Even before Oliver Hirschbiegel's 'Der Untergang' (2004) became in most people's minds the definitive big screen treatment of the last days of Hitler, this 1973 version was already overshadowed by G.W.Pabst's 'Der Letzte Akt' (1955) with Albin Skoda as Hitler. That said, it's still a reasonably accurate breeze through the known facts of Hitler's final days enlivened throughout by the succession of familiar British faces ranging from Diane Cilento's strapping aviatrix Hanna Reitsch (who in reality was a tiny, elfin little woman) to Andrew Sachs as the notary summoned to the bunker to officiate at Hitler's wedding; all to the accompaniment of an incongruously jolly Viennese score by Mischa Spoliansky.Sir Alec, bless him, is marginally less unbelievable casting as Hitler than Liberace or Jerry Lewis might have been. The Führer's legendary, carpet-chewing tantrums, for example, are wholly beyond him. Like all fictional depictions of the final days in the bunker this film fails utterly to accurately depict the doped-up, trembling, rheumy-eyed physical wreck that Hitler by then was (the famous moustache, for example, had gone completely grey); but Guinness's frequent ramblings convey extremely well the opinionated, self-absorbed bore described, for example, by Alfred Speer in 'Inside the Third Reich'.Occasionally the film can't resist putting words into the Führer's mouth (Guinness actually uses the word "exterminate" with reference to the Jews, when in reality Hitler just left such tedious details entirely to subordinates like Himmler who actually did his dirty work and were painstakingly careful to avoid explicitly stating such things); and the final scene between Hitler and Eva Braun is particularly unbelievable. But its still worth a look.

This starts with a recap of the Nazi rise to power. The opening credits roll as German forces roll through a map and then they retreat back towards Berlin. It's April 20, 1945 and the Russians are closing in on his Berlin bunker. It's the 56th birthday of Adolf Hitler (Alec Guinness) and ten days before he commits suicide. It's a delusional place where Hitler directs non-existent and depleted forces. There is an air of unreality. After Hitler's death, the remaining personnel light up their cigarettes which was forbidden during his life. It's purported to be based on eye-witness accounts of the true events. Guinness brings his legendary acting prowess to the character. It's not the most thrilling story especially since the ending is inevitable. It's a methodical telling. It is the performance that holds it all together.

