A watchable diversion here for those that enjoy the slow paced Asian spook films but have grown tired of the technological interests and or patently contrived jolts built on raw psychological grounds like Ringu or Phone. For Inner Sense the psyche takes precedence, rather than serving as mechanics bench upon which scare tactics are assembled the psyche itself is what we see put together. And the interest is in how the assembly comes to affect the assembler, the relationship of faulty mechanism and mechanic. Unfortunately this is on the whole a pretty basic film though, without too much to say it makes its mark chiefly as a slickly oiled emotional engagement, well performed with a couple of fun scares and a few interesting visuals. In his final role Leslie Cheung is likable with carefully measured darker shades, his psychologist character drawing up the roots of his co stars eerie visions and in the process unloosing troubles within. A convincing turn that one is hard pressed not to find somewhat drawn from tragic reality, it makes for a poignant swansong. Kar Yan Lam is the lady haunted, repressed, high strung and impressionable she succeeds in conveying the tight wound character. A few familiar faces like Waise Lee and Norman Chu appear for solid support, but this is for the most part a sealed off affair and sufficiently compelling in its isolation. Downcast and rain-slicked yet clear eyed cinematography from Kwok Man Keung contributes suitably glum atmosphere and grants the rather obvious (it even gets spelled out) symbolism moments of visual flair. Things all come together to make the film work, though the treatment of story and themes is generally shallow and unadventurous. I didn't expect something of the calibre of Persona (which this film in its fashion resembles), but I did hope for something with less simmer and more heat. Actually in fairness it does heat up in the finale, but in the way of maudlin melodrama that leaves an unfortunate taste. Ultimately I had a perfectly reasonable time here, and as a somewhat interesting filler piece this works well enough, but more pop was really needed. 5/10.

This one starts with the old, clichéd premise of horror movies - tormented girl can see scary ghosts. You'd expect the regular, mediocre servings of Asian horror taking place after that. Not in "Inner Senses".Her psychiatrist, played by Leslie Cheung, doesn't believe in ghosts but is eager to help. Only problem is that he apparently has some psychological issues as well.To say more than that would be a crime. Suffice it to say that this is a wonderfully crafted movie, that is almost Lynch-ian in its unweaving. Are the ghosts real or just in our minds? Watch and decide.This movie deserves a second viewing and a lot more praise than it got. I would classify it as a psychological horror, but labels don't do this film justice. Don't expect much gore (thankfully) but there's tension and jumps in all the right places.This gets extra creepy points because Leslie Cheung actually killed himself a year later. In a way, this movie it is incredibly fitting as his last work - a great one.This is an above average Asian horror that challenges you to think.7/10.

Wow! What a very scary disaster this movie! I was very excited when I bought the VCD of Inner senses and watch it on night alone. Wow! I said it is not scary at all but I was wrong! Oh My God I was really scared on this movie! This movie is my Scariest Asian Movie I've ever seen. Ringu, The Eye and Dark Water, get away cause Inner Senses is scarier than the two of you! Better than Tomie, Sixth Sense but a quite disgusting than Cannibal Holocaust and Ichi The Killer.I'de say that Inner Senses is scary.Creepy. Scaredy. Seek. Sak. World!

INNER SENSES continues Hong Kong's trend of making movies where attractive young women see ghosts. Like Hollywood, Hong Kong has never met a successful film yet that it didn't want to copy...and copy...and copy...and copy some more...The gimmick for INNER SENSES is that it takes a more psychological approach to its supernatural elements. The ghosts may be real or not, it's open to debate right up to the very end. Unlike other Hong Kong films cashing in on the "I see dead people" trend, INNER SENSES does try to approach the subject from a somewhat common sensical direction, even if the ending comes across as awfully camp.Of note is that INNER SENSES is one of Leslie Cheung's last films before his untimely suicide earlier this eyar. It's a shame, because the world is going to miss his talent.6 out of 10.