I guy was supposedly killed during the attack on Pearl Harbor. However, his wife of only a week insists that he might still be alive and cannot get on with her life (a pretty dumb cliché). So, she goes to the island to investigate and finds that the man who MIGHT be her husband is in police custody--held on a murder rap. Can this all get sorted out by the end and niceness once again be restored to pretty Oahu? I noticed that some of the other reviews saw some plot holes in this one. I would agree--several times the plot SHOULD have been worked out better in order to make logical sense. However, despite these shortcomings, the film is pretty good--a nice example of a B noir film with a strange locale. I say strange because it's set in Hawaii--and it gives some lesser actors and Asian-Americans a chance to act. For example, Philip Ahn played mostly one-dimensional Japanese soldiers in WWII-era films. Here, he's a wonderful villain--with some personality. The same goes for Keye Luke. Here he's no longer #1 Son (from the Charlie Chan movies) but plays a cop in his own right. As for the rest, Wendell Corey (a dependable supporting actor) is in lead along with support from the likes of Evelyn Keyes, Marie Windsor and Jesse White. Together, this ensemble case does a very nice job. Not a great film but an enjoyable time-passer.

Dismissed as a sleeper, this thriller has become possibly the most durable of Republic's mid-1950's features. John Auer directs this gritty screenplay of Steve Fisher. Chet Chester(Wendell Corey)is well known and the popular owner of a hot Honolulu night spot, despite the fact that he is an ex-racketeer. When a former cohort comes to "shake-down" Chet, his girlfriend Sally(Nancy Gates)kills the man and Chester takes the blame assuming he has enough money socked away to avoid a lengthy prison sentence. Meanwhile a Dona Williams(Evelyn Keyes)arrives from stateside to see Chet thinking he is her long-lost husband believed to have been killed during the attack of Pearl Harbor. When Sally is murdered, Chet escapes custody and runs to hide in Hell's Half Acre, a rundown area of Honolulu where low-lives, wannabees and various degrees of the criminal element find a place to dwell. Keye Luke plays a sympathetic Police Chief and Philip Ahn is perfect as the story's creepy villain. Elsa Lanchester is cast as Lida O'Reilly, a comical and doting cab driver. Also in the cast: Marie Windsor, Jesse White and Robert Costa.

This flat-footed, full-of-holes feature is nonetheless fascinating because of its Honolulu locale and exotic characters. Marie Windsor as Jesse White's wife and Philip Ahn's mistress? Film noir nirvana! And the Production Code vision of a hellish den of iniquity? A crisply clean framework of lumber and whitewash enclosing gambling parlors and taxi-dancehalls!

This little gem of a film noir B movie is about a woman trying to track down her long lost husband in Hawaii after the War (WWII) where he was supposed to have died. In the process she finds herself in the middle of an underworld power struggle. Beautifully filmed in Hawaii with Ms. Keyes really working those facial expressions, as she tended to do. The film is tight, cynical and at times redeeming. Just a good little film.