I Witness is an overly earnest little film about politics, drugs and mass murder on the U.S./Mexico border. The basic idea of the story isn't that bad, but it was realized with too many characters, too little mystery and an ending where you can pinpoint the exact moment when these filmmakers decided to stop caring whether the movie made any sense or not.James Rhodes (Jeff Daniels) is a human rights activist who's been sent down to observe a vote to unionize at an American-owned chemical company in Tijuana. While he's there, Rhodes gets involved in the investigation of 27 dead Mexican peasants founds in a drug smuggling tunnel. The authorities want to blame it on a enigmatic drug lord, but Rhodes suspects there's something else going on. His search for answers is assisted by the prideful Detective Castillo (Clifton Collins Jr.) and his work with the unionization vote is complicated by pretty U.S. trade representative Emily Thomas (Portia de Rossi). There's also a U.S. State Department official named Douglas Draper (James Spader) who is an old friend of Rhodes. I think Draper was intended to be a significant character in this film, but he really just floats around and gives off that vibe that James Spader gave off when he was thin. As opposed to the vibe Spader has given off since he got fat. There aren't many actors whose on screen presence has changed so greatly over the course of their career. I really hope CGI reaches the point one day where thin Spader from Sex, Lies & Videotape can do a buddy cop movie with fat Spader from Boston Legal.Anyway…Rhodes just sort of wanders around from place to place, getting abducted by drug gangsters and pointedly NOT having sex with Emily, until a guy on his death bed explains the whole story to him. I don't want to give away the ending but let me just note, the moment when drug gangsters storm in like the cavalry to rescue Rhodes, even though there's absolutely no way they could know he needed rescuing and absolutely no reason they should rescue him in the first place, that's the moment when you know these filmmakers no longer care if I Witness makes any sense.Honestly, this isn't a horrendous film. Jeff Daniels is a perfectly acceptable hero, though he does look far too much like Jeff Bridges from the 1976 King Kong remake. The script is making a noble effort at saying something about the complexities of life, death and business on the U.S./Mexico border. I suppose the direction is adequate. But a paucity of plot, a phalanx of unnecessary characters and a plethora of poorly written scenes does produce a pedestrianly bad movie.

This looked like it was some sort of straight-to-video piece of junk, but it turns out to be a well-written thriller with very good production values. The plot is a bit over-the-top, but palatable. Spader and Daniels do a great job, while di Rossi is at least tolerable.If you have to have justice and happy endings, this movie is probably not for you.*****MAJOR SPOILER***** The only problem I had in watching this film was that one of the critical turning points in the movie (you'll know when you get there) made me think of the Saturday Night Live sketch about The Pepsi Syndrome. In the movie, this is supposed to be a very serious flashback essential to solving the mystery, but all I could think about was Dan Aykroyd standing around as President Carter and Garrett Morris dressed in drag mopping up contaminated coolant. It makes me smile even thinking about it after finishing the movie.*****END SPOILER***** If you liked Traffic and political thrillers, you will probably enjoy this movie.

Some intriguing introductory sequences keep this thriller mildly interesting, but it is pretty conventional film-making overall, with a cheap, B-grade telepic feel to the material, which is enhanced by some poor music application. There are some parts of the film that are well shot and edited smartly, but the technical side does not enliven the film very much. The politics are drone and the film drags between the action sequences that are not that exciting in the first place. It provides some insight into relations between different nations, and a few other things, but nothing worth really praising. The film will be of interest to fans of James Spader, Clifton Collins Jr., or any of the other supporting actors, but I would be cautious to recommend it to anyone else.

Finally - an action/thriller flick that rocked me with a bona fide mystery! I hate "spoiler" reviews so I can't get into too much story. Needless to say, it's a top notch thinking man's action film. Jeff Daniels plays a Human Rights Watch type whose been demoted and sent to Tijuana because he punched out a journalist. This ain't no Greenpeace bleeding heart. He is one p***ed off and tortured tough son of a bitch. But Daniels never swaggers. He plays it with such subtlety and finesse, you know you're witnessing the kind of performance only given by actors who have the trust and confidence in their skills borne of years of experience. Clifton Collins is a Mexican homicide detective afflicted with the job of aiding Daniels in his investigation of a peasant massacre on the US/Mexican border. Collins has the same temperature of Latin fire as Al Pacino. His characterization is so convincing, it didn't even dawn on me until I saw the credits that this is the same actor who played Frankie Flowers the gay, sadistic assassin in "Traffic." He is an entirely different being - a star to watch. Spader mesmerizes by virtue of his edgy intelligence. He can ask for a drink of water and you are compelled to wonder about what he really wants. Portia De Rossi gives a gutsy performance as Daniels US government adversary, though it took me a while to get used to her playing a true hard ass. No Ally McBeal here.The writing was first rate. Maybe the bottom line best thing about the movie. I don't know who the writing team is - Colin Green and Robert Ozn - they don't have any other credits - I looked them up on imdb. It's kind of the best of old-school, 70s writing meets 21st century dialogue and pacing. I could picture these guys writing "The French Connection" as well as "Desperado." I do wonder, though, if the Ozn part of the team is the same (or related?) Ozn from the band Ebn-Ozn.It's by far the best thing Rowdy Herrington's ever directed. Miles above his Bruce Willis action flick - can't remember the name off the top of my head. He's very good with street action, makes it ring true without any tricks, never amping you up with manipulations or pyrotechnics. There's a moment where a union activist gets knee-capped, and I could feel the hammer drop. Cinematography and production values are filled with foreboding and dark secrets. At times, it's almost claustrophobic and creepy and then suddenly - there's sunlight.The only thing I'll give a 'fair' grade to was the music. It was sound design styled synth stuff, and for a film set in Tijuana, it didn't work for me. It wasn't bad, just the wrong color.