...from William Irish's (aka Cornell Woolrich) "the bride wore black" which François Truffaut adapted for the screen in 1968.What remains is more Ruth Rendell style.Although full of implausibilities and plot holes,it's an entertaining thriller which smartly uses old songs such as "anyone who has a heart" or "this heart of mine".A lot of sex and violence (and surgery) and not enough humor.But the plot is original enough to sustain interest till the end ,even if this end is "déjà vu".

What a witty and brilliant British thriller. A mother is losing her son who died in a motorcycle accident. His heart is tranplanted into the body of a young man who has suffered from a heart attack. His wife is seeking love and satisfaction with another guy. And the mother is falling in love with the husband who owns the only remaining sign of life of her beloved son, his heart... this all leads to a fatal menage-a-quatre with a deadly end for nearly everybody.This film is really heart-grabbing and a perfect mixture of some hopeless love affairs, a psycho thriller, lots of good acting (especially by Sakia Reeves who plays the despaired mother and Rhys Ifans as arrogant TV manager) and some really witty metaphors about the often used topic "heart". Love songs, quotes, heart beats, heart attacks, etc. - you've never seen so many references to the love symbol "heart" in a movie.At the end of the film, you see a shocking scene of the bloodstained mother walking around with a human heart in a bag... the (often heart-related) sound track songs are also very suitable, and after watching this movie you will never see all those "heartache love story" cliches the same way!

This film didn't make much sense to me. The story is told fairly straight, but its twists and turns are contrived and I couldn't discern any unifying dramatic structure. The climax is so overblown it's amusingly bad. The acting was excellent, but that is not enough to make the film worth watching.

I was really looking forward to this movie. I'm a great fan of Jimmy McGovern's work. But this film just failed to engage me at any point. It felt like an episode of Cracker, but without the Cracker side of the plot. In fact, the whole thing felt like a lame TV drama, despite the widescreen format. Unltimately, a disappointment.