Wonderfully absorbing film, beautifully shot in southern Spain with some subtlety simple performances from what are by all accounts local people. The landscape compositions are that of a painter and the use of light outstanding. Yes, I really love this film.It is a shame therefore to have to make adverse criticisms. The film was shot over a period of one year. That is a long time but especially so when your lead actor is eleven years old. Couple that with some glaring continuity errors: The boy's socks change colour within the same scene on several occasions. As for the ambiguity I would not criticize that; it forces the viewer to think. I don't understand Spanish so I suspect I'm missing out on quite a lot, but then the film couldn't really have been made anywhere else, such are the locations so integral to the whole.

Movies' today are the results of someone's quest for entertainment. However, they can also reveal the universal search for truth which leaves an indelible impression on the human soul. Of all the inner virtues which have a duel purpose, Love is one which can either comfort or destroy those who seek it. And yet, it's the one power we have the least control over. This remarkable film was written and directed by the very talented Ivan Noel. The movie tells the moving story of Pablo Benitez (Gonzalo Sanchez Salas) who one day encounters a stranded stranger named Paco, (Francisco Alfonsin) who's car breaks down near his tiny village. Were it not for a very nosy postman (Antonio Sanchez) who begins to circulate rumors, few would know of the man's arrival. As it is, within days the entire population becomes aware of him. Adding to Pablo's daily life is Julia (Ana Tutor) who amuses herself with his friendship and sexual education. However, Paco's real reason for the arrival concerns Pablo's mother, (Anabel Azuar) one which Pablo is unaware of. The entire misunderstanding is sure to confuse the viewing audience, unless we pay close attention. The movie allows us to share the inner conflicts of youthful adolescence, challenged by life's decisions concerning Love, hate and the trapping of innocent mistakes. This being Salas' first movie, it is easy to understand how he gives such a powerful performance with such youthful exuberance. Indeed, the entire cast should be proud of their efforts. Their combined talents with the guidance of their creative, masterful and artistic director have assured us with a visual Masterpiece which in time will be seen as a true Classic. ****

Did Pablo intentionally withdraw the ladder or had not he seen that his father was on the roof of the home? Does Pablo see in the stranger a father of substitution or did he feel for him an "homosexual" attraction? Did Julia tease the postman and was her consenting(anyway it is a sexual abuse) or was it a rape? Thank you for answers and excuse my bad English.Decors and pictures of this film sound splendid. Comments are very sober but very significant. The character of Julia is is possible be too much caricature. I do not believe a 14-year-old girl be able to act so? Stage of the pseudo rape under the eyes of the grandfather is a bit" borderline" .The character of Pablo is very lovable. I deeply recommend this film.

I read a so-called 'review' below, which seems inspired by some bizarre personal grudge, rather than lucidity. Better they stick to 'Spiderman', and leave indie reviews for others. I have followed the course of this spectacularly beautiful film since it first came out. But just sticking to facts: I doubt the film would have been selected over tens of thousands of other films in the most important festivals of the world, if it had been 'amateur'! What a silly comment. Seattle, Vancouver, Palm Springs, it was voted one of the top films in Vancouver. Reviews have been outstanding right across the board, by professional critics in various countries. What is most striking about the film is the amazing naturalness of the acting, which they all refer to. So when one refers to 'skit' level acting, it is clear they are either an envious failed director, or have another agenda. The screenplay itself is one of the most sensitive portrayals of youth I have come across, full of subtleties, which, yes, I can see some more 'hollywood-style' persons might not catch on to. Well done Mr Noel, and ignore the sub-standard reviews like the one below. IMDb is a free and very 'popular' medium where the lowest minds even try to contribute. If the trailer is anything to go by, his second film looks to be even more promising. I'll leave you with what they said on the films first showing: 'Director Noel shoots the gloriously sunlit countryside around the village of Jerez with the eye of a painter while showing his expertise at playing with audience expectations. It is this sure-handed way with what turns out to be a surprising narrative, the naturalism of the local townspeople in their first acting roles, and the almost dangerous sensuality of the cinematography, that marks In Your Absence as a very impressive first film.'