When they made this film, Jack Holt was 53 and Evelyn Brent 42. You might suspect they'd be a bit creaky. Anything but. This is the only serial I've seen where the leads are actually fine actors. As a result, their byplay, highly unusual in serials, is a breath of fresh air. Brent is just as tough as Holt and each does most of his/her own stunts. Not since films like The Hazards of Helen has the heroine been an equal partner of the hero, climbing rope ladders, socking bad guys with a gun, tied to a post while a real, large fire blazes behind her. She should be better known as a feminist icon. Brent and Holt run, climb, drive like maniacs and generally put persons 20 years younger to shame. If you can imagine putting your heart and soul into a piece of celluloid trash, this is it.That said, Holt and Brent are the only reason to see this film. It is quite cheaply made, despite that Columbia could have spent a little money dressing standing sets. Locations are used repeatedly when logic would presume the bad guys would choose new locations after the old ones were discovered by the good guys. The bad guy leads are disappointing, particularly the leader of the gang. Without the leads I'd give this mess three stars.

This is a 15 chapter Columbia serial that is for Jack Holt fans (if there are any) and Evelyn Brent fans (I'm one) only.Jack Holt's famous granite jawed face (the model for both the cartoon strip character 'Dick Tracy' as well as Al Capp's 'Fearless Fosdick' in his strip 'Li'l Abner,') and ultra gruff voice with super tough guy dialogue to boot make him believable as a hard as nails Secret Service agent who can knock out four men at a time. Pretty good, considering he looks like he's in his fifties! Here he passes himself off as an ex-convict, Nick Farrel, so that he can infiltrate a gang of counterfeiters for almost the entire serial. While written by the usual gang of serial writing suspects (Basil Dickey, George Plympton and Wyndham Gittens), this one is not very interesting, has weak and uninteresting villains, and poor chapter ending cliffhangers.It's about possessing plates to make counterfeit money. Each writer must have done five chapters, since there are three major settings where the action takes place: the counterfeiters' hidden valley camp and mine, their gambling ship, and an uncharted tropical island. In his final film, badly cast John Ward plays the gang leader Adams; previously he was known for playing foppish Brits as he did as Mala's sidekick in 'Robinson Crusoe of Clipper Island' (1936). In the island chapters, the blustery and loud voiced Stanley Blystone (veteran of over 500 mostly uncredited parts) has what is probably his biggest role as the island's villainous boss, Garrity. Too bad he wasn't in all of the serial! Tristram Coffin plays the chief henchman Valdin for ten chapters, but he isn't very tough, and is gullible easy prey for agent Holt. The interesting part of the serial is the casting of second billed costar Evelyn Brent as Kay Drew, a Secret Service agent from Chicago, who also doubles as Ferrel's 'wife,' a tough talking, gun toting moll. Brent made a career of playing tough talking ("My dogs are really barkin'!") or evil women. Her amazing portrayal of the prostitute Cherry Malotte in 'The Silver Horde' (1930) is better than Joan Crawford's Sadie Thompson in 'Rain' (1930). Kay and Farrel trade insults in front of the evil gang for several early chapters, where she holds her own against his ultra tough guy bravado. Except for their great scenes in the first five chapters, her toughness is underutilized in the rest of the serial.The back and forth nature of chasing after, possessing and repossessing the counterfeit plates puts the serial up fairly high on the tedium scale, especially given the weak nature of the villains and chapter endings.But it's a one of a kind serial because of Jack Holt's presence and delivery (both physical and verbal), and the interplay between him and Evelyn Brent. I'll give it a four.Note: Not to be missed is 'The Silver Horde' (1930), but also check out Evelyn in 'The Seventh Victim' (1943), and Jack Holt in 'The Arizona Ranger' (1948) with his son Tim Holt, and 'The Strawbery Roan' (1948) with Gene Autry.

In 1941, Jack Holt was strictly a contract actor at Columbia where ten years previous, he had been one of their leading stars. I have it on good authority that Jack made the serial to fulfill his contract commitment to Columbia. He and Harry Cohn bumped heads constantly and I think this was one way Cohn was getting back at him. Holt had made some serials in the silent period, where his tight lipped histrionics probably made more sense. I have seen the serial and where it may not have been up to Columbia's standards, you got to admit old Jack went through an awful lot of fights, being dunked in the water, and general scuffling just to have his suit looking nice like that. He fared a little better in some of the westerns he did in the late Forties at Republic and in Arizona Ranger, in which he co-starred with son Tim.

Jack Holt and Evelyn Brent comprise one of the most unusual tandems of heroes in serial history, long in the tooth but also plenty long on toughness. Masquerading as "Nick Farrel", escaped tough guy, and his wife, Holt and Brent infiltrate a gang of counterfeiters. The setting is surprisingly widespread for a chapter play, as the action moves from the gang's hideout in a lost canyon to a gambling ship on the high seas to a small island country where the gang hopes to escape U.S. extradition. The main villain is a fellow named Arnold, but he hides behind the facade of one of his men, Quist, to shield himself from the Secret Service, and lets another one of his men, Valden (frequent serial henchman Tris Coffin), do most of his dirty work. The island nation has its own pocket dictator, who is also trying to rub out our boy Jack.Jack Holt is, simply put, the toughest leading man in serial history, the type of guy who could swallow nails and crap thumbtacks. When he gets in a fistfight with four of Arnold's boys and beats the hell out of the entire quartet, you can believe it.As this is a James Horne serial, some of you might wonder about the "comedy" content. There is little of the funny stuff that you'll find in such Horne classics as TERRY AND THE PIRATES or THE SPIDER RETURNS, unless you count the occasional "undercranking" that makes everybody look like they are rushing out of a burning house, or the fact that, unlike the Republic serials in which bands were used to keep the Fedoras on during fights, Columbia apparently just instructed their actors and stunt men to crush their hats down tightly on their heads, making everybody resemble two-fisted Buster Keatons.I give HOLT OF THE SECRET SERVICE a solid *** and recommend it highly.