It is obvious than the work of Edgar Allan Poe is only a pretext for a film from that category. but the word pretext, in this case , it is less. first, for the plot reduced at ... nothing. second - for the awful performances. and, sure, for the worst dialogue. from beginning the expectations are not high but you believe to see a small sparkle or a symbolic connection with the text of Poe. but than is too much. so, a precise target and a reasonable end.and nothing more.

After reading a one star review and looking over some of the actors' not surprisingly limited other work, I went into this knowing I shouldn't expect anything profound. As a gay man, the movie being described as softcore gay porn made me slightly curious. I thought maybe some eye candy would help make up for the low points. I was thinking it might just be another one of those films that had been written with some good potential but had missed the mark with too many awkward man-kiss moments. Only partly true...Well... I will say that even with almost no expectations, this one still managed to disappoint me. The two male leads are, truth told, quite easy to look at and really their deliverance of their lines wasn't really that bad - just plain. The actress, however... was so god-awful I can't even bring myself to describe it, though I may possess the necessary skills of description.To keep myself from going on and on about how bad it all was, I'll try to summarize in a little list.* Script & dialogue - terrible. Tries to be modern and Poe at the same time... odd juxtapositioning of teenage relationship issues with "deep" conversations and really 5-dollar-word vocabulary. * Acting - Can't blame the actors for however bad it was, but still the male leads SHINE compared to the female. * Sex scenes - no actual sex. Not even hidden. Underwear are always on during sex scenes. Just lots of kissing and rubbing everywhere except where it counts. These scenes are very long and awkward. There are a couple of weird points where bare butts try to mix with spoooky surroundings, it just doesn't work unless you're *literally* homophobic, in which case I would think these scenes would be truly terrifying. * Plot - The writer has never heard of such a thing. * The "Twist" - While you may not see it coming, you have seen it before.There are a couple of scenes or just shots where the lighting is nice, but the music is all really irritating and cheesy, and the leads are at their best in their scenes together, but there are only a couple of these. Unfortunately not even the erotic bits could save this one.A warning to those like me: If you're looking for the homo-erotic, try something that makes no attempt to be anything other than a gay interest film. They haven't yet found a way to mix the profound with the homo.

Wow, I haven't seen a film that sucks THAT bad in a long time. I only watched it because I read a user comment with 10 stars, and thought to myself "well it can't be THAT bad, if someone is willing to give it 10 stars, right?" I was SO wrong.This film wasted 80 Minutes of my lifetime, and I will never get them back again. It's absolutely pointless... nothing happens in this film! It's a gay-themed film, which I really don't mind, but that's like the only interesting part there.It's all about a House that is "alive" and "bloodthirsty". From the first minute of the film, till almost the end you will hear this sentence again and again... without any real consequences.The dialogues are horribly pseudo-deep, the acting is awful, the story is pointless, and the music gives you a headache. The only thing I would MAYBE call "acceptable" is the end of the film. It has something like a surprise... but this surprise sucks big times too.All in all: save your money and time and rather go see a REAL horror/thriller-film. This one just sucks.

I'm always fond of writing comments on movies that are either underrated or unnoticed and yet possess some degree of depth or sensibility. When I started watching this movie, I prepared myself for something really profound. But then I saw man-to-man kissing. Not that I have something against that or on movies that contain similar scenes, it's just that I did not intend to watch that kind of movie that afternoon.For the benefit of the doubt, I continued watching and gave it a try anyway. Soon I started appreciating it – first on the choice of words in the dialogue, quite sensible; and then on the overall script that practically ushers the audience gradually into something bigger, becoming more dreadful by the minute – reason enough for fans of horror and suspense-thriller movies to get hooked up after all; and then the directing that made the actors essentially effective, the narrating, and practically every scene in the movie quite creepy. I could not overlook how the director successfully managed to utilize the main actor's tears in complete silence at the end of the movie to convey lots of messages – could be for a love that ended tragically or because he failed and abandoned someone he loved for quite some time or for the failure of Usher to get him out of such misery. And then there is this quite interesting twist in the end that changed the perspective of the movie. While all along, it was Usher who seemed to be needing a redemption, in the end though, it is the other way around after all.Yes, the movie contained some partial male nudity and gay relationship but all these seemed to fall into the backdrop as one focuses his attention on the overall message being conveyed by the movie – the fall of the house of Usher is the product of the failure to save a loved one, whether it is in the point of view of Usher, Usher's sister, or even Victor…*