch the film, it sucks you in, but leaves you with a strange feeling of unfilled expectations! Secondly, what buggers me very much indeed is the horrible mixture of dubbed and non-dubbed voices. I have had the chance of watching the French and English version on DVD and caught myself switching from one to the other for getting the respective voices in their original. Yes, and another commentator here said rightly, Rod Steiger spoke English, of course. And *lots* of his acting power and prowess went into *how* he spoke! Unforgettable, how, at the beginning of the film, he plays the "impaired", soon-to-be-betrayed husband of a too beautiful wife. Romy Schneider spoke both languages in the English and the French version. The other French actors, as the great Jean Rochefort in the memorable court room scene (hilarious) spoke French to great advantage. And Paolo Giusti is speaking I don't know what, absolutely impossible to figure out, he sound horrible in whatever version you listen to. You see, it's a complete mixture. Very disturbing, very un-French. All cinephiles know the French cinema to excel in the art of direct sound recording and captivating the original actor's voices marvelously. Why on Earth did Claude Chabrol make such a mess here? Why not have chosen all-French actors and make another one of his great films? This one isn't one, even it it entertains you, in a certain, unfulfilled way.

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Carlo Houtkamp

Claude Chabrol's Les Innocents aux Mains Sale sometimes runs the risk over becoming very, very slow-paced. Particularly the scene in the judge's office in which Julie's attorney cunningly pleads for her innocence is way, way too long. A little less dialogue, and a little more suspense would have helped this film, although it is really not bad.But... The major attraction in this film is not the story, which, I must say, does have some highly unexpected twists and does indeed show Chabrol's creative skills and pleasure in directing. The star of Les Innocents is no one less than the wonderful Romy Schneider, whose acting performance, charm and beauty in this film are more stunning than ever before. I am very happy that Chabrol has chosen her character as the central one, for now we can admire gracious Scheider in almost every scene. I have the impression the camera man was in love with her, and who can blame him. Romy even looks amazing in the scene where she is putting curlers in her hair. She is the perfect cast for this complicated Femme Fatale role.Although mainly the mediteranean filming locations in combination with the outstanding weather are to be credited for providing this Film Noir with a deceptively pleasant yellow, warm glow, it is Romy Scheider's radiance and talent that make Les Innocents aux Mains Sales a joy to watch.

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Artemis-9

more important than the carefully analysis of a wife/husband relationship gone sour, with a cunning game between the husband and the wife's lover, is the magnificent depiction of the relationships between a number of characters. The whole bourgeois world that Chabrol so often chastised is here, with unforgettable roles by Romy Schneider, Rod Steiger, and Jean Rochefort. Sum-up: Film's photography is neat; Justice... has got "dirty hands".

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