Well it's certainly not a great woman with morals, but stupendous ambition! I could not believe the lower ratings from review sites and almost did not watch. This was fascinating cinema eclipsing the rare talents of Edward G. Even having our dear Uncle Teddy chasing down Trust scoundrels to boot! The capture of many decades and stock footage enriched many scenes and the sets were scrumptious.Perhaps "Home on the Range" will never sound the same and always in the wrong context. I was prepared for an onslaught but the final touch was sentimental. That good ol' Dementia is something to look forward to whilst obliterating memories of your miserable life and failures.A few plot twists and unpredictable moments made for a great showcase of 1933 talent. I am not a big Francis fan but she showed a lot more range in her role as a talented, beautiful, vampy, confident and energetic opera singer. Did I feel sorry for Hayden and his lost millions? Almost, he had such wonderful progressive intentions and deteriorated to dust in the end over a woman. How pitiful and he barely remembers her in his final moments.I definitely recommend this to all Robinson, Francis, and TR fans. There is substantial dramatic as well as romantic action. And of course....revenge!

Some plot strains from Citizen Kane are present in this melodrama involving meatpacking tycoon Edward G. Robinson who is married to Genevieve Tobin but his heart belongs to opera singing Kay Francis. Would that I Loved A Woman were as good as the Orson Welles masterpiece.Robinson ages over 30 years in I Loved A Woman. When we first meet him he's a young art student on the holiday in Europe that rich young men had back in the day. That's when he hears his father has died and comes home to take over the business.He becomes the Donald Trump of the meatpacking industry in the 1890s. In the famous tainted beef case of the Spanish American War he skates on that when Theodore Roosevelt can't bust the meat trust. But it's his personal life that this film is concerned with.He marries Tobin, daughter of rival Robert Barrat, but as he eclipses Barrat in standing in the industry he finds she married him for social standing and to bring his business into dad's fold. It works the other way around however. Like Charles Foster Kane he finds a Susan Alexander with another aspiring singer Kay Francis. Naturally it's a given with me that Kay's voice was dubbed, but why would an aspiring opera singer be rehearing with Home On The Range?In any Kay let's him down as well and soon things in the business world go bad on him. Let's just say Robinson made some bad business decisions and overextended himself.British actor E.J. Ratcliffe plays Theodore Roosevelt in a brief scene with Robinson. He does his best, but when TR succeeded William McKinley TR was 42 years almost 43 our still youngest president. The 70 year old Ratcliffe was ridiculous in the part. In fact the whole story about TR's involvement in the scandal about the tainted beef is all wrong.In the Citadel Film series book on the films of Edward G. Robinson we learn he wasn't happy with the script and story. Seeing what I saw I couldn't blame him. In fact no one in the cast look like they took it all too seriously.

Bohemian Edward G. Robinson has to take over his late father's meatpacking business. He tries to run it honestly but eventually becomes corrupt. Meanwhile, he takes opera singer Kay Francis as his mistress, which doesn't sit well with wife Genevieve Tobin. Slow-moving melodrama with moments of unintended hilarity. The romantic scenes are especially bad. Kay Francis hams it up, as was her tendency. You either like her or you don't. I dare you not to laugh when she sings "Home on the Range." Eddie Robinson does fine, except for the aforementioned romantic scenes. He has zero chemistry with Francis. Genevieve Tobin is badly miscast as the villainous wife. She was better suited playing likable characters. It's a pretty boring effort. Final line of the movie sums it up best: "I'm sleepy."

I Loved a Woman (1933) * (out of 4) John Hayden (Edward G. Robinson), an art lover staying in Greece, receives word that his father has died so he returns to Chicago to take over the family meat packing business. Hayden sticks fast to his morals of running a good, clean business until the day he meets an opera singer (Kay Francis) and decides to do whatever it takes to make money to keep her happy. If you own a Leonard Maltin movie guide then you know it's quite rare for an older film from this era to receive a BOMB rating. If you go through every single page you'll notice that very few receive such a bad rating but this is a film that does get that. Even though I didn't find it that bad there's still no question that this is one of the worst from Hollywood's golden age. I guess the first place to start is the fact that this thing moves as slow as molasses. At 91-miutes the film seems three times as long and I couldn't help but feel as if I was watching two or three moves rolled into one. I say that because by the time you're at the thirty-minute mark you've already forgotten everything that happened previously. You hit the hour mark, bored out of your mind, and you're shocked to realize how much has happened in the film and how much you don't care. The film takes place in the late 1890s and you go through various things from a marriage to a childhood sweetheart (Genevieve Tobin) to the affair with the singer. The big turning point in the film has Robinson being too good of a nice guy and then out of no where he's an evil, money hungry idiot who kills some American soldiers without feeling bad. This turn in Robinson's character is never explained and how it comes off is unintentionally hilarious. The performances really aren't all that memorable, although they do contain some camp value. Francis is OK in her part but you can't help but laugh when it comes time for the singing. Tobin is unintentionally funny playing the wife who has her own ideas of revenge. Robinson isn't too bad here but you really have a hard time believing that he's a lover of art. I also didn't buy his transformation into the bad guy but then again the screenplay can be blamed for this. As bad as I LOVED A WOMAN is, it's almost hard not to recommend it to film buffs just so they can see how bad it actually is.