Nick Broomfield often pokes his camera in places many would rather he not venture. The liars, and occasionally, people telling the truth, in his films are like those pilots having dogfights in old war movies. Who will shoot down who first?My summary refers to the entertainment industry that always has and always will have an arm which reaches out for prostitutes' services. In the old days, rich men could buy sex and expect a certain discretion came along with the carnal for hire agreements. Now, any woman who claims she was Eldrick Woods' mistress or a hooker he dallied with is thrust into the spotlight by a tabloid juggernaut that needs constant angles on the latest scandal. Whether or not there is a scintilla of truth doesn't really stop the steamroller from flattening ethics in journalism to a ridiculous non standard of rumour and outright fabrication. Where are you when we need you, Walter Cronkite?Broomfield interviews many here and most of them have their hand out, wanting money to speak. Heidi comes across as the most likable person you could meet in this sleazy crowd. The ultimate scum is her former boyfriend, Ivan, who delights in proving how he can manipulate her anytime he wants. If anyone should have gone to jail, it really should have been this obnoxious fool.Prostitution is here to stay. Decriminalizing it and making sure the health of both workers and their clients are sound is much more important than some "crimes" which have been foolishly prosecuted by overzealous DAs and harshly sentenced in the US. The persecution of sex workers of legal age and other felonies, like non violent marijuana offences, are clogging up the courts and jails/prisons. Throw the book at those who force underage boys and girls into selling themselves and those who commit rape on the internet. Let the Heidis of the world peddle sex and their customers buy it. And pay taxes too!

Broomfield takes a look at Hollywood decadence, not just the world of porn here. This documentary should be viewed by anyone who still has naive notions about Tinseltown i.e. what really goes on behind the scenes.Heidi Fleiss is interesting, I suppose, with her boundless naivety (while fancying herself a sly vixen) and greed, but it's really her Hungarian pimp/porn-master/sex-partner and other lesser-known seedy individuals (like the fat old madam who hates both the Hungarian and Fleiss) who catch one's full attention here. These people make Ron Jeremy look utterly dull by comparison (yes, he's in this, too - no surprise there). Even a forgotten Peter Sellers daughter makes one or two appearances, letting us see what happens to some of the offspring that aren't as lucky as David Arquette or Anjelina Jolie. The mad relationships between various inidviduals here almost make for a sort of soap-opera: there is treason, bickering, back-stabbing and all that other stuff. Wonderful.It's just a pity that the movie was made before Fleiss hooked up with Tom Sizemore. Having him scream into the camera would have been fun.Not a minute of this film is dull.

Intrepid documentarian Nick Broomfield looks to uncover the real story behind the notorious Hollywood Madam Heidi Fleiss in this fascinating, repellent film.Broomfield is, as usual, totally fearless, and uses his oh-so upright British bearing ("I'm doing a piece for the BBC")to mask the fact that he's a complete gutter-crawling slimebag, able to hold court with the sleaziest characters imaginable. At first, Fleiss won't grant Broomfield an interview (she is arrested for violating her probation shortly after he arrives in Los Angeles) so he pursues her friends and associates with tunnel-vision tenaciousness.All the neon slime is on display here: pimps, hookers, adult film stars, drug dealers, crooked cops, shady figures of all shapes and sizes. Broomfield goes after them all without fear.The two people he spends the most time with are Madam Alex, a creepy old-world crone from Hungary who controlled the Hollywood flesh trade before Heidi stole it from her, and Ivan Nagy, a smiling, brutish pimp-drug-dealer-movie-director (also Hungarian) and Heidi's ex-boyfriend who also (supposedly) was the one who narc'd on her to the police. The two spend their time on camera telling wild, half-baked stories and making accusations against each other that criss-cross and contradict so often that eventually it becomes clear that they ARE ALL lying to some degree.Fleiss does finally give Broomfield an interview and she comes off quite well. Intelligent, lively, and a keen observer of human nature, she clearly is no dunce, although its tough to believe she could actually go toe-to-toe with either Nagy or Alex.In the end, because he's on screen so much and is such a persistent presence, "Hollywood Madam" is more about Broomfield and his relentless desire to get at the truth than anything. At times, one can only marvel at the audacity of this guy: whether badgering known drug-dealers and pimps until they all but plead with him to GO AWAY, or making what amounts to crank calls to an underworld enforcer (and possible ex-Moussad hit man) Broomfield walks through it all with a zeal it is hard not to admire.

It's hard not to enjoy Heidi Fleiss, a work clearly superior to rote television sensationalism. Never fear, sensationalism is present in abundance and obviously drives the movie. Broomfield hops from madam to druggie to porn-star with gleeful excess, intent on shocking and disgusting as much as possible within the confines of broadcast-quality material. However, he tends to show us a little more, material that run of the mill documentarians wouldn't show. We see, for example, LA Chief of Police Daryl Gates accepting a surprisingly large sum of money for his appearance in the film, apparently unconcerned that he's being filmed doing so. Before interviewing a former porn actress about her connections with Heidi, he establishes the fact that she's appearing to get some quick cash to fund her drug habit. Bloomfield's obvious mean-spirited approach to each and every character - with the blatant exception of the fetishized Fleiss - leaves no room for casual viewer identification. Broomfield himself constantly appears to add to the sense that none of these people, including the filmmaker, spends their time doing kind, humane things. The two people suggested as major influences on Fleiss's road to ruin would make an ideal harpie and Cyclops. Elderly Madam Alex, who died shortly after her scenes were shot, gossips rampantly for two visits but starts cursing Broomfield out when he refuses to pay for follow-up visits. Possibly not entirely evil Ivan Nagy, writer/director of a number of unimpressive features, does all he can to convince Broomfield's cameraman (when Broomfield's not having any of it) that he's just a good guy and could never have done all the things proven to be true about him. Victoria Sellers - Peter and Britt Ekland's daughter - grants Broomfield an interview right out of rehab, clearly at the end of her rope. Conceptually, this all would be difficult to absorb due to the daunting amount of pain all these people are going for, but Broomfield's nasty spirit finds a way to make it all fun. Always welcome porn star Ron Jeremy appears in a sleazy hotel room.