Hammerhead
Hammerhead
| 11 September 1968 (USA)
Hammerhead Trailers

An American agent has tracked down the stronghold of an evil criminal mastermind, determined to take over the world (what, another one ?).

Reviews
Derekflint-726-995720

Made at the height of the spy movie craze, Hammerhead commits the worst sin of all in the movie trade - it's monotonous. I enjoy an entertaining bad movie as much as the next, but a boring bad movie is unforgivable and forgettable. So why am I writing this review, you may ask? Because I'm a nice guy and I'm doing this as a public service. If you're a hard-core James Bond/spy movie fanatic like me, you HAVE to see every release that came out during that period. It's inevitable that you're going to track this one down. Don't say I didn't warn you.Oh, I'm sorry-I forgot to mention the plot. Vince Edwards, who some of us remember. on TV as Dr. Ben Casey, doffs his O.R. scrubs and puts on his suit and tie to become... Well, that's the beauty of this incomprehensible film. When you watching you're not exactly sure what he's supposed to be. One minute he says he's an international jewel thief, the next minute, perky Brit flower child Judy Geeson accuses him of being a spy. Even though you never really find out what he is, by the end of the movie, you don't really care. From the beginning to the end, this piece of crap keeps going back and forth to scenes of "Flower power children", dancing in the streets, dancing on top of boats, dancing on top of cars, dancing up on stage...well you get the idea. Maybe if you take some hallucinogens, this movie will really be enjoyable for you. When I think of "dated" movies, I think some of the worst ones come from the "psychedelic age". This movie smells like stale pot. I recommend avoid at all costs.

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ShadeGrenade

'Hammerhead' was a late addition to the seemingly endless cycle of James Bond imitations that swamped cinemas in the mid-'60's. Based on a novel by James Mayo, it stars Vince Edwards as American agent 'Charles Hood', who is assigned by Colonel Condor ( Patrick Cargill ) of British Intelligence to investigate the activities of evil millionaire Mr.Hammerhead ( Peter Vaughan ). Hood travels to Lisbon with a crate of pornography ( Hammerhead is fascinated by the stuff ) which he hopes to sell to the arch-villain. Getting in his way at all times is lovely model Sue Trenton ( Judy Geeson ). Hammerhead has a palatial villa and a yacht called 'Triton'. One of his staff, Andreas ( Michael Bates ) is training to impersonate Sir Richard Calvert ( also played by Bates ) with a view to infiltrating a meeting of NATO chiefs of staff and photographing a top secret report into Western defense.What distinguishes it from the Bond series - and indeed so many other similar films - are the squirts of hippie atmosphere that book-end the movie. 'Hood' is a colourless character, but Edwards makes a decent fist of it. Peter Vaughan enjoys himself hugely as the titular villain ( 'Espiritu Lobar' in the book ), a sort of cross between 'Auric Goldfinger' and Howard Hughes. Michael Bates is especially good, and Diana Dors and Beverly Adams add to the glamour. Strangely, despite all the beautiful girls around, Hood does not get to bed any of them ( though its hinted he and Sue will be heading for bed as the end credits roll ). William Mervyn, known mainly for comedy roles ( such as in 'All Gas & Gaiters' ), plays one of Hammerhead's men, and Dave 'Darth Vader' Prowse is a super-strong henchman. Irving Allen, the producer, was also responsible for the 'Matt Helm' series starring Dean Martin. While I liked this movie better than the last three Helm pictures, it did not quite come up to the standard of the first - 'The Silencers'.In the action stakes the movie is okay but not particularly outstanding. The Triton yacht is so impressive I was looking forward to seeing it blown up at the end, but it does not happen. Neither does Hood get to fight the Prowse character. The villains have a few gadgets, such a lipstick radio and a tape recorder in a matchbox, but Hood has none! Some good fights though, and a couple of exciting chases through the back alleys of Lisbon. There is one hilarious moment when Hood and Sue, trapped in a coffin, try to summon help from a passing motorcyclist ( Kenneth Cope ). As soon as he sees them, he keels over from shock!Hood made no further appearances on the big screen, which is kind of a pity as the next two books in the series - 'Let Sleeping Girls Lie' and 'Shamelady' - would have in my view made good movies.

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OldSchoolWhitey64

Third rate Bond ripoff,with super villain,scantily clad women,etc.About the only moment I even really remember is *NOT A SPOILER* with about 10 minutes left, the wind from a helicopter blows Judy Geeson's skirt up, giving us a good 3-4 second look at her white briefs.That should tell you how memorable the entire movie is.To the first comment,at the bottom,the *SPOILER* ending you described,was to an equally awful film,from the year before, called "The Day the fish came out."

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graywyvern

i loved this when i saw it on tv umpteen years ago. as i remember it, it was among the more stylish of Bond ripoffs; & of course, tres-60's. but the only image that sticks with me (SPOILER ALERT) is a scene of mass dancing on the beach, while the timer ticks down that will destroy the world. and it does...

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