At the fag-end of the 50's, a generation of long-demobbed soldiers were still trying to cut it in uniform, in a spate of cheap black-and-white war films. More convincing than most was the unknown star of this true story, a minor Australian actor who had been rejected by the entertainment services, and was reluctantly pen-pushing in the pay office, when someone noticed that he was a dead ringer for Montgomery.This was in the run-up to D-Day, when the allies were desperate to draw enemy attention away from Normandy as the obvious invasion zone. Might a Monty-lookalike be able to fool German intelligence by touring North Africa, as though preparing for a big Mediterranean landing instead?The actor in question, M.E. Clifton James, is secretly employed as a driver on Monty's staff, in order to get close enough to study his speech and mannerisms. But he doubts his own ability to replicate the character and personality of the great man, not least because 'Jimmy' is a chain-smoking alcoholic. Eventually, jolly optimist John Mills persuades him to go through with it, and suddenly he's stepping off a plane in Gibraltar, under scrutiny from enemy agents (one of them brilliantly sinister, as played by Marius Goring), as well as certain officers who remember Monty from before the war.Defying many attempts on his life, Jimmy overcomes his desperate shyness, and learns to take massed salutes from whole armies. Then all too soon, D-Day has come and gone, his one brief star-performance is over, and it's back to the humble pay office. Except... they felt it necessary to bolt-on a false ending, about which we can reveal nothing, except that it never happened.As for the real-life outcome, we have to face the disappointing fact that it was only part of a much larger decoy operation, which did throw the enemy into some confusion, but reports of Jimmy's own effort reaching Hitler's desk seem to be wishful thinking. The film displays some recognisable weaknesses of those low-budget productions. The over-long opening section is taken up with John Mills' various flirtations, whose only consequence for the story is that his humourless boss (Cecil Parker) decides to replace their seductive secretary with the ugly-beautiful Barbara Hicks, in some ways more arresting. And the way Mills and Parker chat freely in public about top secret plans will grate on the ear of anyone who has worked in intelligence. No war-film of its day was complete without the stuffed-shirt spoilsport Allan Cuthbertson, who duly pops-up here, as does the perennial plug-ugly sergeant Anthony Sagar. Jimmy's one meeting with Monty is awkwardly dodged; we simply cut away from him on the steps of the general's caravan, although split-screen techniques had long since enabled an actor to shake hands with his own double (try the 1937 'Prisoner of Zenda').None of this really detracts from the joy of the film, principally the deeply-believable performance of a professional actor, acting himself acting Monty. Sympathy and charm shine through this modest man, who seems to have been shabbily treated after the war, when he was reduced to the dole. Hopefully this popular film brought a little benison for the five short years that remained to him.

Apparently using doubles as decoys to fool the enemy is nothing new. It takes place even now and during World War 2 there were several Winston Churchill lookalikes in good employment.I first saw this film as a kid and thought it was fantastically entertaining. The film takes place a few months before the D-Day landings are due to take place. The British government wants to have a campaign of mis-information and have rumours that the landings might take place at a location other than NormandyClifton James was an actor who had an uncanny resemblance to General Montgomery and is enticed by John Mills to impersonate the man himself in order to dupe the Germans.The film is a straightforward adaptation of James real life story although more tension and humour has been added as well as a kidnapping storyline at the latter part of the movie which did not actually occur. Also in real life James was fond of a drink and smoke unlike Monty.It is a shame that Clifton James did not get more acting roles after the war although this film does mark his contribution to the war effort.

I love this film and even though I have now bought it on DVD I never miss it when it turns up on TV. The writing, script and direction are bang on the nail, and the blend of tension, drama and gentle humour is perfectly judged. There are also several short moments of genuinely touching human warmth which are often missing from films of this nature. The one or two historical inaccuracies in the script do not detract at all from the sheer excellence of this marvellous picture.Even the theme music is beautifully matched to the content - a mixture of swaggering triumph and comedic undertone. The fact that the film is based (mostly!) on a real story is the cherry on the cake.

It's hard not to imagine that Bryan Forbes who wrote the script for this 1958 film was not influenced by the James Bond character who first appeared in the Ian Fleming book "Casino Royale" published in England in 1953. As the first Bond film was not released until 1962, the character John Mills plays --cheeky, disrespectful of authority, as adept with women as he is in intelligence work-- is either a predecessor to 007 or an affectionate borrowing from Fleming's novel. Up until then, British men were usually depicted on screen as stiff-upper lip, decent chaps who did their jobs without complaining; surely never distracted from defending the Empire by a pretty face. Mills, with his enormous charm and good looks, introduced a new type of Brit to cinema audiences --sexy, funny and sometimes outrageous-- a character which Sean Connery was to play to perfection many years later.