Long before day After Tomorrow, there was ice in Los Angeles and the rest of the world. A group of intrepid Angelinos, including Audie England (Julie), made the trek to find a ship hoping to escape the cold.Little did they know that the evil Dr. Kistler (Udo Kier) lied and the ship was only coming for him. Life does have a way of balancing things, and, with Julie's ex (Grant Show) leading the group, they manage to reach the pick-up point.Will a ship arrive? Will Audie be saved from freezing? You have to tune in to find out.

This made for the small screen movie in the disaster genre may have been full of questionable scientific facts but accepting things as you were given them, then the acting and general tempo were okay. There are some movies where it is best not to ask too many questions just sit back and be entertained - this was one of them. The lack of big star cast did not seem to detract from the effect and though clearly shot on a small budget (the snowflakes were so fake!) it was reasonable nonetheless. A group of miscellaneous stereotypes, the white macho law enforcer, the black criminal with the chip on his shoulder who's not so bad once you get to know him, the mad professor who's not likable at all, the ex and the new lover with the new boyfriend. Plenty scope for character development, though much of it was predictable. As a huge freeze-up almost in no time seems to plunge Los Angeles into Arctic frigidity people seem to die frozen at the wheels of their cars or anywhere else as if completely unexpected. Our super-heros seem to be able to move around with relatively little extra clothing only the occasional leg wrapping or blanket as a token towards the predicament.The general "plot" is that a rescue ship is being sent to pick up our disagreeable scientist and our group seem to think this is the best option they have of escaping from the freeze-up so a purpose and direction is created, however thin and questionable it may seem. We seem to accept much science fiction which is far more questionable, take the Star Wars nonsense for example, yet here we have a plausible scenario. The sun could throw a wobbly and the effects on our planet could be life-threatening, I have no problem with the subject matter. I would not buy the DVD however but have seen a lot worse than ICE.

This movie is beyond comment. So, i don't waste my time anymore. Neither should you, don't watch it. You will be sorry. Someday it will appear on TV or you'll get it gift rapped as a present, just like me. Of course you are a bit curious. You never heard of this title.There is a good reason for that. Nobody in their right mind, will tell you about it when they watched the movie. Nor shall you, believe me.Maybe there should be a law against these kind of films. I am dutch, so I live in the most free country in the whole world (Yes, including the USA). But still this movie makes me doubt if there shouldn't be some censorship to protect innocent watchers.

I recently saw ICE on the Sci-Fi channel and was pleasantly surprised by how good it was. The writing is superb. The characters are unique and believable within the science-fiction disaster context of the rapid cooling of the atmosphere. Several scenes are extremely similar to scenes in THE DAY AFTER TOMORROW, in particular the final scene with the president, and using books to fuel the fire. Tiny details are what make a script work, and this one is chock full of them, the interplay between Officer Drake and his ex-wife and current girlfriend, the ex-wife's new husband, Greg, an intellectual who cannot accept the loss of civilization, the various people met along the way as established order breaks down and as the characters fight for one last hope of survival. The scene in which Officer Drake convinces his girlfriend to join the others rather than stay with him (and presumably die) is extremely moving. This film is one of the best character studies in a disaster context I have seen. All the characters are vivid, three-dimensional portrayals, bickering, arguing, conniving, negotiating, being courageous and self-sacrificing, and ultimately depending upon one another for their survival.My only disappointment with the film is that the producer decided to dub Udo Kier's voice to give his character a more American accent. This is a deep flaw in an otherwise tremendously satisfying film. Udo Kier is a cult-film hero, and his voice, as sibilant and Germanic as it is, is a pleasure to the ear. "Kistler" sounds German enough to justify a German accent, so why the dubbing?