"How to Make Movies" is a 16-minute live action short film from 1919, so only one more year until this one has its 100th anniversary. Maybe when you read this review, it is already over a century old. This one is written by, directed by and starring Charlie Chaplin and it falls into the category of film about film because the master takes us on a journey through life in the film industry. And as much as the creation process is vital, playing golf is an essential component too. The cast includes the likes of Purviance and Campbell, longtime Chaplin collaborators, so those who not only enjoy Chaplin, but also his supporting cast members may want to check this one out especially. Of course, it is a black-and-white silent film. Sadly, I myself was not too well-entertained here. In the first half it almost felt more informative than funny to be honest to see how people saw the film industry a century ago. Chaplin's routine isn't necessarily bad and this film is not a failure by any means, but I have seen wittier, funnier and better in general by him on many occasions, in terms of both writing and performing. By then, he was an icon already, but there is nothing iconic about this movie we have here. I give it a thumbs-down.

This film is often not thought of as one to be included in Chaplin's filmography, but it is a historical record of a brief inside look in Chaplin's studios. Here the film originates with a genie granting a wish for a film studio, which materializes before our eyes. The film was released in early 1918 before Chaplin's first picture for the First National Corporation: A Dog's Life. Behind the scenes footage includes many of Chaplin's stock company, such as Edna Purviance and Henry Bergman. Other footage has Chaplin simply walking around his studios, eating a lemon, looking at his mail, getting into character, and playfully interacting with his stock company. The most interesting aspect of the film illustrates the film processing procedure circa 1918. There are several scenes on a golf course with Chaplin in character interacting with others or by himself. One of these scenes contains what looks to be the last footage of comic foil Eric Campbell who died in December 1917 in an auto accident. The film is not really a Chaplin film per se, but it's an interesting, historic curio in a home movie vein. **1/2 of 4 stars.

Like Maurice Tourneur's "A Girl's Folly" (which only exists in fragmentary form), this is very interesting just as a look into the insides of a movie studio in the 1910s. Since the studio in question is Charlie Chaplin's studio where he ended up making films for UA (and where many producers made films for years afterward), it has considerable historical significance.However the film itself is only amusing for a few chuckles. There's a rather clichéd bit at the end with Chaplin on a golf course. It looks to me like the course in Griffith Park, which is fascinating because it looks different than it does now. A lot more like they just stuck the course down in the middle of the desert. The funniest scene is a brief one where Chaplin is rehearsing his actors and actresses. He keeps showing how to beat up another guy, and the poor guy has to chase after his hat after Chaplin knocks it off and then again after the other actor knocks it off.It's pretty interesting to see Chaplin as such a young man without his mustache -- which is referred to in a title card before he applies it to do his routine as the "Million Dollar Moustache". He looks very handsome here without the 'stache. It's also interesting how "friendly" he is with his secretary and his actresses. At one point he is fussing with his actress' curled hair and momentarily puts the curl in his mouth as if to suck on it.Won't be highly interesting to anyone except Chaplin fans and old time movie fans, but I liked it.

My understanding is that Chalie Chaplin made this film in 1918 to show the First National Picture Corporation when he signed to produce movies with them. Chaplin would cover all costs of making the movies and in return receive $125,000 per picture plus 50% of the revenues.The loose structure of the film is that a genie has granted Charlie one wish, which he uses to create a film studio. We then follow Charlie as he goes about filming and editing his next picture.Highlights for me are the rehearsal scene and when Charlie dresses up like the little tramp to do some on location filming at a golf course.This film truly plays like a "Behind The Scenes" feature from 1918. While all the situations are staged for comic effect. It is still interesting to see the day-to-day behind the scenes activities such as negatives being developed.The version I watched was Bonus Material on The Chaplin Revue DVD put out by Warner Bros. It had no musical score which really hampered the film. Overall, worth a watch, but far, far from Chaplin's best.