The problem of Henri Boulanger is similar to that of Odysseus who told his friends to tighten him up at a pole of his ship before they drive through Scylla and Charybdis, and, to never obey him if he asks them to loose the ties, because otherwise he will be lost for either of the two monsters. In the case of Henry Boulanger it is so that this sober, never-drinking, never womanizing Kafkaesque office-worker suddenly looses his job, when the company wants to shrink. Boulanger, who never had tasted the sweet delirium of alcohol and the seductive odor of cigarettes, does not know a catalytic spirit of auxiliary constructions that would help him over the shock of having lost his job. So, he does what nobody else would do in his situation: he hires a contract killer. However, shortly after having paid the sum to kill himself, he enters a bar where they do not sell tea, so, for the first time, under the horizon of his life coming to a soon end, he drinks whiskey after whiskey, learns how good this is for him and smokes cigarette after cigarette, greedily trying to catch up what he had missed his whole life. There, in the bar, he meets Margaret, his first and therefore biggest love of his life. Clearly, having tasted the real fruits of life, he does not want to die anymore. But how can he make his killers clear that he want to withdraw from his contract? While Odysseus stays cuffed on his pole, Boulanger errs lost like Odysseus through London.

Do you like classics? Do you have a thing for Hitchcock, or lets say, Jean Pierre Melville? Do you wanna see how does that translate into a more modern progressive movie? Well! here is what you do: You go straight to a club and you purchase 'I Hired a Contract Killer'! It sticks with you; the futility, the humor, and the suspense. This is a picture that no matter what, you gonna remember for ever. The futility is so rich, that itself becomes the core meaning to everything. And the situation gets so baffled that emptiness becomes a survival. The suspension is perfectly 'Hitchcokic'& the use of music is great. It is among the pictures that secures you; makes you sure that still cinema exists; A cinema that tells you a story, a breathtaking one - and damn, Kourismaki is a great story teller; a noble one. One of the few left from the true heritage of motion picture industry and art. Lay back, watch and enjoy. This is pure cinema. As you might have guessed, I fully recommend it!

Over the course of seven movies, Aki Kaurismäki explored various sides of Finnish life and culture, from the inexorably tragic (The Match Factory Girl) to the upright hilarious (Leningrad Cowboys Go America). For his eighth feature film, he decided to try something new: he moved to England, ditched all of his regular actors, cast his all-time idol (New wave star Jean-Pierre Lèaud) in the lead and came up with one of the most brilliant and bizarre comedies of recent years. Well, not that recent, but it's genius, I can assure you.The story takes place in London, and begins in what seems to be a very boring office (or at least the work is boring). Because of financial difficulties, some employees have to be made redundant. For some other reason, foreigners are the first victims. In other words, Henri Boulanger (Lèaud) is out of the game. Having lost the only thing he really cared for, he thinks there's nothing left for him in life and therefore tries to kill himself. Repeatedly. And with mediocre results (hanging? The rope is tron apart; putting the head in an oven? Gas strike all over the city).This makes Henri even more miserable. So sad, in fact, that he eventually asks a professional assassin (Kenneth Colley) to do the job. While waiting for his final hour to come, he goes to a pub. And there the unexpected happens: he meets a woman (Margi Clarke), rediscovers the joy of living and changes his mind. Pity the killer won't...In someone else's hands, this film could have been an absurd, grotesque, unrealistic parody of gangster movies. Kaurismäki, however, keeps it simple and believable, largely thanks to the controlled performances: Colley stays cold and unaffected throughout the whole film, even when he's coughing blood, while Léaud never abandons his everyman role, doing nothing more than occasionally raise an eyebrow when things take unpredicted turns.The film is almost perfect, weren't it for one factor: Margi Clarke. With all the talented British actresses available, Kaurismäki had to pick an unknown with no charm and a dreadful accent. This slight casting mistake prevents I Hired a Contract Killer from being an undisputed masterwork, but like all the other movies on Kaurismäki's CV, it's still worth your attention.

Great movie. Based on the story by Jules Verne Les Tribulations d'un chinois en Chine, Kaurismaki surprise us again with his strange humorous style. A story about feelings in an inexpressive way; don't mind how blue you can feel, there's always a place for love and hope. People and their contradictions; a man who don't want to live, contracts a killer who don't want to die. If you have seen any Kaurismaki's films, you should know that they are different; His way of filming and his stories are not "normal" in the commercial way; he seems to keep the distances with the characters, and that could be annoying for some people; but if you like it, you will love all his films. Kaurismaki is a genius, and he is funny too.