Ilsa: She Wolf of the SS
Ilsa: She Wolf of the SS
NR | 01 October 1975 (USA)
Ilsa: She Wolf of the SS Trailers

Ilsa, a warden at a Nazi death camp that conducts experiments on prisoners, strives to prove that women can withstand more pain and suffering than men, and therefore should be allowed to fight on the frontlines.

Reviews
Smoreni Zmaj

This sex/torture B-movie was the original that triggered huge wave of "Nasty Nazi" movies that marked B-production of 70's. That was really nasty decade. Film is complete bullshit, but still has something that makes you watch it till the end (if you have stomach for it).This sex/torture B-movie was the original that triggered huge wave of "Nasty Nazi" movies that marked B-production of 70's. That was really nasty decade. Film is complete bullshit, but still has something that makes you watch it till the end (if you have stomach for it).This sex/torture B-movie was the original that triggered huge wave of "Nasty Nazi" movies that marked B-production of 70's. That was really nasty decade. Film is complete bullshit, but still has something that makes you watch it till the end (if you have stomach for it).

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loumiles-25568

this movie is the worst, i'm astounded by the positive reviews, it is just sick for no other reason. time has not diminished how disgusting the film is. why? what does anyone gain from watching this stuff.....this film used to be banned in Australia, and i generally don't think anything should be censored, but the idea of people sitting down and enjoying this movie makes me feel sick - people keep bringing up the exploitation genre as some kind of reason the movie is OK to watch. people that know that genre, and I'm not talking about the Ilsa sequels. this one is pathetic in every way. i hate this movie, and please people avoid it like the plague. and if you gained pleasure from watching this film, please get help!!!!

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Boba_Fett1138

Exploitation movies of course never have really been a sign of good taste but perhaps the most tasteless sub-genre within the exploitation genre are the ones featuring Nazi's.Even though the intro text at the beginning of the movie suggest otherwise, this movie is made for one reason only; to be provocative and shock the viewers with basically every exploitation element from the book. Not only is there all lot of blood and violence, the movie also contains lots of nudity and rape sequences, in which both males and females are the victims and they are not only being raped by males this time. After all, this is a movie about Ilsa, she wolf of the SS. A dominant female doctor who conducts all horrible kind of tests on her female prisoners in a camp, in order to prove her own developed theory that women are better at handling pain than the male species. The male prisoners at the camp serve a whole different purpose for her; to please her in bed and when she isn't pleased with the result, you'll never get out being the same man again.This is basically what the entire movie is about. Rape and torture. The movie is porn for sadist, without of course truly convincing as being a very credible movie. It all above all really remains a big fat B-movie, that often is ridicules but more often still truly disgusting. It doesn't alway convince visually but the ideas and set up of some sequences are already enough to be provocative.It's not hard to see why this movie has grown out in to becoming a cult classic. The title of the movie alone is already good enough to make this an instant cult classic of course. It hove doesn't mean that the movie is also good enough, even for within its genre, to truly impressive and call this a must-see cult classic.4/10http://bobafett1138.blogspot.com/

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slayrrr666

"Ilsa: She-Wolf of the SS" is an true exploitation classic.**SPOILERS**Running the dreaded Camp 9, SS Officer Ilsa, (Dyanne Thorne) and partner Dr. Binz, (George 'Buck' Flower) operate under the pretenses of using women prisoners for their own experiments. When American prisoner Wolfe, (Gregory Knoph) arrives at the camp, she takes an instant appeal to him as he manages to please her the way the other prisoners have. Taking an interest in prisoners Anna, (Maria Marx) and Kata, (Nicolle Riddell) to determine whether or not women have a higher threshold for pain than men, she begins to torture them constantly while using him for her own sexual gratification. Finally getting fed up with the living conditions, they decide to make a break for escape with the prisoners still being held at the camp in a way to get away from the sadistic owner.The News: This is one of the greatest entries in the exploitation genre. This is mostly due to the film's incredibly ability to really use it's exploitation leanings to provide some genuine and excessive sequences. These are mostly from the gruesome torture scenes, including toes being mangled with pliers, an exceptionally bloody double flogging with the fully naked, blood streaked bodies later hung up, a blood-spewing pressure chamber experiment, skin peeling from immersion in boiling water and a maggot infested wound. We also have a very effective blood pumping cut throat and some of the make-up on the disease ridden women, especially the one whose face has been infected with syphilis and which gets more and more rotten as the film goes on and is suitably revolting. Many of the torture scenes are incredibly brutal and manage to get a little unnerving after a while. There's also the grotesque and sickening sight of a barely living, torture ravaged, cruelly mutilated naked woman lying on a trolley, lying completely out in the open showing off every single wound from the experiments, producing a creepy feel. Away from the gore the film, also delivers a few choice moments of exploitative cruelty including an electrified dildo run through the crotch to generate an electronic stimulation and the sequence where a naked woman with a noose around her neck is supported on a block of ice, on a dinner table, which slowly melts away as the Nazi's dine around her. Female nudity is really rampant, not just in the nude inspections of the prisoners and the sex scenes but also during almost all of the experiment and torture sequences. Sparing the victims nothing, their fully nude bodies are continuously on display and generally as much pubic hair, especially blood-soaked pubic hair, as time allows for is splashed across the screen. Thorne gives her all in her sex scenes with much moaning and bucking, but there's also a couple of non-Thorne sequences, including a brief, ever-essential lesbian tryst, where more breasts are on display. That the film in fact opens to a naked Ilsa riding a male prisoner, then showering down and finally partaking in a spot of bloody castration on her hasty sex slave, only goes to reinforce the fact that there's very little that won't be allowed in here, and the film is all the better for it. The general setting of the film, with the very effective sets and furnishings, as the torture chambers are nicely dank and dungeon-like with strategic portraits of Himmler and Hitler on the walls, the Nazi's dining room is splashed-out in very decadent opulence and the whole thing feels very over-the-top and grand, considering the location, to the very fact that it takes place in a concentration camp where hideous experiments, including deliberate infection by all known diseases, are carried out on the prisoners, scream exploitation-made material here. Perhaps the best element here is that the lead, Dyanne Thorne, here looks absolutely perfect for the kind of film. Statuesque, sexy and oh-so-perfectly form, she dominates the movie and literally makes it a far more satisfying experience than it would otherwise have been and is able to ridicule the men and make the women cower. Willing to disrobe whenever the film needs it, she makes her a sexually strong, and yet also sexually complex, character. Ilsa screws the prisoners in the hope of gratification, but punishes them for screwing her as they are inferior to her. Once they have lain with her they must be silenced and punished for doing so. And yet, despite the sadism she shows to her victims, is also very much a subordinate and a masochist when it comes to her own sexual satisfaction. Thorne does bring an extra level to her character's make-up than is the norm in such films. This one also manages some mostly successful action scenes with a few explosions and even an armored car making an appearance during the fun finale, resulting in some really great action scenes. There's just a minor, minor flaw to this. The fun finale has a really big flaw to get over. There's some very clumsy slow motion and the odd very strange gunshot sound, stand out as poor in the sequence. Mainly since it's done during the gunfight is where it really stands out, but it's still a really annoying problem to it. Other than this little flaw, there wasn't a whole lot to dislike to this.The Final Verdict: Without much to stand in the way of pure trash glory, this one here is one of the best and most entertaining examples of the genre. Highly enjoyable for fans of the Naziploitation genre or exploitation films in genre, while those who can't handle it should ignore it altogether.Rated UR/NC-17: Continuous Full Male and Female Nudity, strong sex scenes, Extreme Graphic Violence and Language

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