WOW!This film delivered the goods in every way possible, especially when you consider the fact that it was produced on a low budget. The film has excellent special effects on make up with the "slasher" and the gore factor is enough to make any viewer cringe numerous times!In all due respect, "Mr. Suitcase" was strange, as was the Militia Chili-cooker dude, but they were fun in a twisted way. And every other character was performed in a way where you'd have a hard time LIKING them.If you're up for something new and enjoyable, then check out this movie!Mega-thumbs up to the filmmakers for a job VERY WELL done!And the bonus features on the DVD release are totally cool, especially the short films. I'd like to see what these guys would do with a bigger budget.9 out of 10.

HOME SICK is about a party where this weird man in a blue suit shows up(walking in an extremely creepy way in which he seems to be on a skateboard or some type of cart) with a suitcase filled with thousands of razor blades. He asks the people at the party who each of them hate, and for every answer he slices his wrist with a different razor blade. After he has finished asking everyone, he stands up sings a song and then leaves. Soon after he leaves, everyone who was named begins dying in very bizarre and horrific ways. The characters quickly come to the rather unbelievable conclusion that is is all because of the man in the blue suit, and since one of the people at the party listed off everyone that was in the house, the fates of all the characters are at stake. This may sound like a weird premise for a horror film, but trust me. It works.What I loved most about this film is that it didn't feel like a modern horror film. This film is probably about as close as a modern day horror film can ever come to replicating the style, atmosphere, music, characters, and gore of a 70s horror film. It comes off so impressively and so beautifully that you feel nostalgic just watching it. I wish that more horror films these days could be more like HOME SICK. The opening scene in the bathroom is a perfect example of a scene right out of something like I DRINK YOUR BLOOD or a Dario Argento film. It comes off so effectively and with such imagination. There's no CGI gore. It's all practical visual effects. They work absolutely perfect.The performances come off good in a realistic way. The characters in this film are all completely psychotic and insane and their psychosis comes off all too real at times, particularly toward the end when certain events are depicted in such a gritty and guerrilla-style way about them. The music in this is absolutely perfect in setting a dark tone, completely with a sense of eerie detachment and weirdness that feels entirely appropriate. Again, it's just like something Tobe Hooper would have done. The intense atmosphere just fits perfect with the film's style.In terms of complaints I had for the film, I did find the middle of the film to be a bit slow and moody in a way that came off slightly awkward. I liked it, but I can imagine many horror fans feeling a little bored. I also didn't really particularly like any of the characters, but considering how they are all insane I suppose that was the point. I don't know, it's difficult to really complain about this film since everything is done so deliberately. If you love the bizarre and cheap horror films of the early 70s like the ones I mentioned above, I am really confident that you will love this film. It's a must-see for horror fans for sure. Check it out.

This film was strange. I just finished watching it, and I'm rather torn. I did like the character of Mr. Suitcase quite a bit, he was creepy. It all played out well,especially the SFX for an indie low budget film, but it left me very confused. Does anybody on here get it? Why is it a man/monster? Where does it come from? Where does Mr. Suitcase go? Overall, if you're not sure whether or not to watch this, i would say go for it, but keep an open mind and don't give it any expectations. Good, not great.-Ryan

I recently caught Home Sick on a whim at the Sidewalk Film Festival. I expected an average, post-90's low budget horror film. What I saw was a well-polished, deeply disjointing, gore-fest. Seemingly taking cues from horror masters Tobe Hooper, Dario Argento, and Lucio Fulci, Home Sick pays genuine respect to the slowly-rotting slasher genre, while adding a breath of fresh air to it as well.Set somewhere in Alabama, Claire (Lindley Evans) comes home from California to visit her mysterious past. When visiting her friends, no one seems welcoming. This tension becomes more agitated when she and her acquaintances are confronted by Bill Moseley's (!) character, a big-grinning, blue-suited stranger who happens to carry a suitcase full of razor blades. After performing a bizarre blood-letting ritual based on the kids' hatred for others, he calmly exits. Panic, murder, hysteria, sex, drugs, guns, and chili dinners ensue.The level of gross in this movie far exceeds anything that's come out in the mainstream since the days of Romero. Instances of broken bones, ripped-off flesh, disembowelment, and knives in the head plague this film. It's not just the gore that makes it special, but also the characters' involvement with death. This is best conveyed in a scene with a coked-out Candice (Tiffany Shepis) and her recently butchered mother. This scene is worth a review in itself.Besides the first class gore effects, the characters add a certain dynamic to the film. Whereas most teen / young adult horror films revolve around a cast that is pulled from stereotypical high-schoolers (The Jock, The Geek, The Face, etc.), Home Sick incorporates kids that already seem pretty crazy. For fun, they sit around drinking beer and watching gory films like Evil Dead Trap 2. They look pale and have dark circles around their eyes-even the redneck kids. They work at places like the bowling alley, the funeral home, and the school cafeteria. When it hits the fan, these characters seem like they've been preparing for it all their lives. For example, a creepy guy approaches Candice and shows her a Polaroid of a curb-jaw victim he discovered. Her response is a brilliantly sarcastic `Oooh, gross.' Due to the intense violence, there's absolutely no way this film could be showed at the local Cineplex, unless it's linked to some sort of festival. I can only hope that this comes out on video as it is a testament to real independent filmmaking.