Truthfully, I was expecting a lot more out of this television movie. The script at times was lacking, and the story seemed to go on and on, at times, not making any sense. Though it was widely advertised that all the detectives would regroup, this movie was largely a front to get Pembleton and Bayliss together. In most of their scenes together, they shine. When they first encounter each other on the steps of the station house after two years of separation, it was touching. However, some of your other favorite characters are not shown as prominently. Melissa Leo's Kay Howard has little more than a few sentences in the entire movie and Callie Thorne's and Michael Michelle's characters are given absolutely nothing to do. Megan Russert, (Isabella Hoffmann), rather than do actual police work is given the job of sitting around the hospital with Gee's family. Once again, just a front to reunite Bayliss and Pembleton who take up the majority of the movie.The movie was also used in part to tie up a few loose ends. For example, the relationship between Gee and MGee, his son. In the movie, MGee has turned in his FBI badge to become a Baltimore uniform, perhaps out of respect and devotion to his father.Another lose end is the Ryland shooting that took place at the end of season 7. I won't give away how it ends, but the results become apparent throughout the movie as to who the culprit is.If you were a devoted fan of "Homicide" then i would recommend that you watch this, but only if you know a lot about the series since there are a lot of flashbacks that may confuse viewers who were not as devoted.

To be sure, Homicide (the series) deserved a TV-movie after it's unsatisfying series finale, which was admittedly rushed (NBC cancelled the series only a few weeks prior to the end of the 1999 season). Indeed, viewers were left hanging as many storylines were left unanswered, and "Homicide: The Movie" does work as a coda for the series. However, it seems like a series finale elongated to fill 90 minutes.The premise is extremely promising (for those who don't know): Lt. Giardello is the front-running Baltimore mayoral candidate, whose primary issue is the decriminalization of drugs. During a campaign stop, he is shot (but not killed) by an unknown assailant. This event brings every regular character (and I mean everyone) back to investigate the crime and visit Giardello in the hospital. [This brilliant premise is also frustrating to me as a long-time fan. If NBC had given the show one more full season (and let the producers know it would be the last) there could have been some intriguing episodes leading to the campaign.]As a fan it's satisfying in sense to see all the regular characters again, but it's also a tremendous burden on the film. Several scenes do nothing to enhance the story: Shepherd and Ballard repeatedly watch videotape of the shooting in an an attempt to find a lead; Mike Giardello and Kellerman roust everyone who might have a grudge; Med. examiners discuss medical advancements at Gee's bedside. These and a few other scenes only serve to give some members of the bloated cast a reason to make an appearance. What probably would have worked brilliantly as a 40-minute series finale just doesn't cut it as a full-length film.Fortunately, this substantial shortcoming is largely redeemed by the film's conclusion, which is set-up perfectly by the writers. The final twist is a complete and devastating surprise that's entirely believable and satisfying in the spirit of the original series. Even if "Homicide: The Movie" is more than a bit diluted, it works as an appropriately bitter-sweet coda for one of the best shows in the history of television.

The movie was excellent, save for some of the scenes with Esposito. I enjoyed how it brought together every detective on the series, and wrapped up some plotlines that were never resolved during the series (thanks to NBC...). It was great to see Pembleton and Bayliss together at their most human, and most basic persons. Braugher and Secor did a great job, but as usual will get overlooked. It hurt to see that this was the end of Homicide. Memories, tapes, and reruns on CourtTV just aren't the same as watching it come on every Friday. But the movie did its job and did it very well, presenting a great depiction of life after Al retired, and the family relationship that existed between the unit. I enjoyed this a lot.

This is the final episode we deserved. At the end of the last season, things were left in a 'life goes on' mood, which was hardly the wrap-up that this realistic series deserved. While not a happy show, this series was always one that made you think (a rare thing on television), and this is no exception. 'Is death justified by reasoning?' 'Are morals reflective of society, or is society shaped by the morals that are selected by the few in power?' 'What is a just death, and can it exist?' All of these questions, and more, are posed by the writers of this show every week, and this is their final thesis. Fine acting, great writing, wonderful camera-work, brilliant editing, clean direction. If you have seen the series and you missed this when it first ran, then get a hold on a copy somehow. If you never watched the series when it ran, then this will stand up on its own, but it may be heavy going trying to keep up with who all the characters are and what they are alluding to in their varied pasts. For those of us who were avid viewers of the series in the last two seasons, this is very satisfying viewing.