I hate definitions and those that are not defined have a hard time. Being yourself is probably the hardest thing to do. I like avoiding the obvious and I think James Bird avoids it elegantly keeping the story line true. It is not easy to talk about dying without religion. I enjoyed the lightness of the narration, the taking hold of their life and making it memorable. I do believe it fundamental to making it memorable in the little things in order to make it worth its real value for any person. I think we should talk more about people without the temptation to judge them especially those that are true to themselves. I have seen in the movie a collective effort and it does manage to avoid stereotypes. No fancy production but a perfect use of the essentials for movie making. Keep it up guys!!!

Honeyglue is worth watching due to it's being an unusual story told in a surreal romantic style. I found Jordan, Morgan and her family to be so idealized they are totally unbelievable as real characters. But, as a whole they work together wonderfully to create a touching and somewhat melodramatic story.The surreal parts are Jordan himself and his rooftop colorful tent home, the doctor tied up and how it is presented to the viewer, Morgan's (who is stricken with cancer) high energy and just the adventure Jordan and Morgan pursue to experience life before she clocks out.I found this movie mostly interesting but I would never watch it again because it's a one time story and once you see it it's done. The over melodramatic ending is a bit of a turnoff because it's so over acted and borders on humorous.

I am very glad I saw this film at a local film festival. This is because although I loved the film, listening to the director, James Bird, discussing the movie afterwards really made me appreciate his genius and ability to make a great looking film with a cut-rate budget! For example, he was able to secure the rights to various popular and normally very expensive songs by simply friending people on Facebook and then convincing them to watch the film. They loved what they saw so much that they gave him the music at a tiny fraction of the normal cost...all thanks to his leg work and a bit of nerve! It just proves it never hurts to ask!"Honeyglue" is a strange and very unconventional romance. Morgan (Adriana Mather) meets a strange gender-bending man at a nightclub. Jordan (Zach Villa) likes to wear dresses and makeup and his sexual orientation is quite confusing at first. While they seem to hit it off in this wild club, Morgan soon leaves him and instructs him not to call her or see her again. Why? Well, Morgan actually is a very conventional girl from a very conventional family and tonight she is taking a walk on the wild side--a walk she never plans on taking again. However, Jordan is smitten and after stealing Morgan's wallet, he seeks her out and is surprised to see she is so 'normal' and comes from suburbia. When Morgan's brother and parents see Jordan, they are naturally shocked--he's sporting a kilt, full make- up and a woman's hairdo! And, although Morgan is at first upset to see him, she relents and invites him into the home.Soon after Jordan comes into this house, he is shocked once again. No, not at how conventional the family is but when she tells him why she didn't want to see him. It's because she has brain cancer and there's a good chance she is going to die...and she doesn't want Jordan or anyone to fall in love with her. However, Jordan is very insistent and he tells Morgan that even if they only have a little bit of time together, it's worth the risk. Unfortunately, however, Jordan and her family soon get word from the doctors that she is not responding to chemotherapy and that they must prepare for her to die....sooner as opposed to later. The doctors give her about three months to live and during the later stages, she'll become very, very ill. Because she is on borrowed time, she and Jordan decide to do something very crazy--although they only just met, they'll get married and enjoy the heck out of this time they have. And, being a very unconventional guy, both he and Jordan wear wedding gowns at their impromptu wedding. Her parents aren't exactly thrilled by this, but they understand Jordan's decision and wish her and Jordan the best.So why did I like this film so much? Well, the characters are really exciting to watch and the actors did great jobs as well. Jordan is such a strange, gender-bending sort of guy. He also has a larcenous side as well...but a decency buried beneath. As for Jordan, you marvel as Adriana Mather becomes thinner and more and more frail through the course of the film and you can only assume she starved herself and had great make-up to convey her character. Plus, both characters really went all out and were willing to shave their heads for the parts! The rest of the cast also were just terrific, particularly Morgan's family (Christopher Heyerdahl, Jessica Tuck and Bamboo Stewart). This is a brave film that isn't afraid of emotion or showing the family struggling to deal with death.The part of the film that actually impressed me the most wasn't the great story or the wonderful acting but the odd cinematography you see throughout the movie. Fortunately, the director explained how he did some of these amazing scenes. In one scene, Jordan and Morgan are next to each other and the camera alternates between focusing on one and then the other in the same shot. Technically, this looks impossible and James Bird said that he got the idea for doing this split diopter after talking about it with Quentin Tarantino. The cameraman tried to make the shot but couldn't and ultimately Bird did...by accidentally breaking the lens and thus enabling this complicated shot! Additionally, the film features a mix of normal digital footage along with portions done in with an old 8mm camera which was done as a homage to his deceased co-worker who recently bought such a camera. There are also several shots where the camera pans completely around the actors many times...and you can't see any evidence of the camera operator or that it's not a completely natural shot. The film is truly innovative and looks tremendous. It's amazing to think that this film is only the second time Bird has directed.Before you look for this film, I think I should add a small warning. It's not surprising that this film is quite sad and would best be seen with some handy Kleenex. However, don't be surprised if the movie churns up a lot of issues for you, as it sure me pretty hard as I couldn't help but think about my own bout with cancer as well as a debilitating illness currently being experienced by a loved one. This film surely could be tough to watch for some viewers. But for the willing, the film is exquisitely made, wonderfully written and oddly life-affirming as well. One of the clear shining stars at the festival, the applause as well as tears from the audience were strong and heartfelt.

James Bird's "Honeyglue" is an effective experimental narrative film that interwoven animation with live storytelling. Androgyny reigns as gender roles are flipped and reversed to make a statement on style and personal expression. An unlikely romance blooms when Jordan (Zach Villa), a purse snatching cross dresser artist, meets Morgan (Adriana Mather) a conservative middle class girl, under unusual circumstances.Base on the vast differences of both characters, initial perception predicts that this ill conceived relationship is doomed from the get go. Yet, during the many trials and tribulation both Morgan and Jordan suffer in their own worlds, they manage to keep the "glue" alive and well whenever they met until life throws a curve-ball that will ultimately, and in an untimely manner, turn this love story into a contemporary Romeo & Juliet with many twists in between.In what can be best described as an Annie Lennox kind of wedding, in a very unorthodox way, the couple exchange nuptials with alternative descriptions of their relationship as the ceremony and events succeeding the ceremony trumps traditional vows.This is a very ambitious film that seeks to mix many unrelated themes and stories, and to the fortune of the film, director James Birds succeed at making it all work. The Main actors deliver solid performances in between a series of superlatively artful animation sequences with screen live action visuals to be credited courtesy of cinematographer Stefan Colson.