...from William Irish's (aka Cornell Woolrich) "the bride wore black" which François Truffaut adapted for the screen in 1968.What remains is more Ruth Rendell style.Although full of implausibilities and plot holes,it's an entertaining thriller which smartly uses old songs such as "anyone who has a heart" or "this heart of mine".A lot of sex and violence (and surgery) and not enough humor.But the plot is original enough to sustain interest till the end ,even if this end is "déjà vu".

What a witty and brilliant British thriller. A mother is losing her son who died in a motorcycle accident. His heart is tranplanted into the body of a young man who has suffered from a heart attack. His wife is seeking love and satisfaction with another guy. And the mother is falling in love with the husband who owns the only remaining sign of life of her beloved son, his heart... this all leads to a fatal menage-a-quatre with a deadly end for nearly everybody.This film is really heart-grabbing and a perfect mixture of some hopeless love affairs, a psycho thriller, lots of good acting (especially by Sakia Reeves who plays the despaired mother and Rhys Ifans as arrogant TV manager) and some really witty metaphors about the often used topic "heart". Love songs, quotes, heart beats, heart attacks, etc. - you've never seen so many references to the love symbol "heart" in a movie.At the end of the film, you see a shocking scene of the bloodstained mother walking around with a human heart in a bag... the (often heart-related) sound track songs are also very suitable, and after watching this movie you will never see all those "heartache love story" cliches the same way!

I find it interesting that a previous review said "...you don't know whats going to happen next...". In fact, you know EXACTLY what's going to happen next because it's shown in the first 5 minutes. "Getting there" is pretty interesting and fairly gruesome. One thing I didn't like was that there are 4 characters, and none of them is the least bit likeable. In fact, they're all pretty hateable. The last shot of the movie is fantastic and took me by suprise. I'd recommend this film for some good acting and a pretty unusual plotline.

A fascinating tale of lust, jealousy and mourning. Well acted and skillfully written, it shows why British cinema is best at giving us a view of the dark side of human nature.This film is not for the squeamish, and those of a delicate stomach should close their eyes at the first sound of "Anyone Who Had A heart", and not open them until it ends. Great use of old (1960's)songs.