Hate Story 2 : Revenge drama is one of the most common and popular genre in Hindi cinema. But female revenge drama's are very few which are remembered till date, most popular female revenge drama's are ZAKHMI AURAT, KHOON BHARI MAANG and BANDIT QUEEN. Some of them are B-grade flicks with A-list actress, not required to named them. Director Vishal Pandya tried to live up to that expectation but failed miserably. Coming to performances, Surveen Chawla(as Sonika) she fails to deliver the hotness quotient which Paoli Dam made a trademark of this franchise. Jay Bhanushali(as Akshay) he is wasted and fails to impress, he was just a mannequin and hearing the directors call. Sushant Singh(as Mandar Matre) he was outstanding and probably the shinning star of this drama, after long time making his presence with a mass villainous role and stealing the show. Story was sluggish with no twists and turns just simple revenge drama. Screenplay was inspired from some of previous female revenge drama's especially first half was almost similar to KILL BILL but second half was much better than first half where in the first half they were trying to setup the plot. Hotness quotient is the trademark of this franchise, but it was hardly 3 minutes and that to be not intense. Songs are already ruling the charts. Sunny Leone "Pink Lips" made a sudden appearance from nowhere.On the whole, with less hotness quotient and sluggish script. It dint live up to that expectation where the makers concentrated more on the story rather than eroticism. Sushant Singh was the best thing happen in this flick, if he would have not been there then it would another B or C grade film. I would better prefer Sooraj Barjatya family drama rather than this Revenge Drama.

One of the most popular facts of Hindi films market is that here other than the star system the one element which can easily bring in the crowd into the theaters is Sex or Erotica. And since 70s there is a certain section of film-makers who have always kept this basic fact in mind before making their irrelevant films just to earn some quick money from the box office and nothing else. In other words a market where a porn star can so easily be transformed into a television celebrity reaching your whole family in the evenings and also manages to generate a decent amount of fan following without doing anything significant on the screen in terms of acting. It is pretty obvious that sex based films remain a hot property for the distributors as well as for the producers, with a minimum risk factor and a high repeat value ensuring some safe returns.So no points for guessing that HATE STORY 2 is also one of those deliberately made business products just in search of the viewers willing to see another naked body on the screen of a known face instead of cinema. Plus it's once again a sequel which has nothing to do with its first part. But does follow the same pattern of presenting a sexy girl who can bare it all, gets exploited before the intermission and then goes on to take her revenge in the second half displaying the inner power of a woman (to put it in some respectable words).However where the formula did come up with something watchable in its prequel, the second part falls way short of that already achieved mark, basically (again) due to its pretty ordinary second half executed in a hasty & repetitive style by the director Vishal Pandya.Though it all begins with an inspired sequence straight away reminding you of Uma Thurman, still the progression holds your interest nicely before it all becomes easily predictable heading towards the interval. The early part of the script borrows heavily from Quentin Tarantino's cult revenge thriller KILL BILL and once it tries walking on its own, the film falls completely flat and goes even beyond the level of bearable in its final moments to say the least. In short, HATE STORY begins well, becomes average in the first 40 minutes and then simply slides down towards the bottom becoming plain ordinary, boring and even funny ruining all the hard work done by its actors in its first half.Interestingly where the sex factor did have a steaming impact in its part one (due to Paoli Dam), the sequel surprisingly remains a non- performer in that particular aspect with nothing exciting or engaging in its revenge drama too in the later part. The erotic sequences fail to impress due to an almost none chemistry between the on screen pair and further all comfortable killings of the main targets simply ruin the expectations raised earlier.To give them their deserving due, a few sequences in the film have some well written dialogues in its initial hour and the two lead actors Surveen Chawla and Sushant Singh do leave a mark in their opening scenes emoting well. Yet Surveen questionably uses the film as her do or die attempt following the easiest path of taking her clothes off, which unfortunately is not going to yield some great results for her as it seems. The girl has been around for a while doing some regional films, music videos and few anchoring assignments too. But I really wasn't expecting her to dive down to this level of desperation quite frankly. Plus she still has to look a lot into her styling and make-up urgently as her face does appear to be entirely different in some casually chosen costumes & hairstyles in an uneven manner.Sushant, as mentioned above plays it tough enough to make a decent impact at first, but is reduced to a repetitive clown towards the end spoiling the good build-up. Jay Bhanushali gets limited scope in his small role whereas Neha Kaul is terrific playing Sushant's suppressed wife having no voice of her own. The supporting cast performs OK and cinematography captures the essence of the movie rightly but background score tries too hard to make it sound like a great revenge thriller post intermission.Musically other than the pathetic 'Pink Lips' featuring Sunny Leone (jumping out of nowhere into the film post interval), the soundtrack also comes up with an average new-age version of the late 80s path breaking track "Aaj Tumpe Pyar Aaya Hai" from DAYAVAN (1988). And as history repeats itself, even after the gap of 25 years the fabulously composed song once again becomes famous more for its visual content only instead of the melodious musical notes, unfortunately (which inspires me to write a focused article on the same in the next days). Apart from the above two, few other songs in the film do appear to be soothing at their first listening. But their unintelligent timing in the script (one also coming in the climax), doesn't allow them to make any kind of impact on the viewer, whatsoever.In all, there is no Paoli Dam here to say it indicatively and the film is nothing but an exploitive attempt just interested in en-cashing the curiosity generated by its steamy promos at the earliest. And if you still wish to see this empty tin making some good noise, then the choice is all yours.

First fifteen minutes of film is interesting. I was sure that at least I am going to watch an above average film for sure but my expectation got crushed. Story offers almost nothing new. Screenplay is only about happening rather than reasoning or highlighting the mood. Dialogues by Girish Dhamija are good. Trailer of this film was clearly indicating that this one is going to offer thrill with seduction coating but there is no thrill and seduction is as much as shown in trailer and in song. A person escapes form a high security hospital very easily, even being wounded badly and Police combing operation is going on? When girl wanted to take vengeance, where did she get lots of money and other resources? She knows everything for granted, where is the person, when he is going to out? Her escaping and follow up scenes are full idiotic. Even her love track should have been intense but gradually it started sounding funny. Where her grand mother went after helping her? Why did villain could not try to find out her? There are lots of unanswered incidents. They are placed because they had to happen. Performance wise Sushant Singh is impressive. Surveen Chawala is good. Music is OK. "Aaj Phir Tum Par Pyar Aaya Hai" is melodious.

A few moments ago burial ground looks untouched. An elderly man hears noises from the ground, starts digging and unearths our actress from a coffin, totally gagged. She is rescued but the films gets buried there itself.Following lines are spoken by grown up adults in the film."She is making calls from her grave, "where did i place the knight in yesterdays gave of chess", "Akshay, can you please talk about 'that'!" and quite a few "baba kehte the...... what not"Suvreen is OK, she tries. Jay is stupid and looks totally miscast. All others were a waste. Arijit Singh's rendition of "Aaj Phir" sounds great but all others are waste.Even Sunny Leone and her "Pink Lips" looks completely miss placed. I kindly request you to miss the movie too..