Guns for San Sebastian
Guns for San Sebastian
NR | 20 March 1968 (USA)
Guns for San Sebastian Trailers

Leon Alastray is an outlaw who has been given sanctuary by Father John, whom he then escorts to the village of San Sebastian. The village is deserted, with its cowardly residents hiding in the hills from Indians, who regularly attack the village and steal all their supplies. When Father John is murdered, the villagers mistakenly think the outlaw is the priest. Alastray at first tells them he is not a priest, but they don't believe it, and an apparent miracle seems to prove they are correct. Eventually, he assists them in regaining their confidence and defending themselves.

Reviews
ma-cortes

This exciting picture deals with an outlaw disguising himself as priest who helps defend tribal land ,(people living on the edges of themselves and their resourcefulness and limited supplies) from a gang of mean bandits and rebel Indians that want tribe's crop . ¨Two hundred years ago Mexico was ruled by a King in far-off Spain who was attempting to impose an alien religion and system of law upon a proud but diverse people . They ranged from simple villagers , torn between old and new , to the most warlike of the Indian tribes : the Yaquis who were determined to resist all change . This is the story of Astray who chose to fight both the king and the Yaquis ¨ . Leon Alastray (Anthony Quinn) is a bandit who has been given sanctuary in a church by Father John (Sam Jaffe), whom he then accompanies to the village of San Sebastian (Mexico) . The village is deserted, with its cowardly residents hiding in the ridges from Yaquis, who ordinarily attack the little town and rob all their food . When Father John is killed, the villagers mistakenly believe the bandit is a parish priest . Alastray at first tell them he is not a priest, but they don't believe it, and an apparent miracle on a San Sebastian sculpture seems to demonstrate they are correct . After that , the priest train them to kill and defending themselves when the village is besieged by the violent Yaquis . Meanwhile , the Indian war party (commanded by Jaime Fernandez as Golden Lance) and a rebel group (led by Charles Bronson) then head out to conquer the Mexican village held in an impregnable fortress that the villagers have built and the priest assists them in regaining their confidence.This Western movie produced by Jacques Bar is a Franco-Mexican-Italian co-production,; it packs thrills, emotion, romance, action packed , extraordinary performances and spectacular finale battle . This Western-drama is an interesting story that carries a genuine charge of intelligence with exciting battle of wits between an upright outlaw and a nasty mestizo . Sensational acting by two big star names, Anthony Quinn and Charles Bronson . Strong secondary cast plenty of Mexican actors as Silvia Pinal, Pedro Armendariz Jr , Enrique Lucero, Jaime Fernandez, Chano Urueta and special mention to Sam Jaffe as kind old priest and Leon Askin as Vicar General . Interesting and thrilling screenplay by the prestigious James R Webb . Very good cinematography filmed in Metrocolor by Armand Thirard and on location in Durango, El Saltito, Durango, San Miguel de Allende, and Guanajuato, Mexico . Sensible musical score by the maestro Ennio Morricone in one of his best scores , including particular style and sound . The picture is splendidly directed by Henry Verneuil, a Turkish director working in France from the 40s. Although not a director of great reputation among the critics, his movies have almost all been aimed squarely at the commercial market. Verneuil is an expert on heist-genre such as he proved in ¨The Sicilians clan(68)¨ also with Gabin and Delon, ¨The burglars(1971)¨with Omar Shariff and Jean Paul Belmondo , furthermore on Warlike genre : ¨Weekend at Dunkirk¨and ¨The 25th hour¨and only one Western : Guns of San Sebastian(68)¨. He seemed to have dropped out of the film-making after 1976, but in 1981 unexpectedly reappeared with yet another of his caper film : ¨Thousand millions of dollars¨. Rating : Good movie and above average, a must see for Western lovers and Quinn and Bronson fans.

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ian_powell

I have never actually seen the film, but Morricone's main theme is one of his greatest. Soaring, Beautiful, subtle and Unique. if the film is anything like as good as its score then it will be a masterpiece!The score is up there with Morricone's compositions for The Good The Bad and The Ugly and A Fistful of dynamite. In some ways more conventional....in that this was a major MGM western and not just a pasta western. Worth remembering that Morricone carried on composing great scores for this Director, including the twangy accompaniment to The Scicillian Clan and all those great early 8o's action flicks with Belmondo (Not to forget of course The Burglars as well)

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tom-darwin

The European Western takes a couple steps back in time with the rascal-mistaken-for-clergy theme, a proved device that worked for Bogie in "The Left Hand of God" & Whoopi in "Sister Act." In colonial Mexico, bandit Leon (Quinn) takes refuge with dedicated Father Joseph (Jaffe) & escapes when the priest is transferred to a forsaken northern village. The villagers, terrified of marauding Yaquis & exploited by a frontier protection racket led by embittered half-Yaqui Teclo (Bronson), mistake Leon for the priest & implore him for miracles. Unable to escape back into colonial settlement & tempted by naive, spirited village girl Kinita (Comer), he teaches the villagers to fight back & believe in themselves rather than praying for miracles. Quinn is colorful as ever but not quite believable making the transition from Leon the selfish, godless rascal to Leon the selfless, principled hero, though he is properly scruffy all the way through. Comer is fetching but Bronson is only bulky & menacing. Two extraordinary talents--Gravet as a stuffy bishop & the legendary Silvia Pinal as Leon's conniving girlfriend--are relegated to minor, superficial roles. The time period is wrong for the film's big gunfights, since firearms were clumsy & rare in the 18th century. But the tongue-in-cheek flavor of the spaghetti Western, with a scruffy rascal confounded, puzzled & frustrated on the way to his selfish goal, holds true all the way through. The Yaquis are represented--up to a point--with the sympathy typical of Westerns of circa 1970. A subplot, Leon's pursuit of a wild white horse, is an effective, slightly surreal device. A contribution by Bunuel, Jr., the 2nd unit director? Oh, my God, this movie has Silvia Pinal & Juan Luis Bunuel! It's the closest thing to a surrealist Western!

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whpratt1

Over the years I seemed to have missed this great picture with Anthony Quinn, Charles Bronson, Sam Jaffe and Anjanette Comer. At first I was not sure if I was going to like this picture because Sam Jaffe,(Father Joseph),"The Dunwich Horror",'70, gave the impression it was going to be a long boring film about the struggles of a poor priest in the desert. I was soon fooled as Anthony Quinn,(Leon Alastray),"The Shoes of the Fisherman",'68 is befriended by Father Joseph and at one point takes over the church and rings the bell of the church to summon the local people who are hiding in the hills. Leon Alastray meets up with Anajanette Comer,(Kinita),"The Baby",'73, who has very deep romantic feels for Leon and wants to make love, however, Leon is overwhelmed with a strong religious feeling and is unable to cooperate. There is lots of action battles and even a cannon gets into the action along with plenty of arrows flying through the air. It is a very entertaining film and Anthony Quinn had me laughing in quite a few parts of the film.

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