Esther is an outcast at a private school. The uniformity of the school is shown to the extreme. Esther wants to be part of the crowd, yet at the same time strives not to be part of the group. She attempts to talk to her parents, but they ignore her to excess. Esther meets Sunni (Keisha Castle-Hughes), a public school student. They connect and become friends and she also makes friends with Sunni's mom (Toni Collette) who works as a dancer. Esther decides to stop going to Rowan and attend public school with the unorthodox Sunni...without really telling anyone. Here she finds her comfort zone.The story is basically a witty coming of age story. The story becomes serious and sad toward the end, which I thought ruined the flow.No f-bombs, sex, or nudity. Sex is mentioned and the film has ummm- err-ah....those female things.

This is billed as a story about a young Jewish girl and her struggle for acceptance - i.e. the typical high school movie.I had a favourable overall impression of the film. It was very cute in a lot of places, cringe-worthy in others, with a few moments of humour interjected. I found that there was authenticity in a lot of the small things that I could relate to from my own experiences - the uniform checks, the singing of the school song, how we made out with the boys.But as another reviewer said, the vast majority of the characters in this film were caricatures of certain types: the uptight mother, the bitchy classmate, the fat kid who got picked on, the friend's mother who is the exact opposite of Esther's mother... a lot of it seemed very contrived and fake.The opening of the film was rather brilliantly done; Esther watching upon the sheep-like choreography of her school classmates as they gathered for lunch. It kept at this high all through the first act; we could relate to Esther and her troubles - who else flushed with embarrassment as she approached the "popular" girls with invites to her bar mitzvah? I was especially impressed with how quickly Esther could get a story out or parrot off something she had heard earlier.It was when she met Sunni after the bar mitzvah that things went slowly downhill, starting slow but rapidly spiralling towards the end of the film. My initial impression of Sunni is that she was in Year 12 - she certainly looked like it. So the resulting events of sneaking out of private school to attend class as a Swedish exchange student at the public school really jarred uncomfortably. I don't know of a girls-only public school anyway. It was ..a little too far fetched.At this point, I lost all sympathy for Esther. As she parrots off sentences from other people, she began to parrot off attitudes of Sunni's friends. Beating up the fat kid for her raincoat was a real low. Kudos to the characterisation of Sunni to be equally disgusted at her actions.I couldn't figure out the relevance of Sunni's mum's death or the blow job in the street. I didn't think it lent anything to the story at all. Sunni's appearance at the private school was equally unexplainable, as was the presence of her grandmother (?) and Esther's mother. Then Esther standing up to the crowd to say her poem, with the prefects and the teachers standing agape... I didn't get that either. That whole scene was too staged for my liking, as if they just needed something to show that Esther was going back to her likable, quirky self. Anti-climactic is what I would describe it. It soured the entire movie for me.

Esther Blueburger's (Danielle Catanzariti) quest begins when she escapes from her Bar Mitzvah party and is befriended by Sunni (Keisha Castle-Hughes), the effortlessly cool girl who is everything Esther thinks she wants to be. With the help of Sunni, Esther goes AWOL from her ordinary life and leaves behind her malfunctioning Jewish family to hang out with Sunni's far breezier and super-hip single mum Mary (Toni Collette) and attend Sunni's forbidden public school as a Swedish exchange student.Finally, here is an intelligent film for teenage girls! This film manages to be funny and uplifting while exploring some more serious themes, of family and peer relationships. The scriptwriter and director, Cathy Randall, and the star, Danielle Catanzariti are new talents and people to watch in the next generation of Australian film. Congratulations to all involved!

Hey Hey it's Esther Blueburger is a cool flick telling the story of a young teenage girl's attempts to fit in. Esther, played wonderfully by the pixie like Danielle Cantanzariti, is trapped in a life of non-recognition by an idiosyncratic family and the lonely side of classic school yard tribal exclusion that everyone has experienced.After befriending local girl Sunni, (Keisha Castle Hughes of Whale Rider fame), Blueburger begins a double life that is both laugh out loud funny and touching as she looks for her place in the world.I saw Danielle & Keisha at the Sydney premiere and they are even cuter in person than on film. Danielle, although diminutive in size, projects large on screen & Keisha has a certain star power, especially on camera, which is undeniable. It's amazing that both Keisha (in Whale Rider) and Danielle in 'Esther' have been plucked from obscurity to give such fantastic debut performances especially seeing as both were in their early teens at the time. They are supported ably by their on screen parents (Essie Davis & Russell Dykstra) and Sunni's mum, Toni Colette who plays a character which is the anti-thesis of Esther's 'normal' parents, a source of fascination & enchantment for Esther.There's something about wanting to be in with the cool kids and the lengths we go to to do that that we all recognise. It's part of growing up and becoming the person you are. That's what makes this film funny, beautiful, and sad at the same time.This is an excellent film by first time writer & director Cathy Randall & I loved it. It's great to see talented writers and film-makers in Australia being given a chance & supported in an industry where much talent goes unnoticed and is usually substituted for 'celebrity'. It's definitely one of the better films to come out of Australia in recent years. Do yourself a favour and see this film. It's definitely not 'normal'!