Good rendition about the last days of Hitler with exceptional performance from Alec Guinness .This is the true story of the infamous Nazi dictator with his historic downfall . The story of Hitler's last days in an underground bunker gives insight to his madness . Here in the midst of his lackeys , the dictator played out the final act of his life . It's very well played by Alec Guinness who does a first rate acting . The film deals with the history of Hitler's last days in underground bunker , it's the true story of the historic downfall and death( 1945 at age 55 ) of the infamous Nazi dictator , culprit of death about 50 million people during second war world and killing of 6 million Jewish in concentration camps . The Fuhrer's last few tortured days in his underground bunker against a Berlin background and adding some documentary scenes from exterior . Hitler had height five feet, seven inches, eyes black, hair black, shaggy locks hung over forehead, complexion sallow, wide mustache, various hairs on each side, besides had marked devotion to brown shirts and old trench-coat and always surrounded by armed thugs and expert gunmen . He had demented gaze with tendency to become hysterical on slight provocation with delusions, particularly upon his place in history and his powers over vast numbers of people and addicted to public hysteria on race purity, he has known to throw himself on the floor and gnaw rugs,guttural voice apt to rise to shrill tones when excited or thwarted . He was a congenital liar suffering from dreams of persecution . Almost all these physical descriptions and particulars of Hitler are perfectly incarnated by Guinness . Thus , he plays him as sadistic, malicious , dangerous, vengeful, mystical and maniacal . Guinness's portrayal is the perfection in the Hitler role one would expect at least on the surface , he gives insight to his madness and with persuasive qualities of his interpretation . This flick is finely written and professionally directed by Ennio DeConcini , a prestigious screenwriter in his only film . Other adaptations about this historical character are the following : ¨Hitler(1962)¨ by Stuart Heisler with Richard Basehart, ¨Hitler : The last days(1958) by W.G.Pabst and the best is ¨The Downfall¨ by Oliver Hischbiegel with Bruno Ganz , furthermore for TV , ¨The bunker¨ with Anthony Hopkins .The picture is correctly based on real events , adding more details , the deeds happened of the following manner : ¨Fuehererbunker¨ (Leader's Bunker)is the subterranean headquarter below the Chancellery and its garden in Berlin where Hitler spent his last days, from April 20 to 30, 1945 . It was constructed during WW2 some 50 feet below the ground . It could be reached through the New Chancellery by descending a stairway from the butler's pantry. There were two levels, on the upper level was a dining passage separating six rooms on each side . At the end of the central passage a curved stair led down to Hitler's own deeper bunker. This area had seventeen rooms , all small, cramped , and uncomfortable : Hitler's suite of three rooms, a map room used for conferences, the dressing room and bedroom of Eva Braun(Doris Kuntsmann), the bedroom of Dr Paul Joseph Goebbles(John Bennett) and wife (Barbara Jefford), the rooms of Dr Ludwig , lavatories and bathrooms, an emergency telephone exchange, a drawing room, guardroom, cloakroom and a dog bunker for Hitler's Alsatian bitch named Blondi, with her four puppies . Hitler spent hours before giant war maps, shifting colored pins about to locate units that no longer existed . By this time he was in a state of extreme nervous exhaustion : although only fifty-six, he moved as if he were prematurely senile. His health grew even worse the ministrations of his doctors. With the exception of Goebbles and Martin Bormann (Kingston), his secretaries and several others, his lieutenants began to desert him . He denounced Herrmann Goering for trying to usurp his leadership and Heimrich Himmler for seeking to negotiate with the count Bernadotte and Allied. Albert Speer his minister of Armaments and War Production , refused to carry out his orders for a scorched-earth policy. At last acknowledge defeat, the Fuehrer decided to leave the world in a gesture of Wagnerian self-immolation . In the early hours of April 29, 1945, he married Eva and immediately afterward dictated his last will and political testament, in which he justified his life and work . The next day he retreated into his suite and shot himself while Eva took poison to end her life. In accordance with his instructions, the bodies were dumped into a trough in the Chencellery garden,doused with gasoline and burned. From April 22 to May 1, 1945 , the following were present in the Bunker: Gen Keitel (Gabriele Ferzetti), Gen. Hans Guderian , Col.Von Below (Richard Pescud) , Gen. Alfred Jodl(Philip Stone) , Major Gen. Rattenhuber, Lieutenant Genen Fegelein (Julian Glover), Fraulein Junge (Ann Lynn) Dr. Ludwig Stumpfegger ( John Barron) , among others.

"Hitler: The Last Ten Days," is a fine film and one of the better attempts -- in events, in people, in atmosphere and personal quirks -- at historical accuracy on any subject. Alec Guinness is excellent as Hitler and captures well his stiff mannerisms and stern bearing, as well as his hysterical outbursts. Beginning with a celebration of the Fuhrer's last birthday, the atmosphere grows gradually more and more depressing, while Hitler from time to time peppers his entourage with his disoriented visions of an actual victory to come; this is foiled with very brief "real" vignettes of historical truth--what is actually happening as Hitler speaks. Oh well, there are a lot of pretty women (certainly, Doris Kuntsmann is much more attractive than was Eva Braun) and cream desserts, as well as musical interludes, to keep one still interested.Hitler's ravings at his generals and their reactions are very well done, as in "Winds of War." Adolfo Celi, best known as Largo in "Thunderball," is good as General Krebs, not a household name, but Hitler's chief sounding board in the film. In his countenance we see the growing despair, the occasional protest, the sad and awkward facial expressions indicating wait, aren't there checks and limits (and reality) to you, can people really be as evil as you want them to be, are those who stand accused by you really deserving of your characterization? The final scene, with Hitler and Eva just before their suicide, is an interesting interpretation and captures the extreme utter selfishness and cruelty of the Fuhrer's character